1
00:00:02,635 --> 00:00:05,838
>> HI. I'M MAGGIE Q FROM NIKITA,
AIRING FRIDAYS THIS FALL ON
THE CW.
2
00:00:05,840 --> 00:00:07,006
AIRING FRIDAYS THIS FALL ON
THE CW.
>> AND I'M KRISTOFFER POLAHA
3
00:00:07,008 --> 00:00:08,374
THE CW.
>> AND I'M KRISTOFFER POLAHA
FROM THE CW'S LATEST
4
00:00:08,376 --> 00:00:09,675
>> AND I'M KRISTOFFER POLAHA
FROM THE CW'S LATEST
AND GREATEST RINGER,
5
00:00:09,677 --> 00:00:10,809
FROM THE CW'S LATEST
AND GREATEST RINGER,
SURE TO BE YOUR NEW FAVORITE
6
00:00:10,811 --> 00:00:12,177
AND GREATEST RINGER,
SURE TO BE YOUR NEW FAVORITE
SHOW ON TUESDAYS THIS FALL.
7
00:00:12,179 --> 00:00:13,212
SURE TO BE YOUR NEW FAVORITE
SHOW ON TUESDAYS THIS FALL.
>> AND WE'RE HERE TO--
8
00:00:13,214 --> 00:00:15,414
>> AND WE'RE HERE TO--
>> WE'RE HERE TO TEACH YOU SOME
SERIOUS MARTIAL ARTS MOVES.
9
00:00:15,416 --> 00:00:16,315
>> WE'RE HERE TO TEACH YOU SOME
SERIOUS MARTIAL ARTS MOVES.
THEY'RE THE KIND OF MOVES YOU'RE
10
00:00:16,317 --> 00:00:17,082
SERIOUS MARTIAL ARTS MOVES.
THEY'RE THE KIND OF MOVES YOU'RE
GONNA NEED TO MASTER IF YOU
11
00:00:17,084 --> 00:00:18,851
THEY'RE THE KIND OF MOVES YOU'RE
GONNA NEED TO MASTER IF YOU
WANNA BE PREPARED FOR PRIMETIME.
12
00:00:18,853 --> 00:00:20,019
GONNA NEED TO MASTER IF YOU
WANNA BE PREPARED FOR PRIMETIME.
>> ACTUALLY, KRIS, I THINK
13
00:00:20,021 --> 00:00:21,286
WANNA BE PREPARED FOR PRIMETIME.
>> ACTUALLY, KRIS, I THINK
WE'RE HERE TO PRESENT
14
00:00:21,288 --> 00:00:23,122
>> ACTUALLY, KRIS, I THINK
WE'RE HERE TO PRESENT
THE CW 2011 FALL PREVIEW.
15
00:00:23,124 --> 00:00:24,456
WE'RE HERE TO PRESENT
THE CW 2011 FALL PREVIEW.
>> OH. UH, THAT TOO.
16
00:00:24,458 --> 00:00:25,290
THE CW 2011 FALL PREVIEW.
>> OH. UH, THAT TOO.
>> YEAH.
17
00:00:25,292 --> 00:00:26,291
>> OH. UH, THAT TOO.
>> YEAH.
>> BUT--AND HOW TO DELIVER
18
00:00:26,293 --> 00:00:27,626
>> YEAH.
>> BUT--AND HOW TO DELIVER
A FULL-ON ROUNDHOUSE KICK.
19
00:00:27,628 --> 00:00:29,461
>> BUT--AND HOW TO DELIVER
A FULL-ON ROUNDHOUSE KICK.
[grunting]
20
00:00:29,463 --> 00:00:30,929
A FULL-ON ROUNDHOUSE KICK.
[grunting]
HUH?
21
00:00:30,931 --> 00:00:31,797
[grunting]
HUH?
WAS THAT TOO MUCH?
22
00:00:31,799 --> 00:00:32,631
HUH?
WAS THAT TOO MUCH?
>> IT WAS OKAY.
23
00:00:32,633 --> 00:00:33,465
WAS THAT TOO MUCH?
>> IT WAS OKAY.
>> UH...
24
00:00:33,467 --> 00:00:35,167
>> IT WAS OKAY.
>> UH...
>> [laughs] WELCOME TO
25
00:00:35,169 --> 00:00:37,903
>> UH...
>> [laughs] WELCOME TO
THE CW 2011 FALL PREVIEW.
26
00:00:37,905 --> 00:00:38,704
>> [laughs] WELCOME TO
THE CW 2011 FALL PREVIEW.
KRIS AND I WILL BE YOUR GUIDES
27
00:00:38,706 --> 00:00:39,671
THE CW 2011 FALL PREVIEW.
KRIS AND I WILL BE YOUR GUIDES
THROUGH ALL THE GREAT NEW
28
00:00:39,673 --> 00:00:40,873
KRIS AND I WILL BE YOUR GUIDES
THROUGH ALL THE GREAT NEW
PROGRAMMING COMING THIS FALL
29
00:00:40,875 --> 00:00:41,673
THROUGH ALL THE GREAT NEW
PROGRAMMING COMING THIS FALL
TO THE CW.
30
00:00:41,675 --> 00:00:42,975
PROGRAMMING COMING THIS FALL
TO THE CW.
>> FROM THE UPPER EAST SIDE TO
31
00:00:42,977 --> 00:00:44,510
TO THE CW.
>> FROM THE UPPER EAST SIDE TO
THE OUTER LIMITS OF IMAGINATION,
32
00:00:44,512 --> 00:00:46,245
>> FROM THE UPPER EAST SIDE TO
THE OUTER LIMITS OF IMAGINATION,
FROM HIGH DRAMA TO HIGH ACTION,
33
00:00:46,247 --> 00:00:49,114
THE OUTER LIMITS OF IMAGINATION,
FROM HIGH DRAMA TO HIGH ACTION,
THIS FALL THE CW HAS FIVE GREAT
34
00:00:49,116 --> 00:00:50,282
FROM HIGH DRAMA TO HIGH ACTION,
THIS FALL THE CW HAS FIVE GREAT
NIGHTS OF PROGRAMMING, WITH NEW
35
00:00:50,284 --> 00:00:51,817
THIS FALL THE CW HAS FIVE GREAT
NIGHTS OF PROGRAMMING, WITH NEW
EXPERIENCES GUARANTEED EVERY
36
00:00:51,819 --> 00:00:52,818
NIGHTS OF PROGRAMMING, WITH NEW
EXPERIENCES GUARANTEED EVERY
NIGHT.
37
00:00:52,820 --> 00:00:57,322
>> MONDAYS GET YOUR WEEKLY DOSE
OF ANGST AND BETRAYAL AT
AN EARLIER TIME WITH ALL-NEW
38
00:00:57,324 --> 00:00:58,490
OF ANGST AND BETRAYAL AT
AN EARLIER TIME WITH ALL-NEW
EPISODES OF GOSSIP GIRL,
39
00:00:58,492 --> 00:00:59,658
AN EARLIER TIME WITH ALL-NEW
EPISODES OF GOSSIP GIRL,
FOLLOWED BY A NEW SERIES FROM
40
00:00:59,660 --> 00:01:01,160
EPISODES OF GOSSIP GIRL,
FOLLOWED BY A NEW SERIES FROM
THE GOSSIP GIRL GURUS,
41
00:01:01,162 --> 00:01:02,261
FOLLOWED BY A NEW SERIES FROM
THE GOSSIP GIRL GURUS,
HART OF DIXIE.
42
00:01:02,263 --> 00:01:03,162
THE GOSSIP GIRL GURUS,
HART OF DIXIE.
RACHEL BILSON LEADS AN
43
00:01:03,164 --> 00:01:04,997
HART OF DIXIE.
RACHEL BILSON LEADS AN
OUTSTANDING ENSEMBLE CAST OF
44
00:01:04,999 --> 00:01:06,365
RACHEL BILSON LEADS AN
OUTSTANDING ENSEMBLE CAST OF
GREAT CHARACTERS IN SMALL TOWN,
45
00:01:06,367 --> 00:01:07,199
OUTSTANDING ENSEMBLE CAST OF
GREAT CHARACTERS IN SMALL TOWN,
U.S.A.
46
00:01:07,201 --> 00:01:08,467
GREAT CHARACTERS IN SMALL TOWN,
U.S.A.
>> AND KICK OFF TUESDAYS WITH
47
00:01:08,469 --> 00:01:10,636
U.S.A.
>> AND KICK OFF TUESDAYS WITH
AN ALL-NEW SEASON OF 90210.
48
00:01:10,638 --> 00:01:11,637
>> AND KICK OFF TUESDAYS WITH
AN ALL-NEW SEASON OF 90210.
>> FOLLOWED BY THE RETURN OF
49
00:01:11,639 --> 00:01:12,938
AN ALL-NEW SEASON OF 90210.
>> FOLLOWED BY THE RETURN OF
A TRUE TV STAR,
50
00:01:12,940 --> 00:01:13,972
>> FOLLOWED BY THE RETURN OF
A TRUE TV STAR,
SARAH MICHELLE GELLAR,
51
00:01:13,974 --> 00:01:15,808
A TRUE TV STAR,
SARAH MICHELLE GELLAR,
IN A NEW DRAMA EVERYONE,
52
00:01:15,810 --> 00:01:17,409
SARAH MICHELLE GELLAR,
IN A NEW DRAMA EVERYONE,
ESPECIALLY KRIS, IS BUZZIN'
53
00:01:17,411 --> 00:01:18,077
IN A NEW DRAMA EVERYONE,
ESPECIALLY KRIS, IS BUZZIN'
ABOUT.
54
00:01:18,079 --> 00:01:19,244
ESPECIALLY KRIS, IS BUZZIN'
ABOUT.
RINGER, A PSYCHOLOGICAL
55
00:01:19,246 --> 00:01:20,412
ABOUT.
RINGER, A PSYCHOLOGICAL
THRILLER WHERE NO ONE IS WHAT
56
00:01:20,414 --> 00:01:21,547
RINGER, A PSYCHOLOGICAL
THRILLER WHERE NO ONE IS WHAT
THEY SEEM.
57
00:01:21,549 --> 00:01:22,548
THRILLER WHERE NO ONE IS WHAT
THEY SEEM.
REALLY?
58
00:01:22,550 --> 00:01:23,348
THEY SEEM.
REALLY?
>> MM.
59
00:01:23,350 --> 00:01:24,149
REALLY?
>> MM.
>> [laughs]
60
00:01:24,151 --> 00:01:25,651
>> MM.
>> [laughs]
>> ON WEDNESDAYS, IF YOU THINK
61
00:01:25,653 --> 00:01:27,486
>> [laughs]
>> ON WEDNESDAYS, IF YOU THINK
CELEBRITIES ARE EASY TARGETS,
62
00:01:27,488 --> 00:01:28,787
>> ON WEDNESDAYS, IF YOU THINK
CELEBRITIES ARE EASY TARGETS,
MM-MM, YOU THINK AGAIN.
63
00:01:28,789 --> 00:01:30,456
CELEBRITIES ARE EASY TARGETS,
MM-MM, YOU THINK AGAIN.
THE BOLD NEW REALITY SERIES H8R
64
00:01:30,458 --> 00:01:31,824
MM-MM, YOU THINK AGAIN.
THE BOLD NEW REALITY SERIES H8R
BRINGS CELEBRITIES FACE-TO-FACE
65
00:01:31,826 --> 00:01:34,159
THE BOLD NEW REALITY SERIES H8R
BRINGS CELEBRITIES FACE-TO-FACE
WITH THEIR WORST CRITICS--YOU--
66
00:01:34,161 --> 00:01:35,427
BRINGS CELEBRITIES FACE-TO-FACE
WITH THEIR WORST CRITICS--YOU--
AND IT DOESN'T ALWAYS END
67
00:01:35,429 --> 00:01:36,095
WITH THEIR WORST CRITICS--YOU--
AND IT DOESN'T ALWAYS END
PRETTY.
68
00:01:36,097 --> 00:01:36,962
AND IT DOESN'T ALWAYS END
PRETTY.
>> UH-OH.
69
00:01:36,964 --> 00:01:38,497
PRETTY.
>> UH-OH.
THEN AMERICA'S NEXT TOP MODEL
70
00:01:38,499 --> 00:01:39,965
>> UH-OH.
THEN AMERICA'S NEXT TOP MODEL
IS TAKING IT TO THE NEXT LEVEL
71
00:01:39,967 --> 00:01:41,166
THEN AMERICA'S NEXT TOP MODEL
IS TAKING IT TO THE NEXT LEVEL
WITH THEIR FIRST EVER ALL-STAR
72
00:01:41,168 --> 00:01:42,000
IS TAKING IT TO THE NEXT LEVEL
WITH THEIR FIRST EVER ALL-STAR
EDITION.
73
00:01:42,002 --> 00:01:43,335
WITH THEIR FIRST EVER ALL-STAR
EDITION.
YOUR FAVORITE PAST CONTESTANTS
74
00:01:43,337 --> 00:01:44,536
EDITION.
YOUR FAVORITE PAST CONTESTANTS
ARE GONNA BATTLE IT OUT,
75
00:01:44,538 --> 00:01:45,237
YOUR FAVORITE PAST CONTESTANTS
ARE GONNA BATTLE IT OUT,
NO-HOLDS-BARRED, TO SEE WHO
76
00:01:45,239 --> 00:01:46,839
ARE GONNA BATTLE IT OUT,
NO-HOLDS-BARRED, TO SEE WHO
STILL HAS WHAT IT TAKES
77
00:01:46,841 --> 00:01:48,107
NO-HOLDS-BARRED, TO SEE WHO
STILL HAS WHAT IT TAKES
TO BE QUEEN OF THE CATWALK.
78
00:01:48,109 --> 00:01:49,775
STILL HAS WHAT IT TAKES
TO BE QUEEN OF THE CATWALK.
>> THURSDAY IS A FULL-ON FRIGHT
79
00:01:49,777 --> 00:01:51,376
TO BE QUEEN OF THE CATWALK.
>> THURSDAY IS A FULL-ON FRIGHT
FEST, NOT TO BE BELIEVED.
80
00:01:51,378 --> 00:01:52,411
>> THURSDAY IS A FULL-ON FRIGHT
FEST, NOT TO BE BELIEVED.
IT ALL KICKS OFF WITH NEW
81
00:01:52,413 --> 00:01:53,479
FEST, NOT TO BE BELIEVED.
IT ALL KICKS OFF WITH NEW
EPISODES OF THE HIT SHOW
82
00:01:53,481 --> 00:01:54,947
IT ALL KICKS OFF WITH NEW
EPISODES OF THE HIT SHOW
THE VAMPIRE DIARIES.
83
00:01:54,949 --> 00:01:56,014
EPISODES OF THE HIT SHOW
THE VAMPIRE DIARIES.
>> FOLLOWED BY A HOT NEW SERIES
84
00:01:56,016 --> 00:01:57,082
THE VAMPIRE DIARIES.
>> FOLLOWED BY A HOT NEW SERIES
FROM THE SAME TEAM THAT BROUGHT
85
00:01:57,084 --> 00:01:58,750
>> FOLLOWED BY A HOT NEW SERIES
FROM THE SAME TEAM THAT BROUGHT
YOU THE VAMPIRE DIARIES.
86
00:01:58,752 --> 00:02:00,085
FROM THE SAME TEAM THAT BROUGHT
YOU THE VAMPIRE DIARIES.
PREPARE TO BE BEWITCHED BY
87
00:02:00,087 --> 00:02:01,453
YOU THE VAMPIRE DIARIES.
PREPARE TO BE BEWITCHED BY
THE SECRET CIRCLE.
88
00:02:01,455 --> 00:02:02,454
PREPARE TO BE BEWITCHED BY
THE SECRET CIRCLE.
>> OOH.
89
00:02:02,456 --> 00:02:05,290
THE SECRET CIRCLE.
>> OOH.
UH, WHICH BRINGS US TO FRIDAY,
90
00:02:05,292 --> 00:02:07,626
>> OOH.
UH, WHICH BRINGS US TO FRIDAY,
THE MOST ACTION-PACKED NIGHT OF
91
00:02:07,628 --> 00:02:08,961
UH, WHICH BRINGS US TO FRIDAY,
THE MOST ACTION-PACKED NIGHT OF
THE WEEK, AS I'M SURE THAT
92
00:02:08,963 --> 00:02:09,962
THE MOST ACTION-PACKED NIGHT OF
THE WEEK, AS I'M SURE THAT
MAGGIE WILL AGREE.
93
00:02:09,964 --> 00:02:11,230
THE WEEK, AS I'M SURE THAT
MAGGIE WILL AGREE.
NIKITA MAKES HER MOVE WITH
94
00:02:11,232 --> 00:02:12,631
MAGGIE WILL AGREE.
NIKITA MAKES HER MOVE WITH
ALL-NEW EPISODES ON FRIDAY
95
00:02:12,633 --> 00:02:13,632
NIKITA MAKES HER MOVE WITH
ALL-NEW EPISODES ON FRIDAY
NIGHT.
96
00:02:13,634 --> 00:02:15,100
ALL-NEW EPISODES ON FRIDAY
NIGHT.
>> FOLLOWED BY ALL-NEW
97
00:02:15,102 --> 00:02:16,668
NIGHT.
>> FOLLOWED BY ALL-NEW
GUARANTEED-TO-THRILL EPISODES
98
00:02:16,670 --> 00:02:17,970
>> FOLLOWED BY ALL-NEW
GUARANTEED-TO-THRILL EPISODES
OF SUPERNATURAL.
99
00:02:17,972 --> 00:02:19,138
GUARANTEED-TO-THRILL EPISODES
OF SUPERNATURAL.
>> FIVE DISTINCT NIGHTS OF
100
00:02:19,140 --> 00:02:21,473
>> FIVE DISTINCT NIGHTS OF
ALL-ORIGINAL, AWE-INSPIRING
PROGRAMMING.
101
00:02:21,475 --> 00:02:22,808
ALL-ORIGINAL, AWE-INSPIRING
PROGRAMMING.
YOU READY FOR THE RIDE?
102
00:02:22,810 --> 00:02:25,043
PROGRAMMING.
YOU READY FOR THE RIDE?
>> I ALREADY BOUGHT MY TICKET.
103
00:02:25,045 --> 00:02:25,878
YOU READY FOR THE RIDE?
>> I ALREADY BOUGHT MY TICKET.
WELCOME TO
104
00:02:25,880 --> 00:02:28,180
>> I ALREADY BOUGHT MY TICKET.
WELCOME TO
THE CW 2011 FALL PREVIEW.
105
00:02:28,182 --> 00:02:28,847
WELCOME TO
THE CW 2011 FALL PREVIEW.
>> [laughs]
106
00:02:28,849 --> 00:02:29,515
THE CW 2011 FALL PREVIEW.
>> [laughs]
>> [grunts]
107
00:02:29,517 --> 00:02:30,616
>> [laughs]
>> [grunts]
>> [laughs]
108
00:02:30,618 --> 00:02:32,117
>> [grunts]
>> [laughs]
>> [grunts]
109
00:02:32,119 --> 00:02:34,353
>> [laughs]
>> [grunts]
[explosion]
110
00:02:34,355 --> 00:02:35,354
>> [grunts]
[explosion]
[energetic dance music]
111
00:02:35,356 --> 00:02:36,855
[explosion]
[energetic dance music]
¶ ¶
112
00:02:36,857 --> 00:02:38,056
[energetic dance music]
¶ ¶
>> SHE'S LOCKED AND LOADED.
113
00:02:38,058 --> 00:02:40,225
¶ ¶
>> SHE'S LOCKED AND LOADED.
[LMFAO's Party Rock Anthem]
114
00:02:40,227 --> 00:02:41,894
>> SHE'S LOCKED AND LOADED.
[LMFAO's Party Rock Anthem]
>> THANK GOD. SHOW TIME.
115
00:02:41,896 --> 00:02:42,861
[LMFAO's Party Rock Anthem]
>> THANK GOD. SHOW TIME.
>> ¶ SHAKE THAT ¶
116
00:02:42,863 --> 00:02:44,863
>> THANK GOD. SHOW TIME.
>> ¶ SHAKE THAT ¶
>> HOLD ON.
117
00:02:44,865 --> 00:02:45,831
>> ¶ SHAKE THAT ¶
>> HOLD ON.
>> ALL RIGHT, EVERYONE, LET'S
118
00:02:45,833 --> 00:02:46,665
>> HOLD ON.
>> ALL RIGHT, EVERYONE, LET'S
PARTY!
119
00:02:46,667 --> 00:02:47,432
>> ALL RIGHT, EVERYONE, LET'S
PARTY!
[cheering]
120
00:02:47,434 --> 00:02:48,467
PARTY!
[cheering]
>> [hisses]
121
00:02:48,469 --> 00:02:49,368
[cheering]
>> [hisses]
>> all: [screaming]
122
00:02:49,370 --> 00:02:51,470
>> [hisses]
>> all: [screaming]
>> SOMEONE'S FEISTY.
123
00:02:51,472 --> 00:02:52,538
>> all: [screaming]
>> SOMEONE'S FEISTY.
>> ¶ PARTY ROCK IS ¶
124
00:02:52,540 --> 00:02:55,107
>> SOMEONE'S FEISTY.
>> ¶ PARTY ROCK IS ¶
¶ IN THE HOUSE TONIGHT ¶
125
00:02:55,109 --> 00:02:58,877
>> ¶ PARTY ROCK IS ¶
¶ IN THE HOUSE TONIGHT ¶
>> KEEP YOUR MODEL COMPOSURE!
126
00:02:58,879 --> 00:03:01,280
¶ IN THE HOUSE TONIGHT ¶
>> KEEP YOUR MODEL COMPOSURE!
>> LISTEN TO ME!
127
00:03:01,282 --> 00:03:02,247
>> KEEP YOUR MODEL COMPOSURE!
>> LISTEN TO ME!
>> [screams]
128
00:03:02,249 --> 00:03:05,017
>> LISTEN TO ME!
>> [screams]
>> OOH!
129
00:03:05,019 --> 00:03:05,684
>> [screams]
>> OOH!
>> [sighs]
130
00:03:05,686 --> 00:03:06,752
>> OOH!
>> [sighs]
THIS HAS GOT TO END.
131
00:03:06,754 --> 00:03:08,487
>> [sighs]
THIS HAS GOT TO END.
>> I THOUGHT IT JUST DID.
132
00:03:08,489 --> 00:03:10,522
THIS HAS GOT TO END.
>> I THOUGHT IT JUST DID.
>> ¶ GET UP, GET DOWN ¶
133
00:03:10,524 --> 00:03:11,456
>> I THOUGHT IT JUST DID.
>> ¶ GET UP, GET DOWN ¶
>> WE'RE GONNA HAVE A LITTLE
134
00:03:11,458 --> 00:03:12,291
>> ¶ GET UP, GET DOWN ¶
>> WE'RE GONNA HAVE A LITTLE
MORE DRAMA!
135
00:03:12,293 --> 00:03:13,158
>> WE'RE GONNA HAVE A LITTLE
MORE DRAMA!
>> ¶ PUT YOUR HANDS UP ¶
136
00:03:13,160 --> 00:03:13,859
MORE DRAMA!
>> ¶ PUT YOUR HANDS UP ¶
¶ PUT YOUR HANDS UP ¶
137
00:03:13,861 --> 00:03:15,360
>> ¶ PUT YOUR HANDS UP ¶
¶ PUT YOUR HANDS UP ¶
¶ PUT YOUR HANDS UP ¶
138
00:03:15,362 --> 00:03:18,430
¶ PUT YOUR HANDS UP ¶
¶ PUT YOUR HANDS UP ¶
[explosion]
139
00:03:18,432 --> 00:03:19,231
¶ PUT YOUR HANDS UP ¶
[explosion]
>> OHH!
140
00:03:19,233 --> 00:03:20,265
[explosion]
>> OHH!
>> [laughs]
141
00:03:20,267 --> 00:03:22,167
>> OHH!
>> [laughs]
>> ¶ JUST HAVE A GOOD, GOOD ¶
142
00:03:22,169 --> 00:03:22,834
>> [laughs]
>> ¶ JUST HAVE A GOOD, GOOD ¶
¶ GOOD TIME ¶
143
00:03:22,836 --> 00:03:24,102
>> ¶ JUST HAVE A GOOD, GOOD ¶
¶ GOOD TIME ¶
>> THIS IS THE CREATION OF
144
00:03:24,104 --> 00:03:24,770
¶ GOOD TIME ¶
>> THIS IS THE CREATION OF
A STAR.
145
00:03:24,772 --> 00:03:26,371
>> THIS IS THE CREATION OF
A STAR.
>> BRILLIANT.
146
00:03:26,373 --> 00:03:27,306
A STAR.
>> BRILLIANT.
[chatter, laughter]
147
00:03:27,308 --> 00:03:28,140
>> BRILLIANT.
[chatter, laughter]
>> WE'RE GONNA HAVE SO MUCH FUN
148
00:03:28,142 --> 00:03:29,308
[chatter, laughter]
>> WE'RE GONNA HAVE SO MUCH FUN
TOGETHER.
149
00:03:29,310 --> 00:03:31,810
>> ¶ SHAKE THAT ¶
150
00:03:34,113 --> 00:03:38,183
>> YOU KNOW THOSE PEOPLE WHO
HAVE EVERYTHING FIGURED OUT?
>> WELL, DR. ZOE HART IS ABOUT
151
00:03:38,185 --> 00:03:39,518
HAVE EVERYTHING FIGURED OUT?
>> WELL, DR. ZOE HART IS ABOUT
TO LEARN THE PITFALLS OF HAVING
152
00:03:39,520 --> 00:03:40,986
>> WELL, DR. ZOE HART IS ABOUT
TO LEARN THE PITFALLS OF HAVING
PLANNED TOO MUCH TOO SOON.
153
00:03:40,988 --> 00:03:41,920
TO LEARN THE PITFALLS OF HAVING
PLANNED TOO MUCH TOO SOON.
>> FROM BIG CITY SURGEON TO
154
00:03:41,922 --> 00:03:43,322
PLANNED TOO MUCH TOO SOON.
>> FROM BIG CITY SURGEON TO
RURAL SOUTHERN DOCTOR, RACHEL
155
00:03:43,324 --> 00:03:45,157
>> FROM BIG CITY SURGEON TO
RURAL SOUTHERN DOCTOR, RACHEL
BILSON LEADS AN AMAZING ENSEMBLE
156
00:03:45,159 --> 00:03:46,658
RURAL SOUTHERN DOCTOR, RACHEL
BILSON LEADS AN AMAZING ENSEMBLE
CAST IN A SHOW FILLED WITH
157
00:03:46,660 --> 00:03:48,193
BILSON LEADS AN AMAZING ENSEMBLE
CAST IN A SHOW FILLED WITH
GREAT CHARACTERS, HUMOR, AND
158
00:03:48,195 --> 00:03:49,728
CAST IN A SHOW FILLED WITH
GREAT CHARACTERS, HUMOR, AND
AND A WHOLE LOT OF HEART.
159
00:03:49,730 --> 00:03:51,263
GREAT CHARACTERS, HUMOR, AND
AND A WHOLE LOT OF HEART.
>> CW'S PROUD TO PRESENT
160
00:03:51,265 --> 00:03:54,967
AND A WHOLE LOT OF HEART.
>> CW'S PROUD TO PRESENT
HART OF DIXIE.
161
00:03:54,969 --> 00:03:56,235
>> CW'S PROUD TO PRESENT
HART OF DIXIE.
>> SEE THE NEW YORKER THAT
162
00:03:56,237 --> 00:03:57,569
HART OF DIXIE.
>> SEE THE NEW YORKER THAT
DOESN'T QUITE FIT IN?
163
00:03:57,571 --> 00:03:58,937
>> SEE THE NEW YORKER THAT
DOESN'T QUITE FIT IN?
THAT'S ME, DR. ZOE HART.
164
00:03:58,939 --> 00:04:00,239
DOESN'T QUITE FIT IN?
THAT'S ME, DR. ZOE HART.
I'M ON A BUS IN THE MIDDLE OF
165
00:04:00,241 --> 00:04:01,240
THAT'S ME, DR. ZOE HART.
I'M ON A BUS IN THE MIDDLE OF
NOWHERE.
166
00:04:01,242 --> 00:04:02,241
I'M ON A BUS IN THE MIDDLE OF
NOWHERE.
BUT I GUESS I SHOULD START AT
167
00:04:02,243 --> 00:04:03,408
NOWHERE.
BUT I GUESS I SHOULD START AT
THE BEGINNING.
168
00:04:03,410 --> 00:04:04,810
BUT I GUESS I SHOULD START AT
THE BEGINNING.
I GRADUATED FROM MEDICAL SCHOOL
169
00:04:04,812 --> 00:04:06,111
THE BEGINNING.
I GRADUATED FROM MEDICAL SCHOOL
AT THE TOP OF MY CLASS.
170
00:04:06,113 --> 00:04:08,113
I GRADUATED FROM MEDICAL SCHOOL
AT THE TOP OF MY CLASS.
>> DR. HART?
171
00:04:08,115 --> 00:04:09,948
AT THE TOP OF MY CLASS.
>> DR. HART?
MY NAME IS DR. HARLEY WILKES.
172
00:04:09,950 --> 00:04:11,250
>> DR. HART?
MY NAME IS DR. HARLEY WILKES.
I'M FROM BLUEBELL, ALABAMA.
173
00:04:11,252 --> 00:04:12,884
MY NAME IS DR. HARLEY WILKES.
I'M FROM BLUEBELL, ALABAMA.
I'D LIKE TO OFFER YOU A JOB.
174
00:04:12,886 --> 00:04:13,952
I'M FROM BLUEBELL, ALABAMA.
I'D LIKE TO OFFER YOU A JOB.
>> THANKS. YOUR OFFER IS REALLY
175
00:04:13,954 --> 00:04:15,821
I'D LIKE TO OFFER YOU A JOB.
>> THANKS. YOUR OFFER IS REALLY
SWEET, BUT I HAVE A PLAN.
176
00:04:15,823 --> 00:04:17,389
>> THANKS. YOUR OFFER IS REALLY
SWEET, BUT I HAVE A PLAN.
BYE.
177
00:04:17,391 --> 00:04:19,291
SWEET, BUT I HAVE A PLAN.
BYE.
I HAD IT ALL--THE MOST AMAZING
178
00:04:19,293 --> 00:04:20,525
BYE.
I HAD IT ALL--THE MOST AMAZING
BOYFRIEND WHO WAS JUST AS DRIVEN
179
00:04:20,527 --> 00:04:21,260
I HAD IT ALL--THE MOST AMAZING
BOYFRIEND WHO WAS JUST AS DRIVEN
AS I WAS.
180
00:04:21,262 --> 00:04:22,661
BOYFRIEND WHO WAS JUST AS DRIVEN
AS I WAS.
BEST PART WAS, WE LANDED IN THE
181
00:04:22,663 --> 00:04:24,229
AS I WAS.
BEST PART WAS, WE LANDED IN THE
SAME RESIDENCY PROGRAM.
182
00:04:24,231 --> 00:04:25,530
BEST PART WAS, WE LANDED IN THE
SAME RESIDENCY PROGRAM.
AND THEN I SUNK TO MY LOWEST
183
00:04:25,532 --> 00:04:26,632
SAME RESIDENCY PROGRAM.
AND THEN I SUNK TO MY LOWEST
POINT.
184
00:04:26,634 --> 00:04:27,566
AND THEN I SUNK TO MY LOWEST
POINT.
FIRST, THE MAN I LOVED DUMPED
185
00:04:27,568 --> 00:04:28,433
POINT.
FIRST, THE MAN I LOVED DUMPED
ME.
186
00:04:28,435 --> 00:04:29,334
FIRST, THE MAN I LOVED DUMPED
ME.
SECOND OF ALL--
187
00:04:29,336 --> 00:04:30,369
ME.
SECOND OF ALL--
WHAT DO YOU MEAN I DIDN'T GET
188
00:04:30,371 --> 00:04:31,536
SECOND OF ALL--
WHAT DO YOU MEAN I DIDN'T GET
THE CARDIOTHORACIC FELLOWSHIP?
189
00:04:31,538 --> 00:04:32,871
WHAT DO YOU MEAN I DIDN'T GET
THE CARDIOTHORACIC FELLOWSHIP?
WHAT DO I NEED TO DO TO GET NEXT
190
00:04:32,873 --> 00:04:33,839
THE CARDIOTHORACIC FELLOWSHIP?
WHAT DO I NEED TO DO TO GET NEXT
YEAR'S CT SPOT?
191
00:04:33,841 --> 00:04:34,806
WHAT DO I NEED TO DO TO GET NEXT
YEAR'S CT SPOT?
>> IF YOU WANT MY
192
00:04:34,808 --> 00:04:35,507
YEAR'S CT SPOT?
>> IF YOU WANT MY
RECOMMENDATION, SPEND THE NEXT
193
00:04:35,509 --> 00:04:36,208
>> IF YOU WANT MY
RECOMMENDATION, SPEND THE NEXT
12 MONTHS AS A GENERAL
194
00:04:36,210 --> 00:04:37,109
RECOMMENDATION, SPEND THE NEXT
12 MONTHS AS A GENERAL
PRACTITIONER.
195
00:04:37,111 --> 00:04:38,010
12 MONTHS AS A GENERAL
PRACTITIONER.
>> THERE ISN'T A SINGLE G.P. JOB
196
00:04:38,012 --> 00:04:39,144
PRACTITIONER.
>> THERE ISN'T A SINGLE G.P. JOB
IN THIS WHOLE CITY.
197
00:04:39,146 --> 00:04:39,978
>> THERE ISN'T A SINGLE G.P. JOB
IN THIS WHOLE CITY.
>> THERE ARE OTHER PLACES TO
198
00:04:39,980 --> 00:04:41,113
IN THIS WHOLE CITY.
>> THERE ARE OTHER PLACES TO
PRACTICE MEDICINE BESIDES
199
00:04:41,115 --> 00:04:42,080
>> THERE ARE OTHER PLACES TO
PRACTICE MEDICINE BESIDES
NEW YORK.
200
00:04:42,082 --> 00:04:43,048
PRACTICE MEDICINE BESIDES
NEW YORK.
>> I WAS LOST.
201
00:04:43,050 --> 00:04:44,082
NEW YORK.
>> I WAS LOST.
EVERY FELLOWSHIP WAS TAKEN.
202
00:04:44,084 --> 00:04:45,250
>> I WAS LOST.
EVERY FELLOWSHIP WAS TAKEN.
I HAD PUT ALL MY EGGS IN THE
203
00:04:45,252 --> 00:04:46,918
EVERY FELLOWSHIP WAS TAKEN.
I HAD PUT ALL MY EGGS IN THE
WRONG BASKET.
204
00:04:46,920 --> 00:04:47,819
I HAD PUT ALL MY EGGS IN THE
WRONG BASKET.
AND THEN I SAW IT.
205
00:04:47,821 --> 00:04:48,654
WRONG BASKET.
AND THEN I SAW IT.
ANOTHER POSTCARD FROM THAT
206
00:04:48,656 --> 00:04:49,621
AND THEN I SAW IT.
ANOTHER POSTCARD FROM THAT
SOUTHERN GUY, HARLEY.
207
00:04:49,623 --> 00:04:51,023
ANOTHER POSTCARD FROM THAT
SOUTHERN GUY, HARLEY.
"REAL BUSY. COULD USE AN
208
00:04:51,025 --> 00:04:52,658
SOUTHERN GUY, HARLEY.
"REAL BUSY. COULD USE AN
EXTRA-TALENTED HAND."
209
00:04:52,660 --> 00:04:53,358
"REAL BUSY. COULD USE AN
EXTRA-TALENTED HAND."
DR. WILKES, YOU WIN.
210
00:04:53,360 --> 00:04:55,193
EXTRA-TALENTED HAND."
DR. WILKES, YOU WIN.
I'M ON MY WAY.
211
00:04:55,195 --> 00:04:56,161
DR. WILKES, YOU WIN.
I'M ON MY WAY.
>> CAN I OFFER YOU A RIDE,
212
00:04:56,163 --> 00:04:57,062
I'M ON MY WAY.
>> CAN I OFFER YOU A RIDE,
MA'AM?
213
00:04:57,064 --> 00:04:59,031
>> CAN I OFFER YOU A RIDE,
MA'AM?
SO LET ME GUESS--NEW YORKER.
214
00:04:59,033 --> 00:05:01,133
MA'AM?
SO LET ME GUESS--NEW YORKER.
I LIVED IN TRIBECA FOR A WHILE.
215
00:05:01,135 --> 00:05:02,067
SO LET ME GUESS--NEW YORKER.
I LIVED IN TRIBECA FOR A WHILE.
>> I'VE BEEN EXILED FROM
216
00:05:02,069 --> 00:05:03,268
I LIVED IN TRIBECA FOR A WHILE.
>> I'VE BEEN EXILED FROM
MANHATTAN.
217
00:05:03,270 --> 00:05:04,236
>> I'VE BEEN EXILED FROM
MANHATTAN.
THIS IS MY PURGATORY.
218
00:05:04,238 --> 00:05:05,203
MANHATTAN.
THIS IS MY PURGATORY.
>> IF YOU CONSIDER PURGATORY
219
00:05:05,205 --> 00:05:06,471
THIS IS MY PURGATORY.
>> IF YOU CONSIDER PURGATORY
TO BE A PLACE WHERE NEIGHBORS
220
00:05:06,473 --> 00:05:07,739
>> IF YOU CONSIDER PURGATORY
TO BE A PLACE WHERE NEIGHBORS
TAKE CARE OF EACH OTHER AND
221
00:05:07,741 --> 00:05:09,508
TO BE A PLACE WHERE NEIGHBORS
TAKE CARE OF EACH OTHER AND
EVERY THIRD TUESDAY DEMANDS
222
00:05:09,510 --> 00:05:10,375
TAKE CARE OF EACH OTHER AND
EVERY THIRD TUESDAY DEMANDS
A PARADE, YOU CAN CALL IT WHAT
223
00:05:10,377 --> 00:05:12,177
EVERY THIRD TUESDAY DEMANDS
A PARADE, YOU CAN CALL IT WHAT
YOU WANT, BUT I CALL IT HOME.
224
00:05:12,179 --> 00:05:13,445
A PARADE, YOU CAN CALL IT WHAT
YOU WANT, BUT I CALL IT HOME.
I'M GEORGE TUCKER.
225
00:05:13,447 --> 00:05:15,347
YOU WANT, BUT I CALL IT HOME.
I'M GEORGE TUCKER.
>> ZOE.
226
00:05:15,349 --> 00:05:16,815
I'M GEORGE TUCKER.
>> ZOE.
DR. ZOE HART.
227
00:05:16,817 --> 00:05:19,651
>> ZOE.
DR. ZOE HART.
>> WELL, GOOD LUCK, DR. ZOE
228
00:05:19,653 --> 00:05:20,419
DR. ZOE HART.
>> WELL, GOOD LUCK, DR. ZOE
HART.
229
00:05:20,421 --> 00:05:21,186
>> WELL, GOOD LUCK, DR. ZOE
HART.
I HOPE YOU FIND WHAT YOU'RE
230
00:05:21,188 --> 00:05:21,920
HART.
I HOPE YOU FIND WHAT YOU'RE
LOOKING FOR.
231
00:05:21,922 --> 00:05:24,723
I HOPE YOU FIND WHAT YOU'RE
LOOKING FOR.
>> HI. IS DR. WILKES AROUND?
232
00:05:24,725 --> 00:05:26,458
LOOKING FOR.
>> HI. IS DR. WILKES AROUND?
>> ARE YOU ZOE HART?
233
00:05:26,460 --> 00:05:27,793
>> HI. IS DR. WILKES AROUND?
>> ARE YOU ZOE HART?
>> YEAH.
234
00:05:27,795 --> 00:05:28,927
>> ARE YOU ZOE HART?
>> YEAH.
>> HARLEY PASSED AWAY.
235
00:05:28,929 --> 00:05:30,262
>> YEAH.
>> HARLEY PASSED AWAY.
>> BUT WHY WOULD HE WANT ME TO
236
00:05:30,264 --> 00:05:32,164
>> HARLEY PASSED AWAY.
>> BUT WHY WOULD HE WANT ME TO
SHOW UP IF HE WAS DEAD?
237
00:05:32,166 --> 00:05:35,467
>> BUT WHY WOULD HE WANT ME TO
SHOW UP IF HE WAS DEAD?
>> HARLEY LEFT YOU HIS PRACTICE.
238
00:05:35,469 --> 00:05:37,202
SHOW UP IF HE WAS DEAD?
>> HARLEY LEFT YOU HIS PRACTICE.
THE THING IS, HARLEY ONLY LEFT
239
00:05:37,204 --> 00:05:38,537
>> HARLEY LEFT YOU HIS PRACTICE.
THE THING IS, HARLEY ONLY LEFT
YOU HALF THE PRACTICE.
240
00:05:38,539 --> 00:05:41,139
THE THING IS, HARLEY ONLY LEFT
YOU HALF THE PRACTICE.
HE SHARES IT WITH DR. BREELAND.
241
00:05:41,141 --> 00:05:42,174
YOU HALF THE PRACTICE.
HE SHARES IT WITH DR. BREELAND.
>> WHOA.
242
00:05:42,176 --> 00:05:43,408
HE SHARES IT WITH DR. BREELAND.
>> WHOA.
>> DR. HART, THE BELLES ARE
243
00:05:43,410 --> 00:05:44,343
>> WHOA.
>> DR. HART, THE BELLES ARE
ELITE YOUNG LADIES.
244
00:05:44,345 --> 00:05:45,177
>> DR. HART, THE BELLES ARE
ELITE YOUNG LADIES.
>> "THE BELLES"?
245
00:05:45,179 --> 00:05:46,078
ELITE YOUNG LADIES.
>> "THE BELLES"?
>> THEY'RE MEANER THAN THEY
246
00:05:46,080 --> 00:05:46,912
>> "THE BELLES"?
>> THEY'RE MEANER THAN THEY
LOOK.
247
00:05:46,914 --> 00:05:48,280
>> THEY'RE MEANER THAN THEY
LOOK.
>> I HEARD THERE WAS A NEW LADY
248
00:05:48,282 --> 00:05:49,648
LOOK.
>> I HEARD THERE WAS A NEW LADY
DOCTOR IN TOWN.
249
00:05:49,650 --> 00:05:51,249
>> I HEARD THERE WAS A NEW LADY
DOCTOR IN TOWN.
YOU ARE JUST SO PRETTY!
250
00:05:51,251 --> 00:05:53,352
DOCTOR IN TOWN.
YOU ARE JUST SO PRETTY!
>> ZOE, THIS IS LEMON BREELAND.
251
00:05:53,354 --> 00:05:54,753
YOU ARE JUST SO PRETTY!
>> ZOE, THIS IS LEMON BREELAND.
>> OH, OKAY.
252
00:05:54,755 --> 00:05:56,621
>> ZOE, THIS IS LEMON BREELAND.
>> OH, OKAY.
YOU'RE BRICK'S DAUGHTER.
253
00:05:56,623 --> 00:05:57,656
>> OH, OKAY.
YOU'RE BRICK'S DAUGHTER.
IT'S REALLY NICE TO MEET YOU.
254
00:05:57,658 --> 00:05:59,057
YOU'RE BRICK'S DAUGHTER.
IT'S REALLY NICE TO MEET YOU.
I'M DYING TO TALK TO YOUR DAD.
255
00:05:59,059 --> 00:06:00,292
IT'S REALLY NICE TO MEET YOU.
I'M DYING TO TALK TO YOUR DAD.
>> IF I WERE YOU, I'D BE GONE
256
00:06:00,294 --> 00:06:02,060
I'M DYING TO TALK TO YOUR DAD.
>> IF I WERE YOU, I'D BE GONE
BY THE TIME THAT HE RETURNS.
257
00:06:02,062 --> 00:06:03,962
>> IF I WERE YOU, I'D BE GONE
BY THE TIME THAT HE RETURNS.
GOOD DAY.
258
00:06:03,964 --> 00:06:05,597
BY THE TIME THAT HE RETURNS.
GOOD DAY.
[chuckles]
259
00:06:05,599 --> 00:06:07,366
GOOD DAY.
[chuckles]
>> NOTIFY THE TOWN CRIER.
260
00:06:07,368 --> 00:06:08,734
[chuckles]
>> NOTIFY THE TOWN CRIER.
I'M OPEN FOR BUSINESS.
261
00:06:08,736 --> 00:06:10,569
>> NOTIFY THE TOWN CRIER.
I'M OPEN FOR BUSINESS.
MABEL, THOSE DARK PATCHES ON
262
00:06:10,571 --> 00:06:12,738
I'M OPEN FOR BUSINESS.
MABEL, THOSE DARK PATCHES ON
YOUR FACE...YOU HAVE MELASMA.
263
00:06:12,740 --> 00:06:13,605
MABEL, THOSE DARK PATCHES ON
YOUR FACE...YOU HAVE MELASMA.
>> BRICK'S HERE.
264
00:06:13,607 --> 00:06:14,673
YOUR FACE...YOU HAVE MELASMA.
>> BRICK'S HERE.
>> WE HAVEN'T MET.
265
00:06:14,675 --> 00:06:15,674
>> BRICK'S HERE.
>> WE HAVEN'T MET.
HI. I'M DR. ZOE HART.
266
00:06:15,676 --> 00:06:16,608
>> WE HAVEN'T MET.
HI. I'M DR. ZOE HART.
HARLEY LEFT HIS HALF OF THE
267
00:06:16,610 --> 00:06:17,442
HI. I'M DR. ZOE HART.
HARLEY LEFT HIS HALF OF THE
PRACTICE TO ME.
268
00:06:17,444 --> 00:06:18,410
HARLEY LEFT HIS HALF OF THE
PRACTICE TO ME.
>> I'M NOT GONNA SHARE THIS
269
00:06:18,412 --> 00:06:19,745
PRACTICE TO ME.
>> I'M NOT GONNA SHARE THIS
OFFICE, NOT FOR ONE MINUTE.
270
00:06:19,747 --> 00:06:20,645
>> I'M NOT GONNA SHARE THIS
OFFICE, NOT FOR ONE MINUTE.
>> I BELIEVE I CAN DO SOME GOOD
271
00:06:20,647 --> 00:06:21,713
OFFICE, NOT FOR ONE MINUTE.
>> I BELIEVE I CAN DO SOME GOOD
HERE.
272
00:06:21,715 --> 00:06:22,681
>> I BELIEVE I CAN DO SOME GOOD
HERE.
>> THINGS HAVE BEEN WORKING JUST
273
00:06:22,683 --> 00:06:24,216
HERE.
>> THINGS HAVE BEEN WORKING JUST
FINE HERE IN BLUEBELL.
274
00:06:24,218 --> 00:06:26,318
>> THINGS HAVE BEEN WORKING JUST
FINE HERE IN BLUEBELL.
AND BELIEVE YOU ME, ZOE HART,
275
00:06:26,320 --> 00:06:27,819
FINE HERE IN BLUEBELL.
AND BELIEVE YOU ME, ZOE HART,
WE ARE GONNA CHASE YOU AWAY
276
00:06:27,821 --> 00:06:29,688
AND BELIEVE YOU ME, ZOE HART,
WE ARE GONNA CHASE YOU AWAY
FROM OUR WATERS.
277
00:06:29,690 --> 00:06:31,156
WE ARE GONNA CHASE YOU AWAY
FROM OUR WATERS.
>> MRS. H. ARRANGED FOR ME TO
278
00:06:31,158 --> 00:06:32,858
FROM OUR WATERS.
>> MRS. H. ARRANGED FOR ME TO
STAY AT THE MAYOR'S PLANTATION.
279
00:06:32,860 --> 00:06:34,860
>> MRS. H. ARRANGED FOR ME TO
STAY AT THE MAYOR'S PLANTATION.
>> YOU MUST BE ZOE.
280
00:06:34,862 --> 00:06:35,994
STAY AT THE MAYOR'S PLANTATION.
>> YOU MUST BE ZOE.
>> NO WAY!
281
00:06:35,996 --> 00:06:37,162
>> YOU MUST BE ZOE.
>> NO WAY!
YOU'RE THE MAYOR?
282
00:06:37,164 --> 00:06:39,064
>> NO WAY!
YOU'RE THE MAYOR?
LAVON HAYES, THE LINEBACKER?
283
00:06:39,066 --> 00:06:40,031
YOU'RE THE MAYOR?
LAVON HAYES, THE LINEBACKER?
>> WELL, LET ME SHOW YOU TO YOUR
284
00:06:40,033 --> 00:06:40,832
LAVON HAYES, THE LINEBACKER?
>> WELL, LET ME SHOW YOU TO YOUR
QUARTERS.
285
00:06:40,834 --> 00:06:41,800
>> WELL, LET ME SHOW YOU TO YOUR
QUARTERS.
>> YOU BEING THE MAYOR HERE IS
286
00:06:41,802 --> 00:06:42,768
QUARTERS.
>> YOU BEING THE MAYOR HERE IS
THE FIRST THING ABOUT BLUEBELL
287
00:06:42,770 --> 00:06:43,735
>> YOU BEING THE MAYOR HERE IS
THE FIRST THING ABOUT BLUEBELL
THAT I ACTUALLY LIKE.
288
00:06:43,737 --> 00:06:44,703
THE FIRST THING ABOUT BLUEBELL
THAT I ACTUALLY LIKE.
[both chuckling]
289
00:06:44,705 --> 00:06:45,670
THAT I ACTUALLY LIKE.
[both chuckling]
>> YEAH!
290
00:06:45,672 --> 00:06:46,972
[both chuckling]
>> YEAH!
HERE IT IS.
291
00:06:46,974 --> 00:06:48,573
>> YEAH!
HERE IT IS.
YOU SHARE A GENERATOR WITH
292
00:06:48,575 --> 00:06:49,541
HERE IT IS.
YOU SHARE A GENERATOR WITH
WADE KINSELLA.
293
00:06:49,543 --> 00:06:50,509
YOU SHARE A GENERATOR WITH
WADE KINSELLA.
IF YOU GOT YOUR CURLING IRON
294
00:06:50,511 --> 00:06:52,310
WADE KINSELLA.
IF YOU GOT YOUR CURLING IRON
GOING WHILE HE GOT HIS AC ON,
295
00:06:52,312 --> 00:06:54,579
IF YOU GOT YOUR CURLING IRON
GOING WHILE HE GOT HIS AC ON,
COULD BE TROUBLE.
296
00:06:57,016 --> 00:07:02,020
>> WELL, MY NIGHT HAD QUICKLY
GONE DOWNHILL.
YOU OVERHEATED THE GENERATOR.
297
00:07:02,022 --> 00:07:03,088
GONE DOWNHILL.
YOU OVERHEATED THE GENERATOR.
>> NICE NIGHTGOWN.
298
00:07:03,090 --> 00:07:04,055
YOU OVERHEATED THE GENERATOR.
>> NICE NIGHTGOWN.
I'M WADE.
299
00:07:04,057 --> 00:07:05,023
>> NICE NIGHTGOWN.
I'M WADE.
>> THAT SMILE'S NOT GONNA WORK
300
00:07:05,025 --> 00:07:05,991
I'M WADE.
>> THAT SMILE'S NOT GONNA WORK
ON ME.
301
00:07:05,993 --> 00:07:06,958
>> THAT SMILE'S NOT GONNA WORK
ON ME.
>> WELL...IF YOU'RE NOT GONNA
302
00:07:06,960 --> 00:07:07,926
ON ME.
>> WELL...IF YOU'RE NOT GONNA
BE POLITE, I'M NOT GONNA SHOW
303
00:07:07,928 --> 00:07:10,595
>> WELL...IF YOU'RE NOT GONNA
BE POLITE, I'M NOT GONNA SHOW
YOU WHERE THE FUSE BOX IS.
304
00:07:12,832 --> 00:07:18,470
[alligator growls]
>> [screaming]
>> WHEN SOMEBODY INTERRUPTS
305
00:07:18,472 --> 00:07:19,604
>> [screaming]
>> WHEN SOMEBODY INTERRUPTS
THEIR NIGHTLY JOG TO CLIMB INTO
306
00:07:19,606 --> 00:07:20,739
>> WHEN SOMEBODY INTERRUPTS
THEIR NIGHTLY JOG TO CLIMB INTO
THE MUD TO SAVE OUR WELL-TONED
307
00:07:20,741 --> 00:07:22,140
THEIR NIGHTLY JOG TO CLIMB INTO
THE MUD TO SAVE OUR WELL-TONED
ASS, WE SAY THANK YOU.
308
00:07:22,142 --> 00:07:22,974
THE MUD TO SAVE OUR WELL-TONED
ASS, WE SAY THANK YOU.
>> WELL, THANK YOU.
309
00:07:22,976 --> 00:07:24,209
ASS, WE SAY THANK YOU.
>> WELL, THANK YOU.
>> SEE? SMALL TOWNS HAVE THEIR
310
00:07:24,211 --> 00:07:24,876
>> WELL, THANK YOU.
>> SEE? SMALL TOWNS HAVE THEIR
PERKS, HUH?
311
00:07:24,878 --> 00:07:25,877
>> SEE? SMALL TOWNS HAVE THEIR
PERKS, HUH?
>> I GUESS I'LL BE SEEING YOU
312
00:07:25,879 --> 00:07:27,212
PERKS, HUH?
>> I GUESS I'LL BE SEEING YOU
AROUND.
313
00:07:29,315 --> 00:07:32,184
>> DID YOU SIGN OLD MAN
JACKSON'S EYE EXAM?
>> YEAH. WHY?
314
00:07:32,186 --> 00:07:33,151
JACKSON'S EYE EXAM?
>> YEAH. WHY?
>> 'CAUSE HE JUST RAN GEORGE
315
00:07:33,153 --> 00:07:34,119
>> YEAH. WHY?
>> 'CAUSE HE JUST RAN GEORGE
OVER.
316
00:07:34,121 --> 00:07:35,086
>> 'CAUSE HE JUST RAN GEORGE
OVER.
>> announcer: FROM THE CREATORS
317
00:07:35,088 --> 00:07:36,588
OVER.
>> announcer: FROM THE CREATORS
OF GOSSIP GIRL.
318
00:07:36,590 --> 00:07:37,355
>> announcer: FROM THE CREATORS
OF GOSSIP GIRL.
>> I FEEL SO BAD.
319
00:07:37,357 --> 00:07:38,457
OF GOSSIP GIRL.
>> I FEEL SO BAD.
>> WELL, YOU SHOULD!
320
00:07:38,459 --> 00:07:40,392
>> I FEEL SO BAD.
>> WELL, YOU SHOULD!
HE NEARLY KILLED GEORGE TUCKER.
321
00:07:40,394 --> 00:07:41,326
>> WELL, YOU SHOULD!
HE NEARLY KILLED GEORGE TUCKER.
>> HEY, IF YOU WANTED TO SEE ME
322
00:07:41,328 --> 00:07:42,861
HE NEARLY KILLED GEORGE TUCKER.
>> HEY, IF YOU WANTED TO SEE ME
AGAIN, YOU COULD'VE JUST ASKED.
323
00:07:42,863 --> 00:07:45,297
>> HEY, IF YOU WANTED TO SEE ME
AGAIN, YOU COULD'VE JUST ASKED.
>> IT'S MY--MY SHOULDER.
324
00:07:45,299 --> 00:07:46,531
AGAIN, YOU COULD'VE JUST ASKED.
>> IT'S MY--MY SHOULDER.
OW! WHAT THE HELL?
325
00:07:46,533 --> 00:07:47,532
>> IT'S MY--MY SHOULDER.
OW! WHAT THE HELL?
HAVE YOU NEVER HEARD OF BEDSIDE
326
00:07:47,534 --> 00:07:48,467
OW! WHAT THE HELL?
HAVE YOU NEVER HEARD OF BEDSIDE
MANNER?
327
00:07:48,469 --> 00:07:49,334
HAVE YOU NEVER HEARD OF BEDSIDE
MANNER?
>> WHY IS EVERYONE SO OBSESSED
328
00:07:49,336 --> 00:07:50,068
MANNER?
>> WHY IS EVERYONE SO OBSESSED
WITH THAT?
329
00:07:50,070 --> 00:07:51,369
>> WHY IS EVERYONE SO OBSESSED
WITH THAT?
>> BECAUSE IT'S NICE!
330
00:07:51,371 --> 00:07:53,705
WITH THAT?
>> BECAUSE IT'S NICE!
>> DR. HART, I DON'T FEEL WELL.
331
00:07:53,707 --> 00:07:54,506
>> BECAUSE IT'S NICE!
>> DR. HART, I DON'T FEEL WELL.
CAN YOU COME HERE, PLEASE?
332
00:07:54,508 --> 00:07:55,474
>> DR. HART, I DON'T FEEL WELL.
CAN YOU COME HERE, PLEASE?
>> I'LL BE THERE AS SOON AS I
333
00:07:55,476 --> 00:07:56,441
CAN YOU COME HERE, PLEASE?
>> I'LL BE THERE AS SOON AS I
CAN.
334
00:07:56,443 --> 00:07:57,542
>> I'LL BE THERE AS SOON AS I
CAN.
YOU'RE HAVING A BABY, AND YOU'RE
335
00:07:57,544 --> 00:07:58,743
CAN.
YOU'RE HAVING A BABY, AND YOU'RE
HAVING IT NOW.
336
00:07:58,745 --> 00:07:59,611
YOU'RE HAVING A BABY, AND YOU'RE
HAVING IT NOW.
I'M GONNA NEED YOU TO START
337
00:07:59,613 --> 00:08:00,479
HAVING IT NOW.
I'M GONNA NEED YOU TO START
PUSHING, OKAY?
338
00:08:00,481 --> 00:08:02,347
I'M GONNA NEED YOU TO START
PUSHING, OKAY?
>> WHAT IS GOING ON HERE?
339
00:08:02,349 --> 00:08:03,215
PUSHING, OKAY?
>> WHAT IS GOING ON HERE?
>> THIS BABY COMES OUT NOW,
340
00:08:03,217 --> 00:08:04,483
>> WHAT IS GOING ON HERE?
>> THIS BABY COMES OUT NOW,
OR WE LOSE BOTH OF THEM.
341
00:08:04,485 --> 00:08:05,484
>> THIS BABY COMES OUT NOW,
OR WE LOSE BOTH OF THEM.
MRS. H, I NEED YOU TO HAND ME
342
00:08:05,486 --> 00:08:06,418
OR WE LOSE BOTH OF THEM.
MRS. H, I NEED YOU TO HAND ME
MY SCALPEL.
343
00:08:06,420 --> 00:08:07,219
MRS. H, I NEED YOU TO HAND ME
MY SCALPEL.
>> WHAT ARE YOU DOING?
344
00:08:07,221 --> 00:08:08,019
MY SCALPEL.
>> WHAT ARE YOU DOING?
>> A SYMPHYSIOTOMY.
345
00:08:08,021 --> 00:08:08,954
>> WHAT ARE YOU DOING?
>> A SYMPHYSIOTOMY.
>> NO, I CAN'T LET YOU SLICE
346
00:08:08,956 --> 00:08:09,754
>> A SYMPHYSIOTOMY.
>> NO, I CAN'T LET YOU SLICE
OPEN HER PELVIS LIKE THAT.
347
00:08:09,756 --> 00:08:10,789
>> NO, I CAN'T LET YOU SLICE
OPEN HER PELVIS LIKE THAT.
THAT IS WAY TOO DANGEROUS.
348
00:08:10,791 --> 00:08:11,723
OPEN HER PELVIS LIKE THAT.
THAT IS WAY TOO DANGEROUS.
>> WELL, WE HAVE NO CHOICE,
349
00:08:11,725 --> 00:08:12,557
THAT IS WAY TOO DANGEROUS.
>> WELL, WE HAVE NO CHOICE,
OKAY?
350
00:08:12,559 --> 00:08:13,792
>> WELL, WE HAVE NO CHOICE,
OKAY?
ARE YOU WITH ME?
351
00:08:13,794 --> 00:08:15,093
OKAY?
ARE YOU WITH ME?
>> I AM.
352
00:08:15,095 --> 00:08:16,161
ARE YOU WITH ME?
>> I AM.
[newborn cries]
353
00:08:16,163 --> 00:08:17,028
>> I AM.
[newborn cries]
>> ¶ IF IT'S THE PRIZE ¶
354
00:08:17,030 --> 00:08:17,863
[newborn cries]
>> ¶ IF IT'S THE PRIZE ¶
¶ YOU'RE SEEKING ¶
355
00:08:17,865 --> 00:08:19,397
>> ¶ IF IT'S THE PRIZE ¶
¶ YOU'RE SEEKING ¶
¶ WELL, THAT AIN'T ME ¶
356
00:08:19,399 --> 00:08:20,532
¶ YOU'RE SEEKING ¶
¶ WELL, THAT AIN'T ME ¶
¶ AND IF YOU'RE THINKING ¶
357
00:08:20,534 --> 00:08:21,633
¶ WELL, THAT AIN'T ME ¶
¶ AND IF YOU'RE THINKING ¶
¶ OF TRYING ¶
358
00:08:21,635 --> 00:08:23,335
¶ AND IF YOU'RE THINKING ¶
¶ OF TRYING ¶
¶ WELL, THAT CAN'T BE ¶
359
00:08:23,337 --> 00:08:25,136
¶ OF TRYING ¶
¶ WELL, THAT CAN'T BE ¶
>> YOU JUST CAN'T LEAVE NOW.
360
00:08:25,138 --> 00:08:26,404
¶ WELL, THAT CAN'T BE ¶
>> YOU JUST CAN'T LEAVE NOW.
YOU ASKED ME BEFORE WHY HARLEY
361
00:08:26,406 --> 00:08:27,772
>> YOU JUST CAN'T LEAVE NOW.
YOU ASKED ME BEFORE WHY HARLEY
LEFT YOU HIS PRACTICE.
362
00:08:27,774 --> 00:08:29,007
YOU ASKED ME BEFORE WHY HARLEY
LEFT YOU HIS PRACTICE.
>> THAT'S MY MOM...
363
00:08:29,009 --> 00:08:31,776
LEFT YOU HIS PRACTICE.
>> THAT'S MY MOM...
AND HARLEY?
364
00:08:31,778 --> 00:08:32,777
>> THAT'S MY MOM...
AND HARLEY?
>> HARLEY WILKES WAS YOUR
365
00:08:32,779 --> 00:08:34,746
AND HARLEY?
>> HARLEY WILKES WAS YOUR
FATHER.
366
00:08:34,748 --> 00:08:36,147
>> HARLEY WILKES WAS YOUR
FATHER.
>> I'M STAYING IN BLUEBELL.
367
00:08:36,149 --> 00:08:37,816
FATHER.
>> I'M STAYING IN BLUEBELL.
THEY COULD USE A GOOD DOCTOR.
368
00:08:37,818 --> 00:08:40,151
>> I'M STAYING IN BLUEBELL.
THEY COULD USE A GOOD DOCTOR.
I MAY NOT BE ONE YET, BUT MAYBE,
369
00:08:40,153 --> 00:08:41,686
THEY COULD USE A GOOD DOCTOR.
I MAY NOT BE ONE YET, BUT MAYBE,
EVEN THOUGH YOU'RE GONE,
370
00:08:41,688 --> 00:08:42,621
I MAY NOT BE ONE YET, BUT MAYBE,
EVEN THOUGH YOU'RE GONE,
THERE ARE STILL SOME THINGS
371
00:08:42,623 --> 00:08:43,889
EVEN THOUGH YOU'RE GONE,
THERE ARE STILL SOME THINGS
YOU CAN TEACH ME.
372
00:08:43,891 --> 00:08:46,157
THERE ARE STILL SOME THINGS
YOU CAN TEACH ME.
AND FOLLOWING IN YOUR FOOTSTEPS
373
00:08:46,159 --> 00:08:48,059
YOU CAN TEACH ME.
AND FOLLOWING IN YOUR FOOTSTEPS
MIGHT HELP ME FIND MY WAY.
374
00:08:48,061 --> 00:08:53,331
>> announcer: HART OF DIXIE.
SERIES PREMIERE--MONDAY,
SEPTEMBER 26th ON THE CW.
375
00:08:53,333 --> 00:08:54,833
SERIES PREMIERE--MONDAY,
SEPTEMBER 26th ON THE CW.
>> I LOVE IT WHEN A PLAN ALMOST
376
00:08:54,835 --> 00:08:55,967
SEPTEMBER 26th ON THE CW.
>> I LOVE IT WHEN A PLAN ALMOST
COMES TOGETHER.
377
00:08:55,969 --> 00:08:56,935
>> I LOVE IT WHEN A PLAN ALMOST
COMES TOGETHER.
>> ME TOO.
378
00:08:56,937 --> 00:08:58,203
COMES TOGETHER.
>> ME TOO.
HART OF DIXIE AIRS MONDAYS
379
00:08:58,205 --> 00:09:00,305
>> ME TOO.
HART OF DIXIE AIRS MONDAYS
FOLLOWING GOSSIP GIRL THIS FALL,
380
00:09:00,307 --> 00:09:01,473
HART OF DIXIE AIRS MONDAYS
FOLLOWING GOSSIP GIRL THIS FALL,
ONLY ON THE CW.
381
00:09:01,475 --> 00:09:02,474
FOLLOWING GOSSIP GIRL THIS FALL,
ONLY ON THE CW.
>> AND THERE'S MORE OF
382
00:09:02,476 --> 00:09:07,078
>> AND THERE'S MORE OF
THE CW 2011 FALL PREVIEW WHEN
WE COME RIGHT BACK AFTER THIS.
383
00:09:07,080 --> 00:09:09,347
THE CW 2011 FALL PREVIEW WHEN
WE COME RIGHT BACK AFTER THIS.
OR WHEN WE COME BACK RIGHT AFTER
384
00:09:09,349 --> 00:09:13,418
WE COME RIGHT BACK AFTER THIS.
OR WHEN WE COME BACK RIGHT AFTER
THIS--EITHER WAY.
385
00:09:13,420 --> 00:09:14,619
OR WHEN WE COME BACK RIGHT AFTER
THIS--EITHER WAY.
386
00:09:16,455 --> 00:09:22,727
>> HEY, MAGGIE, WHO DO YOU THINK
IS MORE HANDSOME--ME OR HIM?
>> SARAH MICHELLE GELLAR RETURNS
387
00:09:22,729 --> 00:09:24,262
IS MORE HANDSOME--ME OR HIM?
>> SARAH MICHELLE GELLAR RETURNS
TO TV, BUT THIS TIME SHE'S ON
388
00:09:24,264 --> 00:09:25,764
>> SARAH MICHELLE GELLAR RETURNS
TO TV, BUT THIS TIME SHE'S ON
THE RUN FROM A SHADOWY PAST,
389
00:09:25,766 --> 00:09:27,399
TO TV, BUT THIS TIME SHE'S ON
THE RUN FROM A SHADOWY PAST,
A PATH THAT LEADS HER RIGHT INTO
390
00:09:27,401 --> 00:09:28,266
THE RUN FROM A SHADOWY PAST,
A PATH THAT LEADS HER RIGHT INTO
THE [indistinct] CASE OF
391
00:09:28,268 --> 00:09:29,301
A PATH THAT LEADS HER RIGHT INTO
THE [indistinct] CASE OF
MISTAKEN IDENTITY.
392
00:09:29,303 --> 00:09:30,302
THE [indistinct] CASE OF
MISTAKEN IDENTITY.
>> AND YOU'LL NEVER GUESS WHO
393
00:09:30,304 --> 00:09:31,202
MISTAKEN IDENTITY.
>> AND YOU'LL NEVER GUESS WHO
THEY GOT TO PLAY HER IDENTICAL
394
00:09:31,204 --> 00:09:35,907
>> AND YOU'LL NEVER GUESS WHO
THEY GOT TO PLAY HER IDENTICAL
TWIN.
395
00:09:35,909 --> 00:09:37,809
THEY GOT TO PLAY HER IDENTICAL
TWIN.
WHAT?
396
00:09:37,811 --> 00:09:39,844
TWIN.
WHAT?
>> MY NAME IS BRIDGET, AND I'M
397
00:09:39,846 --> 00:09:41,846
WHAT?
>> MY NAME IS BRIDGET, AND I'M
AN ADDICT.
398
00:09:41,848 --> 00:09:43,248
>> MY NAME IS BRIDGET, AND I'M
AN ADDICT.
IT'S BEEN REALLY HARD TO STAY
399
00:09:43,250 --> 00:09:44,983
AN ADDICT.
IT'S BEEN REALLY HARD TO STAY
CLEAN.
400
00:09:44,985 --> 00:09:47,519
IT'S BEEN REALLY HARD TO STAY
CLEAN.
THINGS HAVE BEEN TENSE.
401
00:09:47,521 --> 00:09:48,219
CLEAN.
THINGS HAVE BEEN TENSE.
>> WE AGREE TO DROP THOSE
402
00:09:48,221 --> 00:09:50,622
THINGS HAVE BEEN TENSE.
>> WE AGREE TO DROP THOSE
CHARGES IF YOU TESTIFY.
403
00:09:50,624 --> 00:09:52,090
>> WE AGREE TO DROP THOSE
CHARGES IF YOU TESTIFY.
JUST GET UP ON THE STAND.
404
00:09:52,092 --> 00:09:54,092
CHARGES IF YOU TESTIFY.
JUST GET UP ON THE STAND.
>> THAT'S WHAT I'M AFRAID OF.
405
00:09:54,094 --> 00:09:56,161
JUST GET UP ON THE STAND.
>> THAT'S WHAT I'M AFRAID OF.
NO ONE CAN PROTECT ME.
406
00:09:56,163 --> 00:09:57,696
>> THAT'S WHAT I'M AFRAID OF.
NO ONE CAN PROTECT ME.
I FINALLY GOT A RESPONSE FROM
407
00:09:57,698 --> 00:09:59,097
NO ONE CAN PROTECT ME.
I FINALLY GOT A RESPONSE FROM
MY SISTER SIOBHAN.
408
00:09:59,099 --> 00:10:00,532
I FINALLY GOT A RESPONSE FROM
MY SISTER SIOBHAN.
SHE WANTS ME TO COME VISIT,
409
00:10:00,534 --> 00:10:03,902
MY SISTER SIOBHAN.
SHE WANTS ME TO COME VISIT,
STAY AS LONG AS I WANT.
410
00:10:03,904 --> 00:10:04,803
SHE WANTS ME TO COME VISIT,
STAY AS LONG AS I WANT.
BUT RIGHT NOW IT'S THE ONLY
411
00:10:04,805 --> 00:10:06,037
STAY AS LONG AS I WANT.
BUT RIGHT NOW IT'S THE ONLY
CHOICE THAT I HAVE.
412
00:10:06,039 --> 00:10:10,008
BUT RIGHT NOW IT'S THE ONLY
CHOICE THAT I HAVE.
[clock ticking]
413
00:10:10,010 --> 00:10:11,443
CHOICE THAT I HAVE.
[clock ticking]
I WAS WONDERING HOW YOU'D LOOK
414
00:10:11,445 --> 00:10:12,744
[clock ticking]
I WAS WONDERING HOW YOU'D LOOK
AFTER SIX YEARS.
415
00:10:12,746 --> 00:10:16,648
I WAS WONDERING HOW YOU'D LOOK
AFTER SIX YEARS.
[clock ticking]
416
00:10:16,650 --> 00:10:18,783
AFTER SIX YEARS.
[clock ticking]
I MISSED YOU SO MUCH.
417
00:10:18,785 --> 00:10:21,953
[clock ticking]
I MISSED YOU SO MUCH.
[clock ticking]
418
00:10:21,955 --> 00:10:23,755
I MISSED YOU SO MUCH.
[clock ticking]
>> THIS IS OUR WEEKEND PLACE.
419
00:10:23,757 --> 00:10:24,990
[clock ticking]
>> THIS IS OUR WEEKEND PLACE.
>> JUST LIKE MY HOUSE, EXCEPT
420
00:10:24,992 --> 00:10:27,826
>> THIS IS OUR WEEKEND PLACE.
>> JUST LIKE MY HOUSE, EXCEPT
NOT AT ALL.
421
00:10:27,828 --> 00:10:29,728
>> JUST LIKE MY HOUSE, EXCEPT
NOT AT ALL.
YOUR LIFE SEEMS PERFECT.
422
00:10:29,730 --> 00:10:30,795
NOT AT ALL.
YOUR LIFE SEEMS PERFECT.
[echoing]
423
00:10:30,797 --> 00:10:35,634
YOUR LIFE SEEMS PERFECT.
[echoing]
[clock ticking]
424
00:10:35,636 --> 00:10:38,870
[echoing]
[clock ticking]
SIOBHAN!
425
00:10:38,872 --> 00:10:40,038
[clock ticking]
SIOBHAN!
OH, MY GOD.
426
00:10:40,040 --> 00:10:44,075
SIOBHAN!
OH, MY GOD.
[clock ticking faster]
427
00:10:44,077 --> 00:10:46,411
OH, MY GOD.
[clock ticking faster]
SIOBHAN KILLED HERSELF.
428
00:10:53,919 --> 00:11:00,759
I SAW A WAY OUT, AND I TOOK IT.
[clock stops ticking]
I'M THE ONLY ONE THAT KNOWS
429
00:11:00,761 --> 00:11:05,163
[clock stops ticking]
I'M THE ONLY ONE THAT KNOWS
THAT SHE'S DEAD.
430
00:11:05,165 --> 00:11:06,898
I'M THE ONLY ONE THAT KNOWS
THAT SHE'S DEAD.
>> EVENING, MISS MARTIN.
431
00:11:06,900 --> 00:11:09,300
THAT SHE'S DEAD.
>> EVENING, MISS MARTIN.
>> EVENING.
432
00:11:09,302 --> 00:11:11,002
>> EVENING, MISS MARTIN.
>> EVENING.
THEY ALL THINK I'M HER.
433
00:11:11,004 --> 00:11:13,571
>> EVENING.
THEY ALL THINK I'M HER.
THEY ALL THINK I'M SIOBHAN.
434
00:11:16,242 --> 00:11:22,247
>> ¶ SEE THE SAFETY ¶
¶ OF THE LIFE YOU HAVE BUILT ¶
>> BUT NO ONE'S LIFE IS PERFECT.
435
00:11:22,249 --> 00:11:24,215
¶ OF THE LIFE YOU HAVE BUILT ¶
>> BUT NO ONE'S LIFE IS PERFECT.
[elevator bell dings]
436
00:11:24,217 --> 00:11:25,817
>> BUT NO ONE'S LIFE IS PERFECT.
[elevator bell dings]
>> I'M WITH THE F.B.I.
437
00:11:25,819 --> 00:11:29,854
[elevator bell dings]
>> I'M WITH THE F.B.I.
>> ¶ THE GLASS YOU ARE ON ¶
438
00:11:29,856 --> 00:11:31,856
>> I'M WITH THE F.B.I.
>> ¶ THE GLASS YOU ARE ON ¶
¶ WHAT IF EVERYTHING ¶
439
00:11:31,858 --> 00:11:34,225
>> ¶ THE GLASS YOU ARE ON ¶
¶ WHAT IF EVERYTHING ¶
¶ AROUND YOU ¶
440
00:11:34,227 --> 00:11:35,760
¶ WHAT IF EVERYTHING ¶
¶ AROUND YOU ¶
>> TONIGHT SEEMED SO HAPPY.
441
00:11:35,762 --> 00:11:37,262
¶ AROUND YOU ¶
>> TONIGHT SEEMED SO HAPPY.
>> BUT THAT WAS AN ACT.
442
00:11:37,264 --> 00:11:39,564
>> TONIGHT SEEMED SO HAPPY.
>> BUT THAT WAS AN ACT.
>> ¶ ISN'T QUITE AS IT SEEMS ¶
443
00:11:39,566 --> 00:11:40,532
>> BUT THAT WAS AN ACT.
>> ¶ ISN'T QUITE AS IT SEEMS ¶
>> OH, COME ON, SIOBHAN.
444
00:11:40,534 --> 00:11:41,466
>> ¶ ISN'T QUITE AS IT SEEMS ¶
>> OH, COME ON, SIOBHAN.
WE'VE SLEPT TOGETHER A THOUSAND
445
00:11:41,468 --> 00:11:43,668
>> OH, COME ON, SIOBHAN.
WE'VE SLEPT TOGETHER A THOUSAND
TIMES.
446
00:11:43,670 --> 00:11:45,870
WE'VE SLEPT TOGETHER A THOUSAND
TIMES.
>> ¶ WHAT IF ALL THE WORLD ¶
447
00:11:45,872 --> 00:11:47,372
TIMES.
>> ¶ WHAT IF ALL THE WORLD ¶
¶ YOU THINK YOU KNOW ¶
448
00:11:47,374 --> 00:11:48,606
>> ¶ WHAT IF ALL THE WORLD ¶
¶ YOU THINK YOU KNOW ¶
>> [echoing] HE'S NOT SAFE.
449
00:11:48,608 --> 00:11:49,674
¶ YOU THINK YOU KNOW ¶
>> [echoing] HE'S NOT SAFE.
>> THIS IS YOUR GAME.
450
00:11:49,676 --> 00:11:51,209
>> [echoing] HE'S NOT SAFE.
>> THIS IS YOUR GAME.
I'M JUST PLAYING BY THE RULES.
451
00:11:51,211 --> 00:11:53,845
>> THIS IS YOUR GAME.
I'M JUST PLAYING BY THE RULES.
>> ¶ AN ELABORATE DREAM ¶
452
00:11:53,847 --> 00:11:57,282
I'M JUST PLAYING BY THE RULES.
>> ¶ AN ELABORATE DREAM ¶
¶ ¶
453
00:11:57,284 --> 00:11:59,050
>> ¶ AN ELABORATE DREAM ¶
¶ ¶
¶ AND IF YOU LOOK AT ¶
454
00:11:59,052 --> 00:12:01,352
¶ ¶
¶ AND IF YOU LOOK AT ¶
¶ YOUR REFLECTION ¶
455
00:12:01,354 --> 00:12:02,921
¶ AND IF YOU LOOK AT ¶
¶ YOUR REFLECTION ¶
>> SIOBHAN, WHAT DID YOU DO?
456
00:12:02,923 --> 00:12:04,289
¶ YOUR REFLECTION ¶
>> SIOBHAN, WHAT DID YOU DO?
>> I KNOW WE NEGOTIATED,
457
00:12:04,291 --> 00:12:05,490
>> SIOBHAN, WHAT DID YOU DO?
>> I KNOW WE NEGOTIATED,
BUT I WANT OUT.
458
00:12:05,492 --> 00:12:07,192
>> I KNOW WE NEGOTIATED,
BUT I WANT OUT.
>> ¶ ALL YOU WANT IT TO BE ¶
459
00:12:07,194 --> 00:12:10,929
BUT I WANT OUT.
>> ¶ ALL YOU WANT IT TO BE ¶
>> YOU MUST SHARE YOUR SECRET.
460
00:12:10,931 --> 00:12:13,231
>> ¶ ALL YOU WANT IT TO BE ¶
>> YOU MUST SHARE YOUR SECRET.
>> ¶ WHAT IF YOU COULD LOOK ¶
461
00:12:13,233 --> 00:12:14,599
>> YOU MUST SHARE YOUR SECRET.
>> ¶ WHAT IF YOU COULD LOOK ¶
¶ RIGHT THROUGH ¶
462
00:12:14,601 --> 00:12:15,633
>> ¶ WHAT IF YOU COULD LOOK ¶
¶ RIGHT THROUGH ¶
>> I WONDER WHAT ELSE SHE'S
463
00:12:15,635 --> 00:12:16,968
¶ RIGHT THROUGH ¶
>> I WONDER WHAT ELSE SHE'S
LYING ABOUT.
464
00:12:16,970 --> 00:12:17,736
>> I WONDER WHAT ELSE SHE'S
LYING ABOUT.
>> WHO ARE YOU?
465
00:12:17,738 --> 00:12:20,305
LYING ABOUT.
>> WHO ARE YOU?
>> WHERE THE HELL ARE YOU?
466
00:12:20,307 --> 00:12:21,806
>> WHO ARE YOU?
>> WHERE THE HELL ARE YOU?
>> TELL ME WHAT'S GOING ON.
467
00:12:21,808 --> 00:12:23,775
>> WHERE THE HELL ARE YOU?
>> TELL ME WHAT'S GOING ON.
>> YOU HAVE THE WRONG GIRL!
468
00:12:23,777 --> 00:12:24,909
>> TELL ME WHAT'S GOING ON.
>> YOU HAVE THE WRONG GIRL!
[gunshot]
469
00:12:24,911 --> 00:12:28,313
>> YOU HAVE THE WRONG GIRL!
[gunshot]
¶ ¶
470
00:12:28,315 --> 00:12:35,420
[gunshot]
¶ ¶
[clock ticking]
471
00:12:35,422 --> 00:12:39,991
¶ ¶
[clock ticking]
[phone ringing]
472
00:12:39,993 --> 00:12:41,459
[clock ticking]
[phone ringing]
[phone beeps]
473
00:12:41,461 --> 00:12:43,695
[phone ringing]
[phone beeps]
HELLO?
474
00:12:43,697 --> 00:12:45,864
[phone beeps]
HELLO?
>> SIOBHAN, WE HAVE A PROBLEM.
475
00:12:45,866 --> 00:12:48,333
HELLO?
>> SIOBHAN, WE HAVE A PROBLEM.
BRIDGET'S STILL ALIVE.
476
00:12:48,335 --> 00:12:50,702
>> SIOBHAN, WE HAVE A PROBLEM.
BRIDGET'S STILL ALIVE.
[clock ticking]
477
00:12:50,704 --> 00:12:54,939
>> RINGER AIRS TUESDAYS
FOLLOWING 90210 THIS FALL
ON THE CW.
478
00:12:54,941 --> 00:12:56,107
FOLLOWING 90210 THIS FALL
ON THE CW.
>> NOW, DON'T GO ANYWHERE.
479
00:12:56,109 --> 00:12:58,443
>> NOW, DON'T GO ANYWHERE.
THERE'S MORE OF THE CW'S NEW
FALL LINEUP TO COME WHEN
480
00:12:58,445 --> 00:13:00,178
THERE'S MORE OF THE CW'S NEW
FALL LINEUP TO COME WHEN
THE CW 2011 FALL PREVIEW
481
00:13:00,180 --> 00:13:01,179
FALL LINEUP TO COME WHEN
THE CW 2011 FALL PREVIEW
RETURNS.
482
00:13:01,181 --> 00:13:02,147
THE CW 2011 FALL PREVIEW
RETURNS.
>> YOU KNOW WHY THEY HIRED ME?
483
00:13:02,149 --> 00:13:02,947
RETURNS.
>> YOU KNOW WHY THEY HIRED ME?
>> WHY?
484
00:13:02,949 --> 00:13:04,215
>> YOU KNOW WHY THEY HIRED ME?
>> WHY?
>> 'CAUSE I'M A RINGER. HA!
485
00:13:04,217 --> 00:13:06,951
>> WHY?
>> 'CAUSE I'M A RINGER. HA!
>> [la
486
00:13:06,953 --> 00:13:07,952
>> 'CAUSE I'M A RINGER. HA!
>> [la
487
00:13:07,954 --> 00:13:08,820
>> [la
>> THURSDAYS THIS FALL,
488
00:13:08,822 --> 00:13:11,022
>> THURSDAYS THIS FALL,
THE VAMPIRE DIARIES IS BACK,
FOLLOWED BY A NEW SERIES FROM
489
00:13:11,024 --> 00:13:11,923
THE VAMPIRE DIARIES IS BACK,
FOLLOWED BY A NEW SERIES FROM
THE TEAM THAT BROUGHT YOU
490
00:13:11,925 --> 00:13:12,924
FOLLOWED BY A NEW SERIES FROM
THE TEAM THAT BROUGHT YOU
THE VAMPIRE DIARIES.
491
00:13:12,926 --> 00:13:13,925
THE TEAM THAT BROUGHT YOU
THE VAMPIRE DIARIES.
>> THE MYSTERIOUS DEATH OF A
492
00:13:13,927 --> 00:13:15,160
THE VAMPIRE DIARIES.
>> THE MYSTERIOUS DEATH OF A
YOUNG GIRL'S MOTHER BRINGS HER
493
00:13:15,162 --> 00:13:16,161
>> THE MYSTERIOUS DEATH OF A
YOUNG GIRL'S MOTHER BRINGS HER
BACK TO THE TOWN HER MOTHER RAN
494
00:13:16,163 --> 00:13:18,196
YOUNG GIRL'S MOTHER BRINGS HER
BACK TO THE TOWN HER MOTHER RAN
AWAY FROM, A TOWN WHERE NOTHING
495
00:13:18,198 --> 00:13:19,597
BACK TO THE TOWN HER MOTHER RAN
AWAY FROM, A TOWN WHERE NOTHING
IS WHAT IT SEEMS AND EVERYONE
496
00:13:19,599 --> 00:13:21,232
AWAY FROM, A TOWN WHERE NOTHING
IS WHAT IT SEEMS AND EVERYONE
HAS THEIR PART TO PLAY...
497
00:13:21,234 --> 00:13:22,934
IS WHAT IT SEEMS AND EVERYONE
HAS THEIR PART TO PLAY...
IN THE SECRET CIRCLE.
498
00:13:22,936 --> 00:13:23,768
HAS THEIR PART TO PLAY...
IN THE SECRET CIRCLE.
>> SOUNDS SPOOKY.
499
00:13:23,770 --> 00:13:24,669
IN THE SECRET CIRCLE.
>> SOUNDS SPOOKY.
>> YEAH.
500
00:13:24,671 --> 00:13:26,271
>> SOUNDS SPOOKY.
>> YEAH.
>> [chuckles]
501
00:13:26,273 --> 00:13:27,238
>> YEAH.
>> [chuckles]
[phone rings]
502
00:13:27,240 --> 00:13:28,006
>> [chuckles]
[phone rings]
>> HELLO?
503
00:13:28,008 --> 00:13:28,940
[phone rings]
>> HELLO?
>> I GOT A FLAT.
504
00:13:28,942 --> 00:13:30,175
>> HELLO?
>> I GOT A FLAT.
>> ALL RIGHT, I'M COMING.
505
00:13:30,177 --> 00:13:31,242
>> I GOT A FLAT.
>> ALL RIGHT, I'M COMING.
>> I KNOW HOW TO CHANGE A TIRE,
506
00:13:31,244 --> 00:13:34,045
>> ALL RIGHT, I'M COMING.
>> I KNOW HOW TO CHANGE A TIRE,
MOM.
507
00:13:34,047 --> 00:13:35,213
>> I KNOW HOW TO CHANGE A TIRE,
MOM.
MOM?
508
00:13:35,215 --> 00:13:36,247
MOM.
MOM?
[static]
509
00:13:36,249 --> 00:13:37,315
MOM?
[static]
HELLO?
510
00:13:37,317 --> 00:13:38,883
[static]
HELLO?
>> CASSIE?
511
00:13:38,885 --> 00:13:39,818
HELLO?
>> CASSIE?
[dramatic, suspenseful music]
512
00:13:39,820 --> 00:13:44,355
>> CASSIE?
[dramatic, suspenseful music]
¶ ¶
513
00:13:44,357 --> 00:13:46,858
[dramatic, suspenseful music]
¶ ¶
[screaming]
514
00:13:49,995 --> 00:13:54,599
[gasps]
CASSIE.
[glass shatters]
515
00:13:54,601 --> 00:13:56,668
CASSIE.
[glass shatters]
>> announcer: A TRAGEDY CHANGED
516
00:13:56,670 --> 00:13:58,803
[glass shatters]
>> announcer: A TRAGEDY CHANGED
CASSIE BLAKE'S LIFE FOREVER.
517
00:13:58,805 --> 00:14:01,105
>> announcer: A TRAGEDY CHANGED
CASSIE BLAKE'S LIFE FOREVER.
NOW SHE'S STARTING OVER IN THE
518
00:14:01,107 --> 00:14:03,107
CASSIE BLAKE'S LIFE FOREVER.
NOW SHE'S STARTING OVER IN THE
SMALL TOWN HER MOTHER LEFT
519
00:14:03,109 --> 00:14:04,108
NOW SHE'S STARTING OVER IN THE
SMALL TOWN HER MOTHER LEFT
BEHIND.
520
00:14:04,110 --> 00:14:05,276
SMALL TOWN HER MOTHER LEFT
BEHIND.
>> CASSIE!
521
00:14:05,278 --> 00:14:06,878
BEHIND.
>> CASSIE!
REALLY GLAD YOU'RE HERE.
522
00:14:06,880 --> 00:14:07,812
>> CASSIE!
REALLY GLAD YOU'RE HERE.
>> HEY, GRANDMA.
523
00:14:07,814 --> 00:14:08,680
REALLY GLAD YOU'RE HERE.
>> HEY, GRANDMA.
>> announcer: AND SHE'LL SOON
524
00:14:08,682 --> 00:14:11,249
>> HEY, GRANDMA.
>> announcer: AND SHE'LL SOON
DISCOVER THAT HER ARRIVAL WILL
525
00:14:11,251 --> 00:14:13,084
>> announcer: AND SHE'LL SOON
DISCOVER THAT HER ARRIVAL WILL
BRING A TOWN'S DARK SECRET TO
526
00:14:13,086 --> 00:14:14,686
DISCOVER THAT HER ARRIVAL WILL
BRING A TOWN'S DARK SECRET TO
LIGHT.
527
00:14:14,688 --> 00:14:15,787
BRING A TOWN'S DARK SECRET TO
LIGHT.
>> WE'RE HAPPY TO HAVE YOU HERE,
528
00:14:15,789 --> 00:14:16,855
LIGHT.
>> WE'RE HAPPY TO HAVE YOU HERE,
CASSIE.
529
00:14:16,857 --> 00:14:18,089
>> WE'RE HAPPY TO HAVE YOU HERE,
CASSIE.
I'M PRINCIPAL CHAMBERLAIN.
530
00:14:18,091 --> 00:14:19,457
CASSIE.
I'M PRINCIPAL CHAMBERLAIN.
YOUR MOTHER WAS VERY SPECIAL TO
531
00:14:19,459 --> 00:14:20,758
I'M PRINCIPAL CHAMBERLAIN.
YOUR MOTHER WAS VERY SPECIAL TO
ME.
532
00:14:20,760 --> 00:14:21,726
YOUR MOTHER WAS VERY SPECIAL TO
ME.
IF THERE'S ANYTHING THAT I CAN
533
00:14:21,728 --> 00:14:22,660
ME.
IF THERE'S ANYTHING THAT I CAN
DO TO HELP, YOU LET ME KNOW.
534
00:14:22,662 --> 00:14:23,628
IF THERE'S ANYTHING THAT I CAN
DO TO HELP, YOU LET ME KNOW.
>> announcer: SHE'S MEETING A
535
00:14:23,630 --> 00:14:25,430
DO TO HELP, YOU LET ME KNOW.
>> announcer: SHE'S MEETING A
NEW CIRCLE OF FRIENDS.
536
00:14:25,432 --> 00:14:26,231
>> announcer: SHE'S MEETING A
NEW CIRCLE OF FRIENDS.
>> SO YOU'RE THE NEW GIRL.
537
00:14:26,233 --> 00:14:28,366
NEW CIRCLE OF FRIENDS.
>> SO YOU'RE THE NEW GIRL.
>> YEAH. THAT'S ME.
538
00:14:28,368 --> 00:14:31,536
>> SO YOU'RE THE NEW GIRL.
>> YEAH. THAT'S ME.
>> TRY IT AGAIN.
539
00:14:31,538 --> 00:14:32,637
>> YEAH. THAT'S ME.
>> TRY IT AGAIN.
>> HI. I'M DIANA.
540
00:14:32,639 --> 00:14:33,471
>> TRY IT AGAIN.
>> HI. I'M DIANA.
>> I'M CASSIE.
541
00:14:33,473 --> 00:14:34,706
>> HI. I'M DIANA.
>> I'M CASSIE.
>> EVERYBODY HANGS OUT AT THE
542
00:14:34,708 --> 00:14:35,807
>> I'M CASSIE.
>> EVERYBODY HANGS OUT AT THE
BOATHOUSE AFTER SCHOOL.
543
00:14:35,809 --> 00:14:36,741
>> EVERYBODY HANGS OUT AT THE
BOATHOUSE AFTER SCHOOL.
DROP BY, AND I'LL SHOW YOU
544
00:14:36,743 --> 00:14:38,276
BOATHOUSE AFTER SCHOOL.
DROP BY, AND I'LL SHOW YOU
AROUND.
545
00:14:38,278 --> 00:14:39,544
DROP BY, AND I'LL SHOW YOU
AROUND.
>> I SAW YOU AT SCHOOL TODAY.
546
00:14:39,546 --> 00:14:40,945
AROUND.
>> I SAW YOU AT SCHOOL TODAY.
HOW WAS YOUR FIRST DAY?
547
00:14:40,947 --> 00:14:41,913
>> I SAW YOU AT SCHOOL TODAY.
HOW WAS YOUR FIRST DAY?
>> IT'S NOT OVER YET.
548
00:14:41,915 --> 00:14:43,248
HOW WAS YOUR FIRST DAY?
>> IT'S NOT OVER YET.
I'LL GET BACK TO YOU.
549
00:14:43,250 --> 00:14:44,816
>> IT'S NOT OVER YET.
I'LL GET BACK TO YOU.
>> ADAM'S A HOTTIE.
550
00:14:44,818 --> 00:14:46,918
I'LL GET BACK TO YOU.
>> ADAM'S A HOTTIE.
AND HE REALLY DOES GO FOR THE
551
00:14:46,920 --> 00:14:48,720
>> ADAM'S A HOTTIE.
AND HE REALLY DOES GO FOR THE
SAD, DELICATE TYPES.
552
00:14:48,722 --> 00:14:50,054
AND HE REALLY DOES GO FOR THE
SAD, DELICATE TYPES.
>> announcer: AND HER TRUE
553
00:14:50,056 --> 00:14:52,724
SAD, DELICATE TYPES.
>> announcer: AND HER TRUE
DESTINY IS ABOUT TO BE REVEALED.
554
00:14:52,726 --> 00:14:53,791
>> announcer: AND HER TRUE
DESTINY IS ABOUT TO BE REVEALED.
>> I DON'T THINK SHE KNOWS
555
00:14:53,793 --> 00:14:54,592
DESTINY IS ABOUT TO BE REVEALED.
>> I DON'T THINK SHE KNOWS
ANYTHING.
556
00:14:54,594 --> 00:14:57,829
>> I DON'T THINK SHE KNOWS
ANYTHING.
>> I THINK SHE NEEDS A NUDGE.
557
00:14:57,831 --> 00:14:59,631
ANYTHING.
>> I THINK SHE NEEDS A NUDGE.
[engine fails to start]
558
00:15:04,870 --> 00:15:12,143
>> LET ME OUT! HELP!
[screams]
>> PUT IT OUT.
559
00:15:12,145 --> 00:15:13,211
[screams]
>> PUT IT OUT.
>> I DON'T UNDERSTAND WHAT
560
00:15:13,213 --> 00:15:14,512
>> PUT IT OUT.
>> I DON'T UNDERSTAND WHAT
HAPPENED.
561
00:15:14,514 --> 00:15:15,680
>> I DON'T UNDERSTAND WHAT
HAPPENED.
>> YOUR CAR CAUGHT FIRE.
562
00:15:15,682 --> 00:15:16,681
HAPPENED.
>> YOUR CAR CAUGHT FIRE.
>> NO WAY. THAT WAS SOMETHING
563
00:15:16,683 --> 00:15:17,649
>> YOUR CAR CAUGHT FIRE.
>> NO WAY. THAT WAS SOMETHING
ELSE.
564
00:15:17,651 --> 00:15:18,583
>> NO WAY. THAT WAS SOMETHING
ELSE.
THIS TOWN, IT'S A FREAKIN'
565
00:15:18,585 --> 00:15:19,717
ELSE.
THIS TOWN, IT'S A FREAKIN'
SIDE SHOW.
566
00:15:19,719 --> 00:15:21,552
THIS TOWN, IT'S A FREAKIN'
SIDE SHOW.
>> CASSIE, WAIT.
567
00:15:21,554 --> 00:15:23,354
SIDE SHOW.
>> CASSIE, WAIT.
I THINK MAYBE I CAN HELP.
568
00:15:23,356 --> 00:15:24,656
>> CASSIE, WAIT.
I THINK MAYBE I CAN HELP.
>> WHERE ARE WE GOING?
569
00:15:24,658 --> 00:15:26,190
I THINK MAYBE I CAN HELP.
>> WHERE ARE WE GOING?
>> YOU'LL SEE.
570
00:15:26,192 --> 00:15:27,458
>> WHERE ARE WE GOING?
>> YOU'LL SEE.
IT'S OKAY, CASSIE.
571
00:15:27,460 --> 00:15:29,627
>> YOU'LL SEE.
IT'S OKAY, CASSIE.
[door squeaks open]
572
00:15:29,629 --> 00:15:31,596
IT'S OKAY, CASSIE.
[door squeaks open]
>> FINALLY.
573
00:15:31,598 --> 00:15:32,997
[door squeaks open]
>> FINALLY.
>> HEY, NEIGHBOR.
574
00:15:32,999 --> 00:15:34,032
>> FINALLY.
>> HEY, NEIGHBOR.
>> OKAY, THIS IS GETTING REALLY
575
00:15:34,034 --> 00:15:35,366
>> HEY, NEIGHBOR.
>> OKAY, THIS IS GETTING REALLY
WEIRD.
576
00:15:35,368 --> 00:15:36,634
>> OKAY, THIS IS GETTING REALLY
WEIRD.
>> YOU DON'T NEED TO BE SCARED.
577
00:15:36,636 --> 00:15:37,568
WEIRD.
>> YOU DON'T NEED TO BE SCARED.
>> THEN SOMEONE TELL ME WHAT'S
578
00:15:37,570 --> 00:15:38,503
>> YOU DON'T NEED TO BE SCARED.
>> THEN SOMEONE TELL ME WHAT'S
GOING ON.
579
00:15:38,505 --> 00:15:39,671
>> THEN SOMEONE TELL ME WHAT'S
GOING ON.
>> WE'RE DIFFERENT.
580
00:15:39,673 --> 00:15:40,471
GOING ON.
>> WE'RE DIFFERENT.
YOU'RE DIFFERENT.
581
00:15:40,473 --> 00:15:42,540
>> WE'RE DIFFERENT.
YOU'RE DIFFERENT.
>> OH, FOR GOD'S SAKE!
582
00:15:42,542 --> 00:15:44,275
YOU'RE DIFFERENT.
>> OH, FOR GOD'S SAKE!
SPIT IT OUT!
583
00:15:44,277 --> 00:15:45,443
>> OH, FOR GOD'S SAKE!
SPIT IT OUT!
YOU'RE A WITCH.
584
00:15:45,445 --> 00:15:46,411
SPIT IT OUT!
YOU'RE A WITCH.
YOU'RE A FULL-BLOODED,
585
00:15:46,413 --> 00:15:47,578
YOU'RE A WITCH.
YOU'RE A FULL-BLOODED,
100% WITCH.
586
00:15:47,580 --> 00:15:48,947
YOU'RE A FULL-BLOODED,
100% WITCH.
WE ALL ARE.
587
00:15:48,949 --> 00:15:51,916
100% WITCH.
WE ALL ARE.
>> THIS IS BEYOND CRAZY.
588
00:15:51,918 --> 00:15:53,418
WE ALL ARE.
>> THIS IS BEYOND CRAZY.
>> OUR ANCESTRY IS PART OF
589
00:15:53,420 --> 00:15:54,786
>> THIS IS BEYOND CRAZY.
>> OUR ANCESTRY IS PART OF
A LEGACY THAT DATES AS FAR BACK
590
00:15:54,788 --> 00:15:57,622
>> OUR ANCESTRY IS PART OF
A LEGACY THAT DATES AS FAR BACK
AS 1692.
591
00:15:57,624 --> 00:15:58,556
A LEGACY THAT DATES AS FAR BACK
AS 1692.
>> YOU'RE SAYING I'M A WITCH?
592
00:15:58,558 --> 00:15:59,590
AS 1692.
>> YOU'RE SAYING I'M A WITCH?
>> LIKE YOUR MOTHER AND HER
593
00:15:59,592 --> 00:16:00,525
>> YOU'RE SAYING I'M A WITCH?
>> LIKE YOUR MOTHER AND HER
MOTHER.
594
00:16:00,527 --> 00:16:01,759
>> LIKE YOUR MOTHER AND HER
MOTHER.
EACH FAMILY HAS A BOOK.
595
00:16:01,761 --> 00:16:02,827
MOTHER.
EACH FAMILY HAS A BOOK.
THE BOOK CONTAINS THOUSANDS OF
596
00:16:02,829 --> 00:16:03,761
EACH FAMILY HAS A BOOK.
THE BOOK CONTAINS THOUSANDS OF
SPELLS.
597
00:16:03,763 --> 00:16:04,595
THE BOOK CONTAINS THOUSANDS OF
SPELLS.
WE'VE BEEN PRACTICING, BUT
598
00:16:04,597 --> 00:16:05,530
SPELLS.
WE'VE BEEN PRACTICING, BUT
WITHOUT A FULL CIRCLE, WE CAN
599
00:16:05,532 --> 00:16:07,031
WE'VE BEEN PRACTICING, BUT
WITHOUT A FULL CIRCLE, WE CAN
WE CAN ONLY DO REALLY LAME ONES.
600
00:16:07,033 --> 00:16:08,232
WITHOUT A FULL CIRCLE, WE CAN
WE CAN ONLY DO REALLY LAME ONES.
>> COMPLETE CIRCLE IS SIX--
601
00:16:08,234 --> 00:16:09,200
WE CAN ONLY DO REALLY LAME ONES.
>> COMPLETE CIRCLE IS SIX--
ONE FROM EACH OF THE SIX
602
00:16:09,202 --> 00:16:10,001
>> COMPLETE CIRCLE IS SIX--
ONE FROM EACH OF THE SIX
FAMILIES.
603
00:16:10,003 --> 00:16:12,136
ONE FROM EACH OF THE SIX
FAMILIES.
>> YOU'RE THE SIXTH.
604
00:16:12,138 --> 00:16:14,339
FAMILIES.
>> YOU'RE THE SIXTH.
>> ARE THE CHILDREN PRACTICING?
605
00:16:14,341 --> 00:16:15,239
>> YOU'RE THE SIXTH.
>> ARE THE CHILDREN PRACTICING?
>> IF THEY WERE PRACTICING, I
606
00:16:15,241 --> 00:16:16,207
>> ARE THE CHILDREN PRACTICING?
>> IF THEY WERE PRACTICING, I
WOULD KNOW.
607
00:16:16,209 --> 00:16:16,975
>> IF THEY WERE PRACTICING, I
WOULD KNOW.
>> WE CAN'T LET IT HAPPEN
608
00:16:16,977 --> 00:16:19,177
WOULD KNOW.
>> WE CAN'T LET IT HAPPEN
AGAIN.
609
00:16:19,179 --> 00:16:20,078
>> WE CAN'T LET IT HAPPEN
AGAIN.
>> OUR PARENTS HAD A CIRCLE
610
00:16:20,080 --> 00:16:21,145
AGAIN.
>> OUR PARENTS HAD A CIRCLE
JUST LIKE OURS.
611
00:16:21,147 --> 00:16:22,080
>> OUR PARENTS HAD A CIRCLE
JUST LIKE OURS.
>> MY MOTHER WAS NOT A WITCH.
612
00:16:22,082 --> 00:16:23,047
JUST LIKE OURS.
>> MY MOTHER WAS NOT A WITCH.
I WOULD HAVE KNOWN.
613
00:16:23,049 --> 00:16:23,848
>> MY MOTHER WAS NOT A WITCH.
I WOULD HAVE KNOWN.
>> IT WAS ALL COVERED UP.
614
00:16:23,850 --> 00:16:24,816
I WOULD HAVE KNOWN.
>> IT WAS ALL COVERED UP.
SOMETHING WENT WRONG.
615
00:16:24,818 --> 00:16:25,783
>> IT WAS ALL COVERED UP.
SOMETHING WENT WRONG.
PEOPLE WERE HURT.
616
00:16:25,785 --> 00:16:26,851
SOMETHING WENT WRONG.
PEOPLE WERE HURT.
SO THEY ABOLISHED WITCHCRAFT.
617
00:16:26,853 --> 00:16:28,753
PEOPLE WERE HURT.
SO THEY ABOLISHED WITCHCRAFT.
>> I DON'T BELIEVE YOU.
618
00:16:28,755 --> 00:16:30,288
SO THEY ABOLISHED WITCHCRAFT.
>> I DON'T BELIEVE YOU.
>> WITH CASSIE HERE, OUR POWER
619
00:16:30,290 --> 00:16:31,689
>> I DON'T BELIEVE YOU.
>> WITH CASSIE HERE, OUR POWER
IS MAGNIFIED LIKE 100 TIMES
620
00:16:31,691 --> 00:16:34,425
>> WITH CASSIE HERE, OUR POWER
IS MAGNIFIED LIKE 100 TIMES
OVER.
621
00:16:34,427 --> 00:16:35,360
IS MAGNIFIED LIKE 100 TIMES
OVER.
>> WE ARE DOING THIS MY WAY,
622
00:16:35,362 --> 00:16:36,160
OVER.
>> WE ARE DOING THIS MY WAY,
FAYE.
623
00:16:36,162 --> 00:16:37,362
>> WE ARE DOING THIS MY WAY,
FAYE.
>> THAT SHIP HAS SAILED.
624
00:16:37,364 --> 00:16:40,365
FAYE.
>> THAT SHIP HAS SAILED.
SKIES ABOVE, GIVE ME A SIGN.
625
00:16:40,367 --> 00:16:41,632
>> THAT SHIP HAS SAILED.
SKIES ABOVE, GIVE ME A SIGN.
>> DO NOT PUSH ME, FAYE.
626
00:16:41,634 --> 00:16:42,934
SKIES ABOVE, GIVE ME A SIGN.
>> DO NOT PUSH ME, FAYE.
I MEAN IT.
627
00:16:42,936 --> 00:16:44,602
>> DO NOT PUSH ME, FAYE.
I MEAN IT.
>> DO YOU WANNA TRY THAT AGAIN?
628
00:16:44,604 --> 00:16:45,770
I MEAN IT.
>> DO YOU WANNA TRY THAT AGAIN?
'CAUSE I DIDN'T QUITE BUY IT.
629
00:16:45,772 --> 00:16:47,705
>> DO YOU WANNA TRY THAT AGAIN?
'CAUSE I DIDN'T QUITE BUY IT.
DID YOU?
630
00:16:47,707 --> 00:16:48,706
'CAUSE I DIDN'T QUITE BUY IT.
DID YOU?
[upbeat music]
631
00:16:48,708 --> 00:16:51,943
DID YOU?
[upbeat music]
¶ ¶
632
00:16:51,945 --> 00:16:54,212
[upbeat music]
¶ ¶
>> MY SWEET CASSIE...
633
00:16:54,214 --> 00:16:55,847
¶ ¶
>> MY SWEET CASSIE...
YOU FINDING THIS MEANS I'M GONE
634
00:16:55,849 --> 00:16:59,584
>> MY SWEET CASSIE...
YOU FINDING THIS MEANS I'M GONE
AND FOR THAT, I AM SO SORRY.
635
00:16:59,586 --> 00:17:01,285
YOU FINDING THIS MEANS I'M GONE
AND FOR THAT, I AM SO SORRY.
YOU HAVE INCREDIBLE POWER INSIDE
636
00:17:01,287 --> 00:17:02,687
AND FOR THAT, I AM SO SORRY.
YOU HAVE INCREDIBLE POWER INSIDE
YOU.
637
00:17:02,689 --> 00:17:03,721
YOU HAVE INCREDIBLE POWER INSIDE
YOU.
>> ARE YOU DOING THIS?
638
00:17:03,723 --> 00:17:04,655
YOU.
>> ARE YOU DOING THIS?
>> WE ARE.
639
00:17:04,657 --> 00:17:06,524
>> ARE YOU DOING THIS?
>> WE ARE.
>> IT'S INCREDIBLE.
640
00:17:06,526 --> 00:17:08,226
>> WE ARE.
>> IT'S INCREDIBLE.
WHY DID MY MOM LEAVE HERE?
641
00:17:08,228 --> 00:17:09,460
>> IT'S INCREDIBLE.
WHY DID MY MOM LEAVE HERE?
>> BAD THINGS HAPPEN WHEN YOU
642
00:17:09,462 --> 00:17:10,561
WHY DID MY MOM LEAVE HERE?
>> BAD THINGS HAPPEN WHEN YOU
MESS WITH FATE.
643
00:17:10,563 --> 00:17:12,030
>> BAD THINGS HAPPEN WHEN YOU
MESS WITH FATE.
>> WHAT BAD THINGS?
644
00:17:12,032 --> 00:17:13,097
MESS WITH FATE.
>> WHAT BAD THINGS?
>> YOU DRINK TOO MUCH, WHICH
645
00:17:13,099 --> 00:17:14,732
>> WHAT BAD THINGS?
>> YOU DRINK TOO MUCH, WHICH
MAKES YOU TALK TOO MUCH, AND I
646
00:17:14,734 --> 00:17:16,000
>> YOU DRINK TOO MUCH, WHICH
MAKES YOU TALK TOO MUCH, AND I
CAN'T HAVE THAT.
647
00:17:16,002 --> 00:17:17,268
MAKES YOU TALK TOO MUCH, AND I
CAN'T HAVE THAT.
THIS IS MY ONE AND FINAL
648
00:17:17,270 --> 00:17:19,003
CAN'T HAVE THAT.
THIS IS MY ONE AND FINAL
WARNING.
649
00:17:19,005 --> 00:17:20,304
THIS IS MY ONE AND FINAL
WARNING.
>> OH! OOH. SORRY.
650
00:17:20,306 --> 00:17:23,074
WARNING.
>> OH! OOH. SORRY.
>> ARE YOU...CASSIE BLAKE?
651
00:17:23,076 --> 00:17:24,342
>> OH! OOH. SORRY.
>> ARE YOU...CASSIE BLAKE?
>> YES?
652
00:17:24,344 --> 00:17:25,443
>> ARE YOU...CASSIE BLAKE?
>> YES?
>> I WAS A GOOD FRIEND OF YOUR
653
00:17:25,445 --> 00:17:26,477
>> YES?
>> I WAS A GOOD FRIEND OF YOUR
MOTHER'S.
654
00:17:26,479 --> 00:17:28,546
>> I WAS A GOOD FRIEND OF YOUR
MOTHER'S.
>> HEY. I SEE YOU MET MY DAD.
655
00:17:28,548 --> 00:17:30,982
MOTHER'S.
>> HEY. I SEE YOU MET MY DAD.
>> [gasps]
656
00:17:30,984 --> 00:17:32,250
>> HEY. I SEE YOU MET MY DAD.
>> [gasps]
YOU AND YOUR TRICKS.
657
00:17:32,252 --> 00:17:33,217
>> [gasps]
YOU AND YOUR TRICKS.
YOU DID THE RIGHT THING BRINGING
658
00:17:33,219 --> 00:17:34,085
YOU AND YOUR TRICKS.
YOU DID THE RIGHT THING BRINGING
HER HERE.
659
00:17:34,087 --> 00:17:35,019
YOU DID THE RIGHT THING BRINGING
HER HERE.
SHE HAS THE GIFT.
660
00:17:35,021 --> 00:17:35,987
HER HERE.
SHE HAS THE GIFT.
>> ARE YOU SURE YOU CAN GET
661
00:17:35,989 --> 00:17:37,922
SHE HAS THE GIFT.
>> ARE YOU SURE YOU CAN GET
CASSIE TO DO WHAT WE NEED?
662
00:17:37,924 --> 00:17:38,856
>> ARE YOU SURE YOU CAN GET
CASSIE TO DO WHAT WE NEED?
>> I DON'T HAVE TO GET HER TO DO
663
00:17:38,858 --> 00:17:40,024
CASSIE TO DO WHAT WE NEED?
>> I DON'T HAVE TO GET HER TO DO
A THING.
664
00:17:40,026 --> 00:17:40,958
>> I DON'T HAVE TO GET HER TO DO
A THING.
THE CIRCLE WILL TAKE CARE OF
665
00:17:40,960 --> 00:17:42,894
A THING.
THE CIRCLE WILL TAKE CARE OF
THAT WITHOUT EVEN KNOWING IT.
666
00:17:42,896 --> 00:17:45,096
THE CIRCLE WILL TAKE CARE OF
THAT WITHOUT EVEN KNOWING IT.
>> FIND THE CIRCLE.
667
00:17:45,098 --> 00:17:46,964
THAT WITHOUT EVEN KNOWING IT.
>> FIND THE CIRCLE.
THE CIRCLE CAN PROTECT YOU.
668
00:17:46,966 --> 00:17:47,899
>> FIND THE CIRCLE.
THE CIRCLE CAN PROTECT YOU.
>> MAKE IT STOP.
669
00:17:47,901 --> 00:17:48,599
THE CIRCLE CAN PROTECT YOU.
>> MAKE IT STOP.
>> BELIEVE IN THE POWER OF THE
670
00:17:48,601 --> 00:17:49,267
>> MAKE IT STOP.
>> BELIEVE IN THE POWER OF THE
CIRCLE.
671
00:17:49,269 --> 00:17:50,668
>> BELIEVE IN THE POWER OF THE
CIRCLE.
>> MAKE IT STOP.
672
00:17:50,670 --> 00:17:52,737
CIRCLE.
>> MAKE IT STOP.
>> BUT MOST OF ALL...
673
00:17:52,739 --> 00:17:56,274
>> MAKE IT STOP.
>> BUT MOST OF ALL...
BELIEVE IN YOURSELF.
674
00:18:00,446 --> 00:18:04,682
>> YOU DID IT.
YOU STOPPED IT, CASSIE.
YOU'RE ONE OF US.
675
00:18:04,684 --> 00:18:06,784
YOU STOPPED IT, CASSIE.
YOU'RE ONE OF US.
>> I HOPED THAT KEEPING THIS
676
00:18:06,786 --> 00:18:08,152
YOU'RE ONE OF US.
>> I HOPED THAT KEEPING THIS
SECRET WOULD KEEP YOU SAFE, BUT
677
00:18:08,154 --> 00:18:09,287
>> I HOPED THAT KEEPING THIS
SECRET WOULD KEEP YOU SAFE, BUT
ALL I'VE DONE IS LEFT YOU
678
00:18:09,289 --> 00:18:10,922
SECRET WOULD KEEP YOU SAFE, BUT
ALL I'VE DONE IS LEFT YOU
UNPROTECTED.
679
00:18:10,924 --> 00:18:12,824
ALL I'VE DONE IS LEFT YOU
UNPROTECTED.
YOU HAVE INCREDIBLE POWER.
680
00:18:12,826 --> 00:18:15,193
UNPROTECTED.
YOU HAVE INCREDIBLE POWER.
PEOPLE WILL COME FOR IT.
681
00:18:15,195 --> 00:18:17,361
YOU HAVE INCREDIBLE POWER.
PEOPLE WILL COME FOR IT.
THEY WILL COME FOR YOU.
682
00:18:17,363 --> 00:18:24,402
>> announcer: THE SECRET CIRCLE.
SERIES PREMIERE--THIS THURSDAY
AT 9:00, 8:00 CENTRAL ON THE CW.
683
00:18:24,404 --> 00:18:26,270
SERIES PREMIERE--THIS THURSDAY
AT 9:00, 8:00 CENTRAL ON THE CW.
>> DON'T MISS THE SECRET CIRCLE,
684
00:18:26,272 --> 00:18:27,572
AT 9:00, 8:00 CENTRAL ON THE CW.
>> DON'T MISS THE SECRET CIRCLE,
AIRING THURSDAYS FOLLOWING
685
00:18:27,574 --> 00:18:29,207
>> DON'T MISS THE SECRET CIRCLE,
AIRING THURSDAYS FOLLOWING
THE VAMPIRE DIARIES THIS FALL--
686
00:18:29,209 --> 00:18:30,741
AIRING THURSDAYS FOLLOWING
THE VAMPIRE DIARIES THIS FALL--
>> ONLY ON THE CW.
687
00:18:30,743 --> 00:18:31,943
THE VAMPIRE DIARIES THIS FALL--
>> ONLY ON THE CW.
>> HEY, LET'S TAKE A QUICK LOOK
688
00:18:31,945 --> 00:18:34,445
>> HEY, LET'S TAKE A QUICK LOOK
INTO THE FUTURE AND SEE WHAT'S
COMING UP MID-SEASON.
689
00:18:34,447 --> 00:18:35,379
INTO THE FUTURE AND SEE WHAT'S
COMING UP MID-SEASON.
>> FOR EIGHT YEARS,
690
00:18:35,381 --> 00:18:36,447
COMING UP MID-SEASON.
>> FOR EIGHT YEARS,
ONE TREE HILL HAS FEARLESSLY
691
00:18:36,449 --> 00:18:37,982
>> FOR EIGHT YEARS,
ONE TREE HILL HAS FEARLESSLY
TACKLED EVERY TOPIC--ANGST,
692
00:18:37,984 --> 00:18:39,317
ONE TREE HILL HAS FEARLESSLY
TACKLED EVERY TOPIC--ANGST,
BETRAYAL, LOVE TRIANGLES,
693
00:18:39,319 --> 00:18:41,319
TACKLED EVERY TOPIC--ANGST,
BETRAYAL, LOVE TRIANGLES,
DIVORCE, ADDICTION, OBSESSION...
694
00:18:41,321 --> 00:18:42,720
BETRAYAL, LOVE TRIANGLES,
DIVORCE, ADDICTION, OBSESSION...
>> BUT THIS YEAR, IT TAKES ON
695
00:18:42,722 --> 00:18:45,022
DIVORCE, ADDICTION, OBSESSION...
>> BUT THIS YEAR, IT TAKES ON
ITS BIGGEST STORYLINE YET.
696
00:18:45,024 --> 00:18:46,390
>> BUT THIS YEAR, IT TAKES ON
ITS BIGGEST STORYLINE YET.
>> THE CW PRESENTS
697
00:18:46,392 --> 00:18:47,692
ITS BIGGEST STORYLINE YET.
>> THE CW PRESENTS
ONE TREE HILL, THE FINAL
698
00:18:47,694 --> 00:18:49,427
>> THE CW PRESENTS
ONE TREE HILL, THE FINAL
SEASON.
699
00:18:49,429 --> 00:18:50,495
ONE TREE HILL, THE FINAL
SEASON.
>> GET DRESSED.
700
00:18:50,497 --> 00:18:51,729
SEASON.
>> GET DRESSED.
>> IS IT TRUE?
701
00:18:51,731 --> 00:18:54,866
>> GET DRESSED.
>> IS IT TRUE?
>> AH!
702
00:18:54,868 --> 00:18:55,900
>> IS IT TRUE?
>> AH!
>> WE'RE PREGNANT.
703
00:18:55,902 --> 00:18:57,568
>> AH!
>> WE'RE PREGNANT.
[giggles]
704
00:18:57,570 --> 00:18:59,370
>> WE'RE PREGNANT.
[giggles]
>> [indistinct singing]
705
00:18:59,372 --> 00:19:00,238
[giggles]
>> [indistinct singing]
>> WE?
706
00:19:00,240 --> 00:19:02,440
>> [indistinct singing]
>> WE?
>> YOU AND ME.
707
00:19:02,442 --> 00:19:03,441
>> WE?
>> YOU AND ME.
>> THERE'S MORE EXCITEMENT
708
00:19:03,443 --> 00:19:04,308
>> YOU AND ME.
>> THERE'S MORE EXCITEMENT
TO COME WHEN
709
00:19:04,310 --> 00:19:05,843
>> THERE'S MORE EXCITEMENT
TO COME WHEN
THE CW 2011 FALL PREVIEW
710
00:19:05,845 --> 00:19:07,044
TO COME WHEN
THE CW 2011 FALL PREVIEW
RETURNS RIGHT AFTER THIS
711
00:19:07,046 --> 00:19:08,846
THE CW 2011 FALL PREVIEW
RETURNS RIGHT AFTER THIS
SHORT BREAK.
712
00:19:08,848 --> 00:19:10,014
RETURNS RIGHT AFTER THIS
SHORT BREAK.
713
00:19:10,016 --> 00:19:11,249
SHORT BREAK.
>> [clears throat]
714
00:19:11,251 --> 00:19:13,351
>> [clears throat]
KRIS.
>> HUH?
715
00:19:13,353 --> 00:19:14,252
KRIS.
>> HUH?
>> KRIS, WE'RE--WE'RE BACK FROM
716
00:19:14,254 --> 00:19:15,119
>> HUH?
>> KRIS, WE'RE--WE'RE BACK FROM
THE BREAK.
717
00:19:15,121 --> 00:19:16,454
>> KRIS, WE'RE--WE'RE BACK FROM
THE BREAK.
>> OH, HEY. UM, JUST A SEC.
718
00:19:16,456 --> 00:19:17,855
THE BREAK.
>> OH, HEY. UM, JUST A SEC.
SOME GUY ON MY TWITTER PAGE IS
719
00:19:17,857 --> 00:19:19,223
>> OH, HEY. UM, JUST A SEC.
SOME GUY ON MY TWITTER PAGE IS
POSTING VERY HURTFUL THINGS
720
00:19:19,225 --> 00:19:20,458
SOME GUY ON MY TWITTER PAGE IS
POSTING VERY HURTFUL THINGS
ABOUT ME.
721
00:19:20,460 --> 00:19:21,726
POSTING VERY HURTFUL THINGS
ABOUT ME.
>> WELL, THEN YOU'D BE A GREAT
722
00:19:21,728 --> 00:19:22,994
ABOUT ME.
>> WELL, THEN YOU'D BE A GREAT
CANDIDATE FOR OUR NEXT SHOW,
723
00:19:22,996 --> 00:19:23,928
>> WELL, THEN YOU'D BE A GREAT
CANDIDATE FOR OUR NEXT SHOW,
H8R.
724
00:19:23,930 --> 00:19:25,196
CANDIDATE FOR OUR NEXT SHOW,
H8R.
IT'S ABOUT CELEBRITIES WHO
725
00:19:25,198 --> 00:19:26,597
H8R.
IT'S ABOUT CELEBRITIES WHO
CONFRONT THEIR WORST CRITICS--
726
00:19:26,599 --> 00:19:27,431
IT'S ABOUT CELEBRITIES WHO
CONFRONT THEIR WORST CRITICS--
YOU.
727
00:19:27,433 --> 00:19:28,366
CONFRONT THEIR WORST CRITICS--
YOU.
>> YEAH, WHY DOES EVERYONE GOTTA
728
00:19:28,368 --> 00:19:29,767
YOU.
>> YEAH, WHY DOES EVERYONE GOTTA
BE A CRITIC, HUH?
729
00:19:29,769 --> 00:19:30,601
>> YEAH, WHY DOES EVERYONE GOTTA
BE A CRITIC, HUH?
>> THEY GO FACE-TO-FACE WITH
730
00:19:30,603 --> 00:19:31,602
BE A CRITIC, HUH?
>> THEY GO FACE-TO-FACE WITH
THE PEOPLE WHO LOVE TO TWEET,
731
00:19:31,604 --> 00:19:33,104
>> THEY GO FACE-TO-FACE WITH
THE PEOPLE WHO LOVE TO TWEET,
BLOG, AND LOVE TO SPREAD THE
732
00:19:33,106 --> 00:19:34,138
THE PEOPLE WHO LOVE TO TWEET,
BLOG, AND LOVE TO SPREAD THE
HATE.
733
00:19:34,140 --> 00:19:34,939
BLOG, AND LOVE TO SPREAD THE
HATE.
>> WELL, YOU KNOW WHAT?
734
00:19:34,941 --> 00:19:35,973
HATE.
>> WELL, YOU KNOW WHAT?
I THINK THEY'RE CALLED TROLLS,
735
00:19:35,975 --> 00:19:36,807
>> WELL, YOU KNOW WHAT?
I THINK THEY'RE CALLED TROLLS,
AND I THINK THEY SUBSIST ON
736
00:19:36,809 --> 00:19:38,009
I THINK THEY'RE CALLED TROLLS,
AND I THINK THEY SUBSIST ON
PURE HATERADE.
737
00:19:38,011 --> 00:19:38,910
AND I THINK THEY SUBSIST ON
PURE HATERADE.
>> WELL, MAYBE YOU CAN WIN
738
00:19:38,912 --> 00:19:40,011
PURE HATERADE.
>> WELL, MAYBE YOU CAN WIN
THE TROLL OVER.
739
00:19:40,013 --> 00:19:40,745
>> WELL, MAYBE YOU CAN WIN
THE TROLL OVER.
>> YEAH.
740
00:19:40,747 --> 00:19:42,480
THE TROLL OVER.
>> YEAH.
"DAD, INAPPROPRIATE FORUM."
741
00:19:42,482 --> 00:19:43,514
>> YEAH.
"DAD, INAPPROPRIATE FORUM."
YOU WANNA HELP ME OUT WITH THIS
742
00:19:43,516 --> 00:19:44,482
"DAD, INAPPROPRIATE FORUM."
YOU WANNA HELP ME OUT WITH THIS
ONE, MAGGIE?
743
00:19:44,484 --> 00:19:45,283
YOU WANNA HELP ME OUT WITH THIS
ONE, MAGGIE?
>> I GOT YOU.
744
00:19:45,285 --> 00:19:46,250
ONE, MAGGIE?
>> I GOT YOU.
LET'S TAKE A LOOK AT H8R.
745
00:19:46,252 --> 00:19:47,285
>> I GOT YOU.
LET'S TAKE A LOOK AT H8R.
>> OKAY.
746
00:19:47,287 --> 00:19:48,152
LET'S TAKE A LOOK AT H8R.
>> OKAY.
>> announcer: CELEBRITIES.
747
00:19:48,154 --> 00:19:49,720
>> OKAY.
>> announcer: CELEBRITIES.
YOU KNOW THEIR NAMES.
748
00:19:49,722 --> 00:19:51,756
>> announcer: CELEBRITIES.
YOU KNOW THEIR NAMES.
AND TALKING TRASH ABOUT THEM HAS
749
00:19:51,758 --> 00:19:54,258
YOU KNOW THEIR NAMES.
AND TALKING TRASH ABOUT THEM HAS
BECOME A GLOBAL PASTIME.
750
00:19:54,260 --> 00:19:55,793
AND TALKING TRASH ABOUT THEM HAS
BECOME A GLOBAL PASTIME.
>> SNOOKI'S BIRTH WAS A HATE
751
00:19:55,795 --> 00:19:57,428
BECOME A GLOBAL PASTIME.
>> SNOOKI'S BIRTH WAS A HATE
CRIME TO ITALIANS.
752
00:19:57,430 --> 00:19:58,663
>> SNOOKI'S BIRTH WAS A HATE
CRIME TO ITALIANS.
>> announcer: THIS WEDNESDAY,
753
00:19:58,665 --> 00:20:01,265
CRIME TO ITALIANS.
>> announcer: THIS WEDNESDAY,
THE CW AND HOST MARIO LOPEZ
754
00:20:01,267 --> 00:20:02,900
>> announcer: THIS WEDNESDAY,
THE CW AND HOST MARIO LOPEZ
WILL BRING THE STARS AND THEIR
755
00:20:02,902 --> 00:20:05,136
THE CW AND HOST MARIO LOPEZ
WILL BRING THE STARS AND THEIR
HATERS FACE-TO-FACE.
756
00:20:05,138 --> 00:20:06,971
WILL BRING THE STARS AND THEIR
HATERS FACE-TO-FACE.
>> ¶ ONE, TWO, THREE, FOUR ¶
757
00:20:06,973 --> 00:20:08,005
HATERS FACE-TO-FACE.
>> ¶ ONE, TWO, THREE, FOUR ¶
>> HEY.
758
00:20:08,007 --> 00:20:09,874
>> ¶ ONE, TWO, THREE, FOUR ¶
>> HEY.
>> YOU GOT A HATER.
759
00:20:09,876 --> 00:20:11,108
>> HEY.
>> YOU GOT A HATER.
YOU GOT A HATER.
760
00:20:11,110 --> 00:20:12,410
>> YOU GOT A HATER.
YOU GOT A HATER.
>> WHAT ELSE IS NEW?
761
00:20:12,412 --> 00:20:13,911
YOU GOT A HATER.
>> WHAT ELSE IS NEW?
[laughs]
762
00:20:13,913 --> 00:20:15,980
>> WHAT ELSE IS NEW?
[laughs]
[camera shutters clicking]
763
00:20:15,982 --> 00:20:17,481
[laughs]
[camera shutters clicking]
>> I HATE KIM K.
764
00:20:17,483 --> 00:20:18,549
[camera shutters clicking]
>> I HATE KIM K.
THAT'S KIM KARDASHIAN.
765
00:20:18,551 --> 00:20:19,550
>> I HATE KIM K.
THAT'S KIM KARDASHIAN.
I HATE HER ASS.
766
00:20:19,552 --> 00:20:20,751
THAT'S KIM KARDASHIAN.
I HATE HER ASS.
THAT ASS IS NOT REAL.
767
00:20:20,753 --> 00:20:22,587
I HATE HER ASS.
THAT ASS IS NOT REAL.
THIS IS REAL.
768
00:20:22,589 --> 00:20:24,088
THAT ASS IS NOT REAL.
THIS IS REAL.
>> COME ON. I'M REALLY SHOCKED.
769
00:20:24,090 --> 00:20:25,389
THIS IS REAL.
>> COME ON. I'M REALLY SHOCKED.
DID SHE SAY THAT?
770
00:20:25,391 --> 00:20:26,591
>> COME ON. I'M REALLY SHOCKED.
DID SHE SAY THAT?
>> WANNA KNOW WHY I HATE SNOOKI?
771
00:20:26,593 --> 00:20:28,326
DID SHE SAY THAT?
>> WANNA KNOW WHY I HATE SNOOKI?
SHE'S NOT EVEN ITALIAN.
772
00:20:28,328 --> 00:20:29,994
>> WANNA KNOW WHY I HATE SNOOKI?
SHE'S NOT EVEN ITALIAN.
SHE'S FROM SANTIAGO, CHILE.
773
00:20:29,996 --> 00:20:31,028
SHE'S NOT EVEN ITALIAN.
SHE'S FROM SANTIAGO, CHILE.
THANKS, CHILE.
774
00:20:31,030 --> 00:20:31,929
SHE'S FROM SANTIAGO, CHILE.
THANKS, CHILE.
>> IDIOT. I KNOW I'M NOT
775
00:20:31,931 --> 00:20:32,897
THANKS, CHILE.
>> IDIOT. I KNOW I'M NOT
ITALIAN.
776
00:20:32,899 --> 00:20:34,398
>> IDIOT. I KNOW I'M NOT
ITALIAN.
>> [sighs] SHE SUCKS.
777
00:20:34,400 --> 00:20:37,201
ITALIAN.
>> [sighs] SHE SUCKS.
[camera shutters clicking]
778
00:20:37,203 --> 00:20:38,803
>> [sighs] SHE SUCKS.
[camera shutters clicking]
>> SO DINA IS ACTUALLY DOING
779
00:20:38,805 --> 00:20:40,838
[camera shutters clicking]
>> SO DINA IS ACTUALLY DOING
YOGA RIGHT NOW.
780
00:20:40,840 --> 00:20:43,841
>> SO DINA IS ACTUALLY DOING
YOGA RIGHT NOW.
>> HI. IS DINA HERE?
781
00:20:43,843 --> 00:20:45,343
YOGA RIGHT NOW.
>> HI. IS DINA HERE?
>> WE'RE GONNA SURPRISE HIM AT
782
00:20:45,345 --> 00:20:46,310
>> HI. IS DINA HERE?
>> WE'RE GONNA SURPRISE HIM AT
A BAR WITH HIM AND HIS FRIENDS.
783
00:20:46,312 --> 00:20:47,111
>> WE'RE GONNA SURPRISE HIM AT
A BAR WITH HIM AND HIS FRIENDS.
>> HELLO!
784
00:20:47,113 --> 00:20:47,812
A BAR WITH HIM AND HIS FRIENDS.
>> HELLO!
>> [gulps]
785
00:20:47,814 --> 00:20:48,779
>> HELLO!
>> [gulps]
>> WHICH [bleep] IS NICK?
786
00:20:48,781 --> 00:20:49,780
>> [gulps]
>> WHICH [bleep] IS NICK?
>> UM...
787
00:20:49,782 --> 00:20:50,715
>> WHICH [bleep] IS NICK?
>> UM...
>> WHAT THE [bleep]?
788
00:20:50,717 --> 00:20:51,916
>> UM...
>> WHAT THE [bleep]?
>> UM...
789
00:20:51,918 --> 00:20:53,150
>> WHAT THE [bleep]?
>> UM...
>> WHAT DO YOU HAVE TO SAY TO
790
00:20:53,152 --> 00:20:53,951
>> UM...
>> WHAT DO YOU HAVE TO SAY TO
MY FACE?
791
00:20:53,953 --> 00:20:54,852
>> WHAT DO YOU HAVE TO SAY TO
MY FACE?
>> UM...
792
00:20:54,854 --> 00:20:56,487
MY FACE?
>> UM...
>> [laughs]
793
00:20:56,489 --> 00:20:57,989
>> UM...
>> [laughs]
>> ¶ THERE'S NOBODY LIKE ME ¶
794
00:20:57,991 --> 00:20:59,624
>> [laughs]
>> ¶ THERE'S NOBODY LIKE ME ¶
>> I DEFINITELY WANT TO INVITE
795
00:20:59,626 --> 00:21:01,192
>> ¶ THERE'S NOBODY LIKE ME ¶
>> I DEFINITELY WANT TO INVITE
THIS HATER AND HIS FAMILY TO
796
00:21:01,194 --> 00:21:03,194
>> I DEFINITELY WANT TO INVITE
THIS HATER AND HIS FAMILY TO
A NICE ITALIAN DINNER.
797
00:21:03,196 --> 00:21:04,462
THIS HATER AND HIS FAMILY TO
A NICE ITALIAN DINNER.
>> I HEARD YOU PAINT.
798
00:21:04,464 --> 00:21:05,463
A NICE ITALIAN DINNER.
>> I HEARD YOU PAINT.
MAYBE WE CAN GO TO A LOCAL
799
00:21:05,465 --> 00:21:06,530
>> I HEARD YOU PAINT.
MAYBE WE CAN GO TO A LOCAL
STUDIO.
800
00:21:06,532 --> 00:21:07,465
MAYBE WE CAN GO TO A LOCAL
STUDIO.
>> HEY, CHECK IT OUT.
801
00:21:07,467 --> 00:21:08,432
STUDIO.
>> HEY, CHECK IT OUT.
I'M YOU. I SHOULD BE ON
802
00:21:08,434 --> 00:21:09,400
>> HEY, CHECK IT OUT.
I'M YOU. I SHOULD BE ON
JERSEY SHORE.
803
00:21:09,402 --> 00:21:10,468
I'M YOU. I SHOULD BE ON
JERSEY SHORE.
AH!
804
00:21:10,470 --> 00:21:11,402
JERSEY SHORE.
AH!
WANNA MEET MY FAMILY?
805
00:21:11,404 --> 00:21:13,337
AH!
WANNA MEET MY FAMILY?
HERE THEY ARE.
806
00:21:13,339 --> 00:21:14,772
WANNA MEET MY FAMILY?
HERE THEY ARE.
[ominous music]
807
00:21:14,774 --> 00:21:15,806
HERE THEY ARE.
[ominous music]
>> HELLO!
808
00:21:15,808 --> 00:21:16,974
[ominous music]
>> HELLO!
[crickets chirping]
809
00:21:16,976 --> 00:21:17,975
>> HELLO!
[crickets chirping]
THIS IS DEFINITELY GONNA BE
810
00:21:17,977 --> 00:21:18,976
[crickets chirping]
THIS IS DEFINITELY GONNA BE
A CHALLENGE.
811
00:21:18,978 --> 00:21:20,845
THIS IS DEFINITELY GONNA BE
A CHALLENGE.
>> I'D LOVE TO HAVE YOU JUDGE ME
812
00:21:20,847 --> 00:21:22,280
A CHALLENGE.
>> I'D LOVE TO HAVE YOU JUDGE ME
OFF OF KNOWING ME INSTEAD OF
813
00:21:22,282 --> 00:21:23,914
>> I'D LOVE TO HAVE YOU JUDGE ME
OFF OF KNOWING ME INSTEAD OF
WHAT YOU WOULD PROBABLY THINK
814
00:21:23,916 --> 00:21:24,982
OFF OF KNOWING ME INSTEAD OF
WHAT YOU WOULD PROBABLY THINK
ABOUT ME.
815
00:21:24,984 --> 00:21:26,150
WHAT YOU WOULD PROBABLY THINK
ABOUT ME.
IF YOU'D SEEN THE SHOW, THEN YOU
816
00:21:26,152 --> 00:21:27,251
ABOUT ME.
IF YOU'D SEEN THE SHOW, THEN YOU
WOULD KNOW THAT WE ACTUALLY
817
00:21:27,253 --> 00:21:28,919
IF YOU'D SEEN THE SHOW, THEN YOU
WOULD KNOW THAT WE ACTUALLY
WENT TO NEW ORLEANS AND HELPED
818
00:21:28,921 --> 00:21:30,054
WOULD KNOW THAT WE ACTUALLY
WENT TO NEW ORLEANS AND HELPED
WITH HURRICANE KATRINA.
819
00:21:30,056 --> 00:21:31,222
WENT TO NEW ORLEANS AND HELPED
WITH HURRICANE KATRINA.
I DO OTHER THINGS, LIKE IN
820
00:21:31,224 --> 00:21:33,024
WITH HURRICANE KATRINA.
I DO OTHER THINGS, LIKE IN
CHILDREN'S HOSPITALS AND OTHER
821
00:21:33,026 --> 00:21:34,358
I DO OTHER THINGS, LIKE IN
CHILDREN'S HOSPITALS AND OTHER
COMMUNITIES.
822
00:21:34,360 --> 00:21:35,493
CHILDREN'S HOSPITALS AND OTHER
COMMUNITIES.
>> I WAS JUST SHOCKED TO KNOW
823
00:21:35,495 --> 00:21:36,694
COMMUNITIES.
>> I WAS JUST SHOCKED TO KNOW
THAT SHE'S DONE SOME GREAT
824
00:21:36,696 --> 00:21:37,695
>> I WAS JUST SHOCKED TO KNOW
THAT SHE'S DONE SOME GREAT
THINGS.
825
00:21:37,697 --> 00:21:38,896
THAT SHE'S DONE SOME GREAT
THINGS.
>> YOU KNOW, MAYBE I REALLY DO
826
00:21:38,898 --> 00:21:39,930
THINGS.
>> YOU KNOW, MAYBE I REALLY DO
NEED TO CALM DOWN WITH,
827
00:21:39,932 --> 00:21:41,032
>> YOU KNOW, MAYBE I REALLY DO
NEED TO CALM DOWN WITH,
YOU KNOW, PARTYING AND STUFF
828
00:21:41,034 --> 00:21:41,866
NEED TO CALM DOWN WITH,
YOU KNOW, PARTYING AND STUFF
LIKE THAT.
829
00:21:41,868 --> 00:21:42,800
YOU KNOW, PARTYING AND STUFF
LIKE THAT.
>> SURE. THIS IS VERY
830
00:21:42,802 --> 00:21:43,701
LIKE THAT.
>> SURE. THIS IS VERY
INTERESTING TO SEE THE SIDE OF
831
00:21:43,703 --> 00:21:44,669
>> SURE. THIS IS VERY
INTERESTING TO SEE THE SIDE OF
YOU THAT WE DON'T GET TO SEE ON
832
00:21:44,671 --> 00:21:45,603
INTERESTING TO SEE THE SIDE OF
YOU THAT WE DON'T GET TO SEE ON
TELEVISION.
833
00:21:45,605 --> 00:21:46,370
YOU THAT WE DON'T GET TO SEE ON
TELEVISION.
>> YEAH.
834
00:21:46,372 --> 00:21:47,238
TELEVISION.
>> YEAH.
>> HOW WOULD YOU LIKE IT IF WE
835
00:21:47,240 --> 00:21:48,339
>> YEAH.
>> HOW WOULD YOU LIKE IT IF WE
ALL CALLED YOU NICOLE TONIGHT?
836
00:21:48,341 --> 00:21:49,240
>> HOW WOULD YOU LIKE IT IF WE
ALL CALLED YOU NICOLE TONIGHT?
>> [gasps]
837
00:21:49,242 --> 00:21:50,041
ALL CALLED YOU NICOLE TONIGHT?
>> [gasps]
>> INSTEAD OF SNOOKI.
838
00:21:50,043 --> 00:21:50,875
>> [gasps]
>> INSTEAD OF SNOOKI.
>> THAT WOULD BE AMAZING.
839
00:21:50,877 --> 00:21:52,076
>> INSTEAD OF SNOOKI.
>> THAT WOULD BE AMAZING.
>> YOU GOT IT, SNOOKI.
840
00:21:52,078 --> 00:21:52,977
>> THAT WOULD BE AMAZING.
>> YOU GOT IT, SNOOKI.
>> [scoffs]
841
00:21:52,979 --> 00:21:56,947
>> YOU GOT IT, SNOOKI.
>> [scoffs]
>> I HAD TO GET THE LAST ONE IN.
842
00:21:56,949 --> 00:21:58,416
>> [scoffs]
>> I HAD TO GET THE LAST ONE IN.
SHE EARNS A LOT OF POINTS FOR
843
00:21:58,418 --> 00:21:59,750
>> I HAD TO GET THE LAST ONE IN.
SHE EARNS A LOT OF POINTS FOR
BEING ABLE TO COOK.
844
00:21:59,752 --> 00:22:01,652
SHE EARNS A LOT OF POINTS FOR
BEING ABLE TO COOK.
>> I KNOW THAT EVERYTHING IS
845
00:22:01,654 --> 00:22:03,788
BEING ABLE TO COOK.
>> I KNOW THAT EVERYTHING IS
NOT WHAT YOU SEE ON TV.
846
00:22:03,790 --> 00:22:04,789
>> I KNOW THAT EVERYTHING IS
NOT WHAT YOU SEE ON TV.
>> NICOLE'S PRETTY COOL.
847
00:22:04,791 --> 00:22:06,157
NOT WHAT YOU SEE ON TV.
>> NICOLE'S PRETTY COOL.
I GOTTA SAY, MY HAT'S OFF TO YA.
848
00:22:06,159 --> 00:22:09,794
>> NICOLE'S PRETTY COOL.
I GOTTA SAY, MY HAT'S OFF TO YA.
>> WHOO!
849
00:22:09,796 --> 00:22:11,529
I GOTTA SAY, MY HAT'S OFF TO YA.
>> WHOO!
>> FOR HER TO FACE ME AFTER
850
00:22:11,531 --> 00:22:13,264
>> WHOO!
>> FOR HER TO FACE ME AFTER
THE THINGS THAT I SAID,
851
00:22:13,266 --> 00:22:14,432
>> FOR HER TO FACE ME AFTER
THE THINGS THAT I SAID,
THAT'S COMMENDABLE.
852
00:22:14,434 --> 00:22:15,933
THE THINGS THAT I SAID,
THAT'S COMMENDABLE.
>> SO DO YOU STILL HATE ME?
853
00:22:15,935 --> 00:22:18,369
THAT'S COMMENDABLE.
>> SO DO YOU STILL HATE ME?
>> I AM NO LONGER A HATER.
854
00:22:18,371 --> 00:22:23,708
>> announcer: H8R.
SERIES PREMIERE THIS WEDNESDAY
AT 8:00, 7:00 CENTRAL ON THE CW.
855
00:22:23,710 --> 00:22:25,109
SERIES PREMIERE THIS WEDNESDAY
AT 8:00, 7:00 CENTRAL ON THE CW.
>> H8R, A BOLD, NEW REALITY
856
00:22:25,111 --> 00:22:26,577
AT 8:00, 7:00 CENTRAL ON THE CW.
>> H8R, A BOLD, NEW REALITY
SERIES, AIRS WEDNESDAYS THIS
857
00:22:26,579 --> 00:22:27,745
>> H8R, A BOLD, NEW REALITY
SERIES, AIRS WEDNESDAYS THIS
FALL, FOLLOWED BY
858
00:22:27,747 --> 00:22:28,946
SERIES, AIRS WEDNESDAYS THIS
FALL, FOLLOWED BY
AMERICA'S NEXT TOP MODEL,
859
00:22:28,948 --> 00:22:30,381
FALL, FOLLOWED BY
AMERICA'S NEXT TOP MODEL,
ONLY ON THE CW.
860
00:22:30,383 --> 00:22:31,282
AMERICA'S NEXT TOP MODEL,
ONLY ON THE CW.
>> THIS FALL,
861
00:22:31,284 --> 00:22:34,118
>> THIS FALL,
AMERICA'S NEXT TOP MODEL KICKS
OFF ITS FIRST EVER ALL-STAR
862
00:22:34,120 --> 00:22:35,619
AMERICA'S NEXT TOP MODEL KICKS
OFF ITS FIRST EVER ALL-STAR
EDITION, PITTING PREVIOUS FAN
863
00:22:35,621 --> 00:22:36,987
OFF ITS FIRST EVER ALL-STAR
EDITION, PITTING PREVIOUS FAN
FAVORITES AGAINST EACH OTHER
864
00:22:36,989 --> 00:22:38,189
EDITION, PITTING PREVIOUS FAN
FAVORITES AGAINST EACH OTHER
IN A BATTLE ROYALE.
865
00:22:38,191 --> 00:22:39,123
FAVORITES AGAINST EACH OTHER
IN A BATTLE ROYALE.
>> IT'S A HIGH-STAKES,
866
00:22:39,125 --> 00:22:40,224
IN A BATTLE ROYALE.
>> IT'S A HIGH-STAKES,
HIGH-STRESS COMPETITION,
867
00:22:40,226 --> 00:22:41,292
>> IT'S A HIGH-STAKES,
HIGH-STRESS COMPETITION,
AND WE'LL GET AN INTIMATE LOOK
868
00:22:41,294 --> 00:22:42,693
HIGH-STRESS COMPETITION,
AND WE'LL GET AN INTIMATE LOOK
AT THESE CONTESTANTS GET A
869
00:22:42,695 --> 00:22:43,794
AND WE'LL GET AN INTIMATE LOOK
AT THESE CONTESTANTS GET A
SECOND AND POSSIBLY LAST CHANCE
870
00:22:43,796 --> 00:22:44,995
AT THESE CONTESTANTS GET A
SECOND AND POSSIBLY LAST CHANCE
AT THEIR DREAM.
871
00:22:44,997 --> 00:22:46,864
SECOND AND POSSIBLY LAST CHANCE
AT THEIR DREAM.
>> I SMELL A CAT FIGHT.
872
00:22:50,402 --> 00:22:54,071
>> announcer: WHAT HAPPENS WHEN
AMERICA'S NEXT TOP MODEL...
>> MY NAME IS LISA.
873
00:22:54,073 --> 00:22:55,206
AMERICA'S NEXT TOP MODEL...
>> MY NAME IS LISA.
>> AND I'M 21 YEARS OLD.
874
00:22:55,208 --> 00:22:56,140
>> MY NAME IS LISA.
>> AND I'M 21 YEARS OLD.
>> AND I'M FROM HARLEM,
875
00:22:56,142 --> 00:22:56,941
>> AND I'M 21 YEARS OLD.
>> AND I'M FROM HARLEM,
NEW YORK.
876
00:22:56,943 --> 00:22:57,775
>> AND I'M FROM HARLEM,
NEW YORK.
>> announcer: ASSEMBLES AN
877
00:22:57,777 --> 00:22:58,776
NEW YORK.
>> announcer: ASSEMBLES AN
ALL-STAR GROUP OF FAN FAVORITES
878
00:22:58,778 --> 00:22:59,810
>> announcer: ASSEMBLES AN
ALL-STAR GROUP OF FAN FAVORITES
FROM THE PAST...
879
00:22:59,812 --> 00:23:00,711
ALL-STAR GROUP OF FAN FAVORITES
FROM THE PAST...
>> I'M GONNA TAKE THESE BITCHES
880
00:23:00,713 --> 00:23:01,512
FROM THE PAST...
>> I'M GONNA TAKE THESE BITCHES
OUT.
881
00:23:01,514 --> 00:23:02,380
>> I'M GONNA TAKE THESE BITCHES
OUT.
THAT'S WHAT I'M GONNA DO.
882
00:23:02,382 --> 00:23:03,280
OUT.
THAT'S WHAT I'M GONNA DO.
>> announcer: A LITTLE BIT OF
883
00:23:03,282 --> 00:23:04,048
THAT'S WHAT I'M GONNA DO.
>> announcer: A LITTLE BIT OF
MODELING...
884
00:23:04,050 --> 00:23:04,849
>> announcer: A LITTLE BIT OF
MODELING...
>> I WAS BLOWN AWAY.
885
00:23:04,851 --> 00:23:05,549
MODELING...
>> I WAS BLOWN AWAY.
>> announcer: AND A WHOLE LOT
886
00:23:05,551 --> 00:23:06,550
>> I WAS BLOWN AWAY.
>> announcer: AND A WHOLE LOT
OF CRAZY.
887
00:23:06,552 --> 00:23:08,652
>> announcer: AND A WHOLE LOT
OF CRAZY.
>> I CAN BE VERY HIGH FASHION.
888
00:23:08,654 --> 00:23:10,020
OF CRAZY.
>> I CAN BE VERY HIGH FASHION.
>> REOW.
889
00:23:10,022 --> 00:23:11,522
>> I CAN BE VERY HIGH FASHION.
>> REOW.
>> DID SHE NOT SAY THAT?
890
00:23:11,524 --> 00:23:12,323
>> REOW.
>> DID SHE NOT SAY THAT?
>> YOU'RE THE ONE LYING.
891
00:23:12,325 --> 00:23:13,124
>> DID SHE NOT SAY THAT?
>> YOU'RE THE ONE LYING.
>> SHUT UP.
892
00:23:13,126 --> 00:23:13,991
>> YOU'RE THE ONE LYING.
>> SHUT UP.
>> announcer: IT'S NOT WHO MAKES
893
00:23:13,993 --> 00:23:14,792
>> SHUT UP.
>> announcer: IT'S NOT WHO MAKES
IT TO THE CATWALK...
894
00:23:14,794 --> 00:23:15,559
>> announcer: IT'S NOT WHO MAKES
IT TO THE CATWALK...
>> ARE YOU FINISHED?
895
00:23:15,561 --> 00:23:16,293
IT TO THE CATWALK...
>> ARE YOU FINISHED?
>> ARE YOU FINISHED?
896
00:23:16,295 --> 00:23:17,194
>> ARE YOU FINISHED?
>> ARE YOU FINISHED?
>> I'M FIGHTING FOR THIS.
897
00:23:17,196 --> 00:23:18,429
>> ARE YOU FINISHED?
>> I'M FIGHTING FOR THIS.
>> announcer: IT'S WHO SURVIVES.
898
00:23:18,431 --> 00:23:19,463
>> I'M FIGHTING FOR THIS.
>> announcer: IT'S WHO SURVIVES.
>> BETTER WATCH OUT, BECAUSE
899
00:23:19,465 --> 00:23:20,965
>> announcer: IT'S WHO SURVIVES.
>> BETTER WATCH OUT, BECAUSE
I'M ONE NOT TO BE [bleep] WITH.
900
00:23:20,967 --> 00:23:22,166
>> BETTER WATCH OUT, BECAUSE
I'M ONE NOT TO BE [bleep] WITH.
>> announcer: AMERICA'S NEXT
901
00:23:22,168 --> 00:23:23,901
I'M ONE NOT TO BE [bleep] WITH.
>> announcer: AMERICA'S NEXT
TOP MODEL: ALL-STARS.
902
00:23:23,903 --> 00:23:24,802
>> announcer: AMERICA'S NEXT
TOP MODEL: ALL-STARS.
PREMIERES THIS WEDNESDAY AT
903
00:23:24,804 --> 00:23:26,937
TOP MODEL: ALL-STARS.
PREMIERES THIS WEDNESDAY AT
9:00, 8:00 CENTRAL ON THE CW.
904
00:23:26,939 --> 00:23:31,642
>> THE FIRST-EVER ALL-STAR
EDITION OF AMERICA'S TOP MODEL
AIRS WEDNESDAY FOLLOWING H8R,
905
00:23:31,644 --> 00:23:33,110
EDITION OF AMERICA'S TOP MODEL
AIRS WEDNESDAY FOLLOWING H8R,
ONLY ON THE CW.
906
00:23:33,112 --> 00:23:34,078
AIRS WEDNESDAY FOLLOWING H8R,
ONLY ON THE CW.
>> I'M SO EXCITED.
907
00:23:34,080 --> 00:23:37,748
>> I'M SO EXCITED.
STAY TUNED-- THE CW 2011 FALL
PREVIEW IS JUST HEATING UP.
908
00:23:37,750 --> 00:23:40,551
STAY TUNED-- THE CW 2011 FALL
PREVIEW IS JUST HEATING UP.
>> IT'S GETTIN' HOT.
909
00:23:40,553 --> 00:23:40,684
PREVIEW IS JUST HEATING UP.
>> IT'S GETTIN' HOT.
910
00:23:41,653 --> 00:23:44,422
>> ANOTHER NEW SHOW TO LOOK OUT
FOR ON THE CW LATER THIS SEASON
IS REMODELED.
911
00:23:44,424 --> 00:23:45,389
FOR ON THE CW LATER THIS SEASON
IS REMODELED.
>> INDUSTRY VET PAUL FISHER
912
00:23:45,391 --> 00:23:46,357
IS REMODELED.
>> INDUSTRY VET PAUL FISHER
KNOWS WHAT IT TAKES TO CREATE
913
00:23:46,359 --> 00:23:48,659
>> INDUSTRY VET PAUL FISHER
KNOWS WHAT IT TAKES TO CREATE
A SUPERMODEL, AND NOW HE'S
914
00:23:48,661 --> 00:23:49,894
KNOWS WHAT IT TAKES TO CREATE
A SUPERMODEL, AND NOW HE'S
GIVING HIS KNOWLEDGE AND SOME
915
00:23:49,896 --> 00:23:50,961
A SUPERMODEL, AND NOW HE'S
GIVING HIS KNOWLEDGE AND SOME
TOUGH LOVE TO SOME AGENCIES
916
00:23:50,963 --> 00:23:52,530
GIVING HIS KNOWLEDGE AND SOME
TOUGH LOVE TO SOME AGENCIES
AROUND THE WORLD WITH ONE GOAL--
917
00:23:52,532 --> 00:23:53,631
TOUGH LOVE TO SOME AGENCIES
AROUND THE WORLD WITH ONE GOAL--
CHANGE THE MODELING INDUSTRY
918
00:23:53,633 --> 00:23:54,465
AROUND THE WORLD WITH ONE GOAL--
CHANGE THE MODELING INDUSTRY
FOREVER.
919
00:23:54,467 --> 00:23:56,233
CHANGE THE MODELING INDUSTRY
FOREVER.
>> LET'S TAKE A LOOK.
920
00:23:56,235 --> 00:23:58,469
FOREVER.
>> LET'S TAKE A LOOK.
>> MY NAME IS PAUL FISHER.
921
00:23:58,471 --> 00:23:59,470
>> LET'S TAKE A LOOK.
>> MY NAME IS PAUL FISHER.
I HAVE CREATED SOME OF THE
922
00:23:59,472 --> 00:24:01,305
>> MY NAME IS PAUL FISHER.
I HAVE CREATED SOME OF THE
WORLD'S MOST FAMOUS SUPERMODELS.
923
00:24:01,307 --> 00:24:02,206
I HAVE CREATED SOME OF THE
WORLD'S MOST FAMOUS SUPERMODELS.
GET ME VALERIE FROM VOGUE ON THE
924
00:24:02,208 --> 00:24:02,973
WORLD'S MOST FAMOUS SUPERMODELS.
GET ME VALERIE FROM VOGUE ON THE
PHONE--I WANNA HAVE A
925
00:24:02,975 --> 00:24:04,108
GET ME VALERIE FROM VOGUE ON THE
PHONE--I WANNA HAVE A
CONVERSATION WITH HER.
926
00:24:04,110 --> 00:24:05,042
PHONE--I WANNA HAVE A
CONVERSATION WITH HER.
I WAS A ROCK STAR IN THE
927
00:24:05,044 --> 00:24:05,976
CONVERSATION WITH HER.
I WAS A ROCK STAR IN THE
MODELING INDUSTRY.
928
00:24:05,978 --> 00:24:08,612
I WAS A ROCK STAR IN THE
MODELING INDUSTRY.
SEX, DRUGS, POWER--I HAD IT ALL.
929
00:24:08,614 --> 00:24:09,480
MODELING INDUSTRY.
SEX, DRUGS, POWER--I HAD IT ALL.
>> announcer: THE MAN WHO WALKED
930
00:24:09,482 --> 00:24:10,681
SEX, DRUGS, POWER--I HAD IT ALL.
>> announcer: THE MAN WHO WALKED
AWAY AT THE TOP OF THE FASHION
931
00:24:10,683 --> 00:24:11,682
>> announcer: THE MAN WHO WALKED
AWAY AT THE TOP OF THE FASHION
BUSINESS...
932
00:24:11,684 --> 00:24:13,050
AWAY AT THE TOP OF THE FASHION
BUSINESS...
>> MY LIFE SPUN OUT OF CONTROL,
933
00:24:13,052 --> 00:24:14,552
BUSINESS...
>> MY LIFE SPUN OUT OF CONTROL,
AND I HAD TO GIVE IT ALL UP.
934
00:24:14,554 --> 00:24:15,820
>> MY LIFE SPUN OUT OF CONTROL,
AND I HAD TO GIVE IT ALL UP.
>> announcer: IS BACK WITH
935
00:24:15,822 --> 00:24:17,154
AND I HAD TO GIVE IT ALL UP.
>> announcer: IS BACK WITH
A BRAND-NEW MISSION.
936
00:24:17,156 --> 00:24:18,656
>> announcer: IS BACK WITH
A BRAND-NEW MISSION.
>> FOR 50 YEARS NOW, AGENCIES
937
00:24:18,658 --> 00:24:19,757
A BRAND-NEW MISSION.
>> FOR 50 YEARS NOW, AGENCIES
AND SMALL MARKETS HAVE BEEN
938
00:24:19,759 --> 00:24:21,525
>> FOR 50 YEARS NOW, AGENCIES
AND SMALL MARKETS HAVE BEEN
FINDING AMAZING, AMAZING KIDS
939
00:24:21,527 --> 00:24:22,927
AND SMALL MARKETS HAVE BEEN
FINDING AMAZING, AMAZING KIDS
AND GETTING SCREWED.
940
00:24:22,929 --> 00:24:24,028
FINDING AMAZING, AMAZING KIDS
AND GETTING SCREWED.
THE NEW YORK AGENCIES MAKE ALL
941
00:24:24,030 --> 00:24:25,129
AND GETTING SCREWED.
THE NEW YORK AGENCIES MAKE ALL
THE MONEY, THEY GET ALL THE
942
00:24:25,131 --> 00:24:26,764
THE NEW YORK AGENCIES MAKE ALL
THE MONEY, THEY GET ALL THE
GLORY, AND THAT'S GONNA CHANGE.
943
00:24:26,766 --> 00:24:27,865
THE MONEY, THEY GET ALL THE
GLORY, AND THAT'S GONNA CHANGE.
AND I'M HERE TO PROTECT THE
944
00:24:27,867 --> 00:24:28,899
GLORY, AND THAT'S GONNA CHANGE.
AND I'M HERE TO PROTECT THE
LITTLE GUY.
945
00:24:28,901 --> 00:24:30,167
AND I'M HERE TO PROTECT THE
LITTLE GUY.
BUT IF I'M GONNA TRANSFORM YOUR
946
00:24:30,169 --> 00:24:31,268
LITTLE GUY.
BUT IF I'M GONNA TRANSFORM YOUR
AGENCY, WE'RE GONNA DO IT MY
947
00:24:31,270 --> 00:24:32,636
BUT IF I'M GONNA TRANSFORM YOUR
AGENCY, WE'RE GONNA DO IT MY
WAY.
948
00:24:32,638 --> 00:24:33,537
AGENCY, WE'RE GONNA DO IT MY
WAY.
>> announcer: THE PLAN BEGINS
949
00:24:33,539 --> 00:24:34,939
WAY.
>> announcer: THE PLAN BEGINS
AT THE NETWORK...
950
00:24:34,941 --> 00:24:35,906
>> announcer: THE PLAN BEGINS
AT THE NETWORK...
>> THE NETWORK'S A COMMUNITY
951
00:24:35,908 --> 00:24:36,907
AT THE NETWORK...
>> THE NETWORK'S A COMMUNITY
OF MODELING AGENCIES FROM ALL
952
00:24:36,909 --> 00:24:37,842
>> THE NETWORK'S A COMMUNITY
OF MODELING AGENCIES FROM ALL
OVER THE WORLD.
953
00:24:37,844 --> 00:24:38,976
OF MODELING AGENCIES FROM ALL
OVER THE WORLD.
>> announcer: WHERE EACH WEEK
954
00:24:38,978 --> 00:24:40,945
OVER THE WORLD.
>> announcer: WHERE EACH WEEK
THE CW WILL FOLLOW PAUL FISHER
955
00:24:40,947 --> 00:24:42,112
>> announcer: WHERE EACH WEEK
THE CW WILL FOLLOW PAUL FISHER
AND HIS STAFF.
956
00:24:42,114 --> 00:24:43,047
THE CW WILL FOLLOW PAUL FISHER
AND HIS STAFF.
>> JOSEPH'S MY PERSONAL
957
00:24:43,049 --> 00:24:43,881
AND HIS STAFF.
>> JOSEPH'S MY PERSONAL
ASSISTANT.
958
00:24:43,883 --> 00:24:44,949
>> JOSEPH'S MY PERSONAL
ASSISTANT.
>> MONDAY MEETING, EVERYONE.
959
00:24:44,951 --> 00:24:46,016
ASSISTANT.
>> MONDAY MEETING, EVERYONE.
>> I WOULD NOT WISH THAT JOB
960
00:24:46,018 --> 00:24:46,917
>> MONDAY MEETING, EVERYONE.
>> I WOULD NOT WISH THAT JOB
ON ANYBODY.
961
00:24:46,919 --> 00:24:47,751
>> I WOULD NOT WISH THAT JOB
ON ANYBODY.
YOU TALKING TO ME?
962
00:24:47,753 --> 00:24:48,953
ON ANYBODY.
YOU TALKING TO ME?
WHERE'S MY CAR--GET MY CAR.
963
00:24:48,955 --> 00:24:49,787
YOU TALKING TO ME?
WHERE'S MY CAR--GET MY CAR.
>> announcer: THEY'LL DEVELOP
964
00:24:49,789 --> 00:24:50,588
WHERE'S MY CAR--GET MY CAR.
>> announcer: THEY'LL DEVELOP
A STRATEGY...
965
00:24:50,590 --> 00:24:51,388
>> announcer: THEY'LL DEVELOP
A STRATEGY...
>> YOU KNOW WHAT WE'RE TRYING TO
966
00:24:51,390 --> 00:24:52,189
A STRATEGY...
>> YOU KNOW WHAT WE'RE TRYING TO
DO HERE.
967
00:24:52,191 --> 00:24:53,224
>> YOU KNOW WHAT WE'RE TRYING TO
DO HERE.
WE'RE CHANGING AN INDUSTRY.
968
00:24:53,226 --> 00:24:54,091
DO HERE.
WE'RE CHANGING AN INDUSTRY.
>> announcer: TO TAKE ON TWO
969
00:24:54,093 --> 00:24:55,626
WE'RE CHANGING AN INDUSTRY.
>> announcer: TO TAKE ON TWO
SEPARATE BUT EQUALLY DAUNTING
970
00:24:55,628 --> 00:24:56,694
>> announcer: TO TAKE ON TWO
SEPARATE BUT EQUALLY DAUNTING
TASKS.
971
00:24:56,696 --> 00:24:58,963
SEPARATE BUT EQUALLY DAUNTING
TASKS.
JOB ONE--EXPAND HIS NETWORK OF
972
00:24:58,965 --> 00:25:00,631
TASKS.
JOB ONE--EXPAND HIS NETWORK OF
MODELING AGENCIES ONE SMALL
973
00:25:00,633 --> 00:25:02,766
JOB ONE--EXPAND HIS NETWORK OF
MODELING AGENCIES ONE SMALL
BOUTIQUE AT A TIME.
974
00:25:02,768 --> 00:25:04,668
MODELING AGENCIES ONE SMALL
BOUTIQUE AT A TIME.
>> WOW.
975
00:25:04,670 --> 00:25:05,970
BOUTIQUE AT A TIME.
>> WOW.
YOU CANNOT LET PEOPLE WALK INTO
976
00:25:05,972 --> 00:25:07,371
>> WOW.
YOU CANNOT LET PEOPLE WALK INTO
A PLACE THAT LOOKS LIKE THIS.
977
00:25:07,373 --> 00:25:08,639
YOU CANNOT LET PEOPLE WALK INTO
A PLACE THAT LOOKS LIKE THIS.
>> announcer: JOB TWO--DISCOVER
978
00:25:08,641 --> 00:25:09,807
A PLACE THAT LOOKS LIKE THIS.
>> announcer: JOB TWO--DISCOVER
THE NEXT GENERATION OF
979
00:25:09,809 --> 00:25:11,141
>> announcer: JOB TWO--DISCOVER
THE NEXT GENERATION OF
SUPERMODELS.
980
00:25:11,143 --> 00:25:12,142
THE NEXT GENERATION OF
SUPERMODELS.
>> EACH AGENCY MUST FIND ONE
981
00:25:12,144 --> 00:25:13,010
SUPERMODELS.
>> EACH AGENCY MUST FIND ONE
STAR.
982
00:25:13,012 --> 00:25:13,944
>> EACH AGENCY MUST FIND ONE
STAR.
THIS IS BROOK.
983
00:25:13,946 --> 00:25:14,979
STAR.
THIS IS BROOK.
I'M GOING TO TURN THIS LITTLE
984
00:25:14,981 --> 00:25:16,180
THIS IS BROOK.
I'M GOING TO TURN THIS LITTLE
KID INTO THE NEXT GUESS MODEL.
985
00:25:16,182 --> 00:25:17,314
I'M GOING TO TURN THIS LITTLE
KID INTO THE NEXT GUESS MODEL.
>> announcer: WHILE HE REVAMPS
986
00:25:17,316 --> 00:25:19,049
KID INTO THE NEXT GUESS MODEL.
>> announcer: WHILE HE REVAMPS
A BOUTIQUE TO JOIN HIS NETWORK.
987
00:25:19,051 --> 00:25:20,017
>> announcer: WHILE HE REVAMPS
A BOUTIQUE TO JOIN HIS NETWORK.
>> THIS ARE WONDERFUL, WONDERFUL
988
00:25:20,019 --> 00:25:21,919
A BOUTIQUE TO JOIN HIS NETWORK.
>> THIS ARE WONDERFUL, WONDERFUL
PICTURES...FOR YOUR DORM ROOM.
989
00:25:21,921 --> 00:25:22,853
>> THIS ARE WONDERFUL, WONDERFUL
PICTURES...FOR YOUR DORM ROOM.
>> announcer: HIS STAFF WILL
990
00:25:22,855 --> 00:25:24,154
PICTURES...FOR YOUR DORM ROOM.
>> announcer: HIS STAFF WILL
TRANSFORM AN UNKNOWN INTO A
991
00:25:24,156 --> 00:25:25,389
>> announcer: HIS STAFF WILL
TRANSFORM AN UNKNOWN INTO A
STAR.
992
00:25:25,391 --> 00:25:26,323
TRANSFORM AN UNKNOWN INTO A
STAR.
>> YOU GUYS ARE GONNA OVERSEE
993
00:25:26,325 --> 00:25:27,358
STAR.
>> YOU GUYS ARE GONNA OVERSEE
THE BROOK PHOTO SHOOT AND
994
00:25:27,360 --> 00:25:28,158
>> YOU GUYS ARE GONNA OVERSEE
THE BROOK PHOTO SHOOT AND
MAKEOVER.
995
00:25:28,160 --> 00:25:29,126
THE BROOK PHOTO SHOOT AND
MAKEOVER.
DO NOT LET ME DOWN.
996
00:25:29,128 --> 00:25:31,028
MAKEOVER.
DO NOT LET ME DOWN.
>> IF THIS DOESN'T HAPPEN, HE'S
997
00:25:31,030 --> 00:25:32,663
DO NOT LET ME DOWN.
>> IF THIS DOESN'T HAPPEN, HE'S
GONNA KICK OUR ASSES.
998
00:25:32,665 --> 00:25:33,697
>> IF THIS DOESN'T HAPPEN, HE'S
GONNA KICK OUR ASSES.
>> I KNOW IT SOUNDS LIKE I'M
999
00:25:33,699 --> 00:25:34,798
GONNA KICK OUR ASSES.
>> I KNOW IT SOUNDS LIKE I'M
BEING A HARDASS.
1000
00:25:34,800 --> 00:25:35,733
>> I KNOW IT SOUNDS LIKE I'M
BEING A HARDASS.
I'M ACTUALLY DOING IT FROM A
1001
00:25:35,735 --> 00:25:37,668
BEING A HARDASS.
I'M ACTUALLY DOING IT FROM A
PLACE OF LOVE.
1002
00:25:37,670 --> 00:25:39,036
I'M ACTUALLY DOING IT FROM A
PLACE OF LOVE.
SO FAR I'M SEEING URINE STAINS
1003
00:25:39,038 --> 00:25:40,104
PLACE OF LOVE.
SO FAR I'M SEEING URINE STAINS
ON THE FLOOR.
1004
00:25:40,106 --> 00:25:41,105
SO FAR I'M SEEING URINE STAINS
ON THE FLOOR.
THE PLACE IS COMPLETELY
1005
00:25:41,107 --> 00:25:42,172
ON THE FLOOR.
THE PLACE IS COMPLETELY
UNORGANIZED.
1006
00:25:42,174 --> 00:25:43,541
THE PLACE IS COMPLETELY
UNORGANIZED.
>> THERE'S NO AIR CONDITIONING.
1007
00:25:43,543 --> 00:25:44,475
UNORGANIZED.
>> THERE'S NO AIR CONDITIONING.
I FELT LIKE I WAS IN SOMEONE'S
1008
00:25:44,477 --> 00:25:45,543
>> THERE'S NO AIR CONDITIONING.
I FELT LIKE I WAS IN SOMEONE'S
MOUTH THE WHOLE TIME.
1009
00:25:45,545 --> 00:25:46,710
I FELT LIKE I WAS IN SOMEONE'S
MOUTH THE WHOLE TIME.
>> IT STINKS!
1010
00:25:46,712 --> 00:25:47,645
MOUTH THE WHOLE TIME.
>> IT STINKS!
DO YOU KNOW WHO THE [bleep]
1011
00:25:47,647 --> 00:25:48,579
>> IT STINKS!
DO YOU KNOW WHO THE [bleep]
I AM?
1012
00:25:48,581 --> 00:25:49,747
DO YOU KNOW WHO THE [bleep]
I AM?
YOU'RE A FULL-SERVICE AGENCY
1013
00:25:49,749 --> 00:25:51,482
I AM?
YOU'RE A FULL-SERVICE AGENCY
THAT IS NOT MAKING ANY MONEY!
1014
00:25:51,484 --> 00:25:52,316
YOU'RE A FULL-SERVICE AGENCY
THAT IS NOT MAKING ANY MONEY!
>> I'M ECSTATIC SEEING SOMEONE
1015
00:25:52,318 --> 00:25:53,284
THAT IS NOT MAKING ANY MONEY!
>> I'M ECSTATIC SEEING SOMEONE
ELSE GET YELLED AT, 'CAUSE IT'S
1016
00:25:53,286 --> 00:25:54,118
>> I'M ECSTATIC SEEING SOMEONE
ELSE GET YELLED AT, 'CAUSE IT'S
NOT ME.
1017
00:25:54,120 --> 00:25:55,185
ELSE GET YELLED AT, 'CAUSE IT'S
NOT ME.
>> JOSEPH, I SEE PURPLE
1018
00:25:55,187 --> 00:25:56,453
NOT ME.
>> JOSEPH, I SEE PURPLE
ANYWHERE EVER AGAIN, FIRE THAT
1019
00:25:56,455 --> 00:25:57,688
>> JOSEPH, I SEE PURPLE
ANYWHERE EVER AGAIN, FIRE THAT
PERSON.
1020
00:25:57,690 --> 00:25:58,622
ANYWHERE EVER AGAIN, FIRE THAT
PERSON.
>> SO PAUL, ARE YOU GONNA CHANGE
1021
00:25:58,624 --> 00:25:59,757
PERSON.
>> SO PAUL, ARE YOU GONNA CHANGE
YOUR SHIRT?
1022
00:25:59,759 --> 00:26:00,925
>> SO PAUL, ARE YOU GONNA CHANGE
YOUR SHIRT?
>> WHAT ARE YOU TALKING ABOUT?
1023
00:26:00,927 --> 00:26:02,626
YOUR SHIRT?
>> WHAT ARE YOU TALKING ABOUT?
>> IT'S PURPLE.
1024
00:26:02,628 --> 00:26:04,528
>> WHAT ARE YOU TALKING ABOUT?
>> IT'S PURPLE.
>> HOLY [bleep].
1025
00:26:04,530 --> 00:26:05,429
>> IT'S PURPLE.
>> HOLY [bleep].
YOU'RE GONNA DO THIS FOR THE
1026
00:26:05,431 --> 00:26:06,297
>> HOLY [bleep].
YOU'RE GONNA DO THIS FOR THE
NEXT 24 HOURS, AND YOU'RE GONNA
1027
00:26:06,299 --> 00:26:07,298
YOU'RE GONNA DO THIS FOR THE
NEXT 24 HOURS, AND YOU'RE GONNA
WORK YOUR [bleep] ASS OFF.
1028
00:26:07,300 --> 00:26:08,432
NEXT 24 HOURS, AND YOU'RE GONNA
WORK YOUR [bleep] ASS OFF.
I'M GONNA MAKE THE HAIR BLOND.
1029
00:26:08,434 --> 00:26:09,433
WORK YOUR [bleep] ASS OFF.
I'M GONNA MAKE THE HAIR BLOND.
I'M GONNA MAKE THE HAIR WHITE.
1030
00:26:09,435 --> 00:26:10,768
I'M GONNA MAKE THE HAIR BLOND.
I'M GONNA MAKE THE HAIR WHITE.
>> PAUL HAD A PARTICULAR VISION
1031
00:26:10,770 --> 00:26:11,769
I'M GONNA MAKE THE HAIR WHITE.
>> PAUL HAD A PARTICULAR VISION
FOR BROOK.
1032
00:26:11,771 --> 00:26:13,070
>> PAUL HAD A PARTICULAR VISION
FOR BROOK.
>> I'M SO EXCITED.
1033
00:26:13,072 --> 00:26:14,004
FOR BROOK.
>> I'M SO EXCITED.
I'VE NEVER BEEN THIS EXCITED
1034
00:26:14,006 --> 00:26:15,372
>> I'M SO EXCITED.
I'VE NEVER BEEN THIS EXCITED
FOR A SHOOT BEFORE.
1035
00:26:15,374 --> 00:26:17,341
I'VE NEVER BEEN THIS EXCITED
FOR A SHOOT BEFORE.
>> THESE PHOTOS NEED TO MEET UP
1036
00:26:17,343 --> 00:26:19,143
FOR A SHOOT BEFORE.
>> THESE PHOTOS NEED TO MEET UP
TO PAUL'S STANDARDS.
1037
00:26:19,145 --> 00:26:20,210
>> THESE PHOTOS NEED TO MEET UP
TO PAUL'S STANDARDS.
>> SWEETHEART, THOSE ARE YOUR
1038
00:26:20,212 --> 00:26:21,178
TO PAUL'S STANDARDS.
>> SWEETHEART, THOSE ARE YOUR
MODELS.
1039
00:26:21,180 --> 00:26:22,112
>> SWEETHEART, THOSE ARE YOUR
MODELS.
WHY IS THAT OLD LADY RIGHT NEXT
1040
00:26:22,114 --> 00:26:23,047
MODELS.
WHY IS THAT OLD LADY RIGHT NEXT
TO THAT LITTLE KID?
1041
00:26:23,049 --> 00:26:23,948
WHY IS THAT OLD LADY RIGHT NEXT
TO THAT LITTLE KID?
THAT IS NOT A MODEL.
1042
00:26:23,950 --> 00:26:24,782
TO THAT LITTLE KID?
THAT IS NOT A MODEL.
THAT'S NOT A MODEL.
1043
00:26:24,784 --> 00:26:25,649
THAT IS NOT A MODEL.
THAT'S NOT A MODEL.
THAT'S NOT A MODEL.
1044
00:26:25,651 --> 00:26:26,750
THAT'S NOT A MODEL.
THAT'S NOT A MODEL.
THIS IS HOW YOU DESTROY MY
1045
00:26:26,752 --> 00:26:28,218
THAT'S NOT A MODEL.
THIS IS HOW YOU DESTROY MY
[bleep] REPUTATION.
1046
00:26:28,220 --> 00:26:29,253
THIS IS HOW YOU DESTROY MY
[bleep] REPUTATION.
THE PROPER AGE FOR A HIGH
1047
00:26:29,255 --> 00:26:30,921
[bleep] REPUTATION.
THE PROPER AGE FOR A HIGH
FASHION MODEL--15 TO 18.
1048
00:26:30,923 --> 00:26:31,922
THE PROPER AGE FOR A HIGH
FASHION MODEL--15 TO 18.
HOW OLD ARE YOU?
1049
00:26:31,924 --> 00:26:32,856
FASHION MODEL--15 TO 18.
HOW OLD ARE YOU?
>> I'M 28.
1050
00:26:32,858 --> 00:26:34,625
HOW OLD ARE YOU?
>> I'M 28.
>> YOU'RE OVER THE HILL AT 20.
1051
00:26:34,627 --> 00:26:36,594
>> I'M 28.
>> YOU'RE OVER THE HILL AT 20.
MEN, 6 FEET TALL TO 6'2".
1052
00:26:36,596 --> 00:26:37,628
>> YOU'RE OVER THE HILL AT 20.
MEN, 6 FEET TALL TO 6'2".
HOW TALL ARE YOU?
1053
00:26:37,630 --> 00:26:38,429
MEN, 6 FEET TALL TO 6'2".
HOW TALL ARE YOU?
>> 5'10".
1054
00:26:38,431 --> 00:26:39,163
HOW TALL ARE YOU?
>> 5'10".
>> THE GIRLS ARE GONNA BE THE
1055
00:26:39,165 --> 00:26:39,830
>> 5'10".
>> THE GIRLS ARE GONNA BE THE
SAME HEIGHT AS YOU.
1056
00:26:39,832 --> 00:26:40,531
>> THE GIRLS ARE GONNA BE THE
SAME HEIGHT AS YOU.
>> I COULD HAVE BEEN A BETTER
1057
00:26:40,533 --> 00:26:41,398
SAME HEIGHT AS YOU.
>> I COULD HAVE BEEN A BETTER
MODEL THAN THEM, EVEN THOUGH I'M
1058
00:26:41,400 --> 00:26:42,366
>> I COULD HAVE BEEN A BETTER
MODEL THAN THEM, EVEN THOUGH I'M
LIKE ONE FOOT SHORTER THAN
1059
00:26:42,368 --> 00:26:43,734
MODEL THAN THEM, EVEN THOUGH I'M
LIKE ONE FOOT SHORTER THAN
EVERYONE ELSE.
1060
00:26:43,736 --> 00:26:44,568
LIKE ONE FOOT SHORTER THAN
EVERYONE ELSE.
>> BRING IN THE NEXT PERSON,
1061
00:26:44,570 --> 00:26:45,336
EVERYONE ELSE.
>> BRING IN THE NEXT PERSON,
PLEASE.
1062
00:26:45,338 --> 00:26:46,904
>> BRING IN THE NEXT PERSON,
PLEASE.
SMILE FOR ME.
1063
00:26:46,906 --> 00:26:48,305
PLEASE.
SMILE FOR ME.
HOLY [bleep]!
1064
00:26:48,307 --> 00:26:49,540
SMILE FOR ME.
HOLY [bleep]!
SHE MAY HAVE JUST HAD A BRIEF
1065
00:26:49,542 --> 00:26:52,643
HOLY [bleep]!
SHE MAY HAVE JUST HAD A BRIEF
MEETING WITH A GUMMY BEAR!
1066
00:26:52,645 --> 00:26:54,878
SHE MAY HAVE JUST HAD A BRIEF
MEETING WITH A GUMMY BEAR!
MY PASSION GETS THE BEST OF ME.
1067
00:26:54,880 --> 00:26:55,713
MEETING WITH A GUMMY BEAR!
MY PASSION GETS THE BEST OF ME.
BUT IT'S COMING FROM A PLACE OF
1068
00:26:55,715 --> 00:26:56,747
MY PASSION GETS THE BEST OF ME.
BUT IT'S COMING FROM A PLACE OF
LOVE.
1069
00:26:56,749 --> 00:26:59,650
BUT IT'S COMING FROM A PLACE OF
LOVE.
WE HAVE A LOT TO SHOW YOU.
1070
00:26:59,652 --> 00:27:01,151
LOVE.
WE HAVE A LOT TO SHOW YOU.
THIS IS YOUR NEW OFFICE.
1071
00:27:01,153 --> 00:27:02,119
WE HAVE A LOT TO SHOW YOU.
THIS IS YOUR NEW OFFICE.
>> OH, WOW.
1072
00:27:02,121 --> 00:27:03,387
THIS IS YOUR NEW OFFICE.
>> OH, WOW.
OVERNIGHT, THEY REDID MY ENTIRE
1073
00:27:03,389 --> 00:27:04,655
>> OH, WOW.
OVERNIGHT, THEY REDID MY ENTIRE
OFFICE.
1074
00:27:04,657 --> 00:27:06,056
OVERNIGHT, THEY REDID MY ENTIRE
OFFICE.
>> I'M HOPING THAT THOSE ARE
1075
00:27:06,058 --> 00:27:06,991
OFFICE.
>> I'M HOPING THAT THOSE ARE
TEARS OF JOY.
1076
00:27:06,993 --> 00:27:08,492
>> I'M HOPING THAT THOSE ARE
TEARS OF JOY.
>> THEY ARE.
1077
00:27:08,494 --> 00:27:09,593
TEARS OF JOY.
>> THEY ARE.
>> announcer: COMING SOON TO THE
1078
00:27:09,595 --> 00:27:10,861
>> THEY ARE.
>> announcer: COMING SOON TO THE
CW...
1079
00:27:10,863 --> 00:27:11,795
>> announcer: COMING SOON TO THE
CW...
>> TAKE A LOOK AT YOUR NEW
1080
00:27:11,797 --> 00:27:12,563
CW...
>> TAKE A LOOK AT YOUR NEW
MODELS--THESE ARE THE PEOPLE
1081
00:27:12,565 --> 00:27:13,397
>> TAKE A LOOK AT YOUR NEW
MODELS--THESE ARE THE PEOPLE
YOU TAKE CARE OF NOW.
1082
00:27:13,399 --> 00:27:14,231
MODELS--THESE ARE THE PEOPLE
YOU TAKE CARE OF NOW.
YOU THINK I WAS GONNA LET YOU
1083
00:27:14,233 --> 00:27:14,898
YOU TAKE CARE OF NOW.
YOU THINK I WAS GONNA LET YOU
DOWN?
1084
00:27:14,900 --> 00:27:15,833
YOU THINK I WAS GONNA LET YOU
DOWN?
YOU THINK I'M GONNA LET YOU
1085
00:27:15,835 --> 00:27:16,634
DOWN?
YOU THINK I'M GONNA LET YOU
DOWN?
1086
00:27:16,636 --> 00:27:17,568
YOU THINK I'M GONNA LET YOU
DOWN?
WE CAN ACTUALLY MAKE THEIR
1087
00:27:17,570 --> 00:27:18,869
DOWN?
WE CAN ACTUALLY MAKE THEIR
DREAMS COME TRUE.
1088
00:27:18,871 --> 00:27:20,137
WE CAN ACTUALLY MAKE THEIR
DREAMS COME TRUE.
>> announcer: PAUL FISHER WILL
1089
00:27:20,139 --> 00:27:21,572
DREAMS COME TRUE.
>> announcer: PAUL FISHER WILL
BUILD A NEW MODELING NETWORK
1090
00:27:21,574 --> 00:27:23,173
>> announcer: PAUL FISHER WILL
BUILD A NEW MODELING NETWORK
FROM THE GROUND UP.
1091
00:27:23,175 --> 00:27:24,174
BUILD A NEW MODELING NETWORK
FROM THE GROUND UP.
WE'RE GOING TO CREATE STARS
1092
00:27:24,176 --> 00:27:25,242
FROM THE GROUND UP.
WE'RE GOING TO CREATE STARS
TOGETHER, I PROMISE YOU.
1093
00:27:25,244 --> 00:27:26,510
WE'RE GOING TO CREATE STARS
TOGETHER, I PROMISE YOU.
>> ALL THESE BEAUTIFUL PEOPLE
1094
00:27:26,512 --> 00:27:28,445
TOGETHER, I PROMISE YOU.
>> ALL THESE BEAUTIFUL PEOPLE
ARE NOW MY NEW FACES.
1095
00:27:28,447 --> 00:27:29,980
>> ALL THESE BEAUTIFUL PEOPLE
ARE NOW MY NEW FACES.
>> WE MET A POTENTIAL STAR--
1096
00:27:29,982 --> 00:27:32,416
ARE NOW MY NEW FACES.
>> WE MET A POTENTIAL STAR--
SHAUNESSY.
1097
00:27:32,418 --> 00:27:33,283
>> WE MET A POTENTIAL STAR--
SHAUNESSY.
>> announcer: AND HE'LL
1098
00:27:33,285 --> 00:27:34,585
SHAUNESSY.
>> announcer: AND HE'LL
INTRODUCE THE WORLD TO HIS NEXT
1099
00:27:34,587 --> 00:27:35,953
>> announcer: AND HE'LL
INTRODUCE THE WORLD TO HIS NEXT
WAVE OF SUPERMODELS.
1100
00:27:35,955 --> 00:27:37,021
INTRODUCE THE WORLD TO HIS NEXT
WAVE OF SUPERMODELS.
>> OH, MY GOD, YOU GUYS, THIS IS
1101
00:27:37,023 --> 00:27:38,756
WAVE OF SUPERMODELS.
>> OH, MY GOD, YOU GUYS, THIS IS
THE CREATION OF A STAR.
1102
00:27:38,758 --> 00:27:40,124
>> OH, MY GOD, YOU GUYS, THIS IS
THE CREATION OF A STAR.
BUT SHE'S NOT READY FOR NEW
1103
00:27:40,126 --> 00:27:41,125
THE CREATION OF A STAR.
BUT SHE'S NOT READY FOR NEW
YORK, AND YOU KNOW WHO IS,
1104
00:27:41,127 --> 00:27:42,059
BUT SHE'S NOT READY FOR NEW
YORK, AND YOU KNOW WHO IS,
RIGHT?
1105
00:27:42,061 --> 00:27:43,694
YORK, AND YOU KNOW WHO IS,
RIGHT?
SHAUNESSY.
1106
00:27:43,696 --> 00:27:45,095
RIGHT?
SHAUNESSY.
>> I SHOULD BE IN SCHOOL RIGHT
1107
00:27:45,097 --> 00:27:46,163
SHAUNESSY.
>> I SHOULD BE IN SCHOOL RIGHT
NOW, BUT I CANNOT BELIEVE THAT
1108
00:27:46,165 --> 00:27:47,464
>> I SHOULD BE IN SCHOOL RIGHT
NOW, BUT I CANNOT BELIEVE THAT
I'M IN NEW YORK CITY.
1109
00:27:47,466 --> 00:27:49,400
NOW, BUT I CANNOT BELIEVE THAT
I'M IN NEW YORK CITY.
>> BOOKING A JOB WITH ANDY
1110
00:27:49,402 --> 00:27:50,734
I'M IN NEW YORK CITY.
>> BOOKING A JOB WITH ANDY
HILFIGER WOULD PUT SHAUNESSY
1111
00:27:50,736 --> 00:27:51,769
>> BOOKING A JOB WITH ANDY
HILFIGER WOULD PUT SHAUNESSY
ON THE MAP.
1112
00:27:51,771 --> 00:27:52,736
HILFIGER WOULD PUT SHAUNESSY
ON THE MAP.
>> PAUL, THANK YOU SO MUCH FOR
1113
00:27:52,738 --> 00:27:53,771
ON THE MAP.
>> PAUL, THANK YOU SO MUCH FOR
EVERYTHING THAT YOU'VE DONE FOR
1114
00:27:53,773 --> 00:27:54,805
>> PAUL, THANK YOU SO MUCH FOR
EVERYTHING THAT YOU'VE DONE FOR
ME.
1115
00:27:54,807 --> 00:27:55,673
EVERYTHING THAT YOU'VE DONE FOR
ME.
>> WE'RE GOING TO TRANSFORM
1116
00:27:55,675 --> 00:27:56,774
ME.
>> WE'RE GOING TO TRANSFORM
THEIR AGENCIES, TEACH THEM HOW
1117
00:27:56,776 --> 00:27:58,342
>> WE'RE GOING TO TRANSFORM
THEIR AGENCIES, TEACH THEM HOW
TO RUN THEIR BUSINESS, AND SHOW
1118
00:27:58,344 --> 00:28:00,010
THEIR AGENCIES, TEACH THEM HOW
TO RUN THEIR BUSINESS, AND SHOW
THEM HOW TO CREATE STARS.
1119
00:28:00,012 --> 00:28:00,978
TO RUN THEIR BUSINESS, AND SHOW
THEM HOW TO CREATE STARS.
>> announcer: THE FASHION
1120
00:28:00,980 --> 00:28:02,980
THEM HOW TO CREATE STARS.
>> announcer: THE FASHION
INDUSTRY IS ABOUT TO GET...
1121
00:28:02,982 --> 00:28:04,481
>> announcer: THE FASHION
INDUSTRY IS ABOUT TO GET...
REMODELED.
1122
00:28:04,483 --> 00:28:05,949
INDUSTRY IS ABOUT TO GET...
REMODELED.
NEW REALITY SERIES COMING SOON
1123
00:28:05,951 --> 00:28:09,887
REMODELED.
NEW REALITY SERIES COMING SOON
TO THE CW.
1124
00:28:09,889 --> 00:28:11,922
NEW REALITY SERIES COMING SOON
TO THE CW.
>> WHEW! WE JUST COVERED SOME
1125
00:28:11,924 --> 00:28:13,190
TO THE CW.
>> WHEW! WE JUST COVERED SOME
GROUND, FOLKS.
1126
00:28:13,192 --> 00:28:14,091
>> WHEW! WE JUST COVERED SOME
GROUND, FOLKS.
THAT WAS SOME HEART-POUNDING
1127
00:28:14,093 --> 00:28:15,259
GROUND, FOLKS.
THAT WAS SOME HEART-POUNDING
ENTERTAINMENT.
1128
00:28:15,261 --> 00:28:16,427
THAT WAS SOME HEART-POUNDING
ENTERTAINMENT.
>> AND BEST OF ALL, NO ONE GOT
1129
00:28:16,429 --> 00:28:17,261
ENTERTAINMENT.
>> AND BEST OF ALL, NO ONE GOT
HURT.
1130
00:28:17,263 --> 00:28:18,529
>> AND BEST OF ALL, NO ONE GOT
HURT.
CW IS LOOKING GOOD THIS FALL.
1131
00:28:18,531 --> 00:28:19,663
HURT.
CW IS LOOKING GOOD THIS FALL.
>> IT'S FIVE GREAT NIGHTS OF
1132
00:28:19,665 --> 00:28:21,999
CW IS LOOKING GOOD THIS FALL.
>> IT'S FIVE GREAT NIGHTS OF
ALL-NEW, ORIGINAL PROGRAMMING,
1133
00:28:22,001 --> 00:28:27,337
STARTING WITH GOSSIP GIRL
AND HART OF DIXIE ON MONDAYS.
>> 90210 AND RINGER ON TUESDAYS.
1134
00:28:27,339 --> 00:28:28,972
AND HART OF DIXIE ON MONDAYS.
>> 90210 AND RINGER ON TUESDAYS.
>> THE ALL-NEW REALITY SHOW H8R
1135
00:28:28,974 --> 00:28:29,707
>> 90210 AND RINGER ON TUESDAYS.
>> THE ALL-NEW REALITY SHOW H8R
AND THE PUMPED-UP ALL-STAR
1136
00:28:29,709 --> 00:28:30,841
>> THE ALL-NEW REALITY SHOW H8R
AND THE PUMPED-UP ALL-STAR
EDITION OF AMERICA'S NEXT TOP
1137
00:28:30,843 --> 00:28:32,609
AND THE PUMPED-UP ALL-STAR
EDITION OF AMERICA'S NEXT TOP
MODEL ON WEDNESDAYS.
1138
00:28:32,611 --> 00:28:33,644
EDITION OF AMERICA'S NEXT TOP
MODEL ON WEDNESDAYS.
>> THE VAMPIRE DIARIES
1139
00:28:33,646 --> 00:28:34,678
MODEL ON WEDNESDAYS.
>> THE VAMPIRE DIARIES
AND THE SECRET CIRCLE
1140
00:28:34,680 --> 00:28:35,579
>> THE VAMPIRE DIARIES
AND THE SECRET CIRCLE
ON THURSDAYS.
1141
00:28:35,581 --> 00:28:37,347
AND THE SECRET CIRCLE
ON THURSDAYS.
>> AND NIKITA AND SUPERNATURAL
1142
00:28:37,349 --> 00:28:38,482
ON THURSDAYS.
>> AND NIKITA AND SUPERNATURAL
ON FRIDAYS.
1143
00:28:38,484 --> 00:28:39,750
>> AND NIKITA AND SUPERNATURAL
ON FRIDAYS.
>> AN ENTIRE WEEK OF ORIGINAL
1144
00:28:39,752 --> 00:28:42,486
>> AN ENTIRE WEEK OF ORIGINAL
PROGRAMMING, ALL-NEW AND ONLY
ON THE CW.
1145
00:28:42,488 --> 00:28:43,754
PROGRAMMING, ALL-NEW AND ONLY
ON THE CW.
>> WE HOPE THAT YOU'VE ENJOYED
1146
00:28:43,756 --> 00:28:44,888
ON THE CW.
>> WE HOPE THAT YOU'VE ENJOYED
THIS SNEAK PEEK.
1147
00:28:44,890 --> 00:28:46,023
>> WE HOPE THAT YOU'VE ENJOYED
THIS SNEAK PEEK.
THANKS FOR WATCHING.
1148
00:28:46,025 --> 00:28:47,291
THIS SNEAK PEEK.
THANKS FOR WATCHING.
>> WE WILL SEE YOU THIS FALL.
1149
00:28:47,293 --> 00:28:48,592
>> [clicks tongue]
1150
00:28:49,294 --> 00:28:53,130
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