1 00:00:53,438 --> 00:00:55,404 male announcer: IN THE CRIMINAL JUSTICE SYSTEM, 2 00:00:55,406 --> 00:00:59,191 SEXUALLY BASED OFFENSES ARE CONSIDERED ESPECIALLY HEINOUS. 3 00:00:59,193 --> 00:01:01,611 IN NEW YORK CITY, THE DEDICATED DETECTIVES 4 00:01:01,613 --> 00:01:03,579 WHO INVESTIGATE THESE VICIOUS FELONIES 5 00:01:03,581 --> 00:01:04,914 ARE MEMBERS OF AN ELITE SQUAD 6 00:01:04,916 --> 00:01:07,066 KNOWN AS THE SPECIAL VICTIMS UNIT. 7 00:01:07,068 --> 00:01:09,352 THESE ARE THEIR STORIES. 8 00:01:20,932 --> 00:01:25,551 - CAPTAIN. I DIDN'T SEE YOU COME IN. 9 00:01:25,553 --> 00:01:30,273 - PROBABLY DIDN'T RECOGNIZE ME WITHOUT THE ORANGE JUMPSUIT. 10 00:01:30,275 --> 00:01:32,658 - GLAD TO BE BACK? - SURE. 11 00:01:32,660 --> 00:01:37,663 JUST CHECKING THAT HARRIS DIDN'T STEAL MY FAVORITE STAPLER. 12 00:01:37,665 --> 00:01:42,535 - LOOK, WHAT HAPPENED TO YOU-- - YEAH. 13 00:01:42,537 --> 00:01:46,172 LET'S GET BACK TO WORK. 14 00:01:46,174 --> 00:01:49,425 I'M GLAD TO SEE THE PLACE HASN'T FALLEN APART ENTIRELY. 15 00:01:49,427 --> 00:01:52,094 - WASN'T THE SAME WITHOUT YOU, CAPTAIN. 16 00:01:52,096 --> 00:01:55,181 - I TOOK A TWO-WEEK COFFEE BREAK AND NOBODY NOTICED. 17 00:01:55,183 --> 00:01:56,933 - I DON'T THINK SO. 18 00:01:56,935 --> 00:02:01,387 I SEE HARRIS HAD YOU FILING DAILY MEMO BOOKS, MILEAGE LOGS. 19 00:02:01,389 --> 00:02:03,105 - LOTS OF BUSYWORK. 20 00:02:03,107 --> 00:02:04,223 - BUT IT DIDN'T SEEM TO SLOW YOU DOWN. 21 00:02:04,225 --> 00:02:05,308 YOU CLEARED ME. 22 00:02:05,310 --> 00:02:07,193 SO LET'S KEEP IT UP, 23 00:02:07,195 --> 00:02:08,811 TRY FOLLOWING THE RULES FOR A CHANGE. 24 00:02:08,813 --> 00:02:10,646 - THERE'S RULES, AND THEN THERE'S BUREAUCRACY. 25 00:02:10,648 --> 00:02:12,481 - TRY FOLLOWING BOTH. 26 00:02:12,483 --> 00:02:15,618 WOULDN'T HURT TO COLOR INSIDE THE LINES FOR A WHILE. 27 00:02:15,620 --> 00:02:19,488 ALL OF US. 28 00:02:19,490 --> 00:02:24,126 OH, AND, UH, BY THE WAY... 29 00:02:24,128 --> 00:02:27,213 THANKS. 30 00:02:27,215 --> 00:02:30,333 - WASN'T MY IDEA TO REINVENT THE LINE DURING A RECESSION. 31 00:02:30,335 --> 00:02:31,801 IT'S HARD ENOUGH SELLING THIS CRAP TO PEOPLE 32 00:02:31,803 --> 00:02:33,169 WHEN THEY GOT MONEY. 33 00:02:33,171 --> 00:02:34,503 HOLD ON. 34 00:02:34,505 --> 00:02:36,589 I THINK I SEE MY CAR. DWORKIN? 35 00:02:36,591 --> 00:02:39,725 - UH, DORKIN. - DWORKIN. 36 00:02:39,727 --> 00:02:42,144 JONAS DWORKIN? DUCHESS HOTEL? 37 00:02:42,146 --> 00:02:44,764 - YEAH. SORRY ABOUT THE "W." 38 00:02:44,766 --> 00:02:46,399 - ALL RIGHT, I'LL TALK TO YOU WHEN I GET TO THE HOTEL. 39 00:02:46,401 --> 00:02:50,186 FIRST FIVE DRINKS ARE ON YOU. 40 00:02:50,188 --> 00:02:51,904 - TOUGH FLIGHT? 41 00:02:51,906 --> 00:02:53,739 - FLYING COACH FROM KANSAS CITY. 42 00:02:53,741 --> 00:02:55,408 I GOT THREE SCREAMING BABIES. 43 00:02:55,410 --> 00:02:57,777 GUY SITTING NEXT TO ME MUST HAVE BEEN 600 POUNDS. 44 00:02:57,779 --> 00:02:59,362 GOT ANY VODKA BACK HERE? 45 00:02:59,364 --> 00:03:01,664 - NO, BUT I CAN GO AND GRAB SOME FOR YOU IF YOU WANT. 46 00:03:01,666 --> 00:03:03,165 - NO, THAT'S ALL RIGHT. 47 00:03:03,167 --> 00:03:05,001 - YOU KNOW, I CAN GET THAT AND MORE, 48 00:03:05,003 --> 00:03:08,037 YOU KNOW, IF YOU, UH, REALLY WANT TO LET OFF SOME TENSION, 49 00:03:08,039 --> 00:03:09,205 REALLY RELAX. 50 00:03:09,207 --> 00:03:10,923 - YEAH? 51 00:03:10,925 --> 00:03:12,008 - YEAH. 52 00:03:12,010 --> 00:03:13,542 - WHAT HAVE YOU GOT IN MIND? 53 00:03:13,544 --> 00:03:17,847 - WHATEVER YOU DO. 54 00:03:17,849 --> 00:03:20,433 - WHERE YOU GOING? THERE'S AN OPEN BAR. 55 00:03:20,435 --> 00:03:22,051 ARTISANAL VODKA-- WHATEVER THE HELL THAT MEANS-- 56 00:03:22,053 --> 00:03:23,185 IN THE HOSPITALITY SUITE. 57 00:03:23,187 --> 00:03:24,353 - YEAH, I'LL BE THERE, OKAY? 58 00:03:24,355 --> 00:03:26,472 SAVE SOME FOR ME. - [scoffs] 59 00:03:26,474 --> 00:03:28,607 - EVENING. 60 00:03:28,609 --> 00:03:33,813 THIS IS PILAR. 61 00:03:33,815 --> 00:03:36,866 - HELLO, PILAR. 62 00:03:36,868 --> 00:03:38,401 WHAT, ARE YOU KIDDING ME? 63 00:03:38,403 --> 00:03:40,703 I CAN'T BRING THAT IN THERE. 64 00:03:40,705 --> 00:03:42,571 IT'S A SALES CONFERENCE. 65 00:03:42,573 --> 00:03:43,656 EVERYBODY KNOWS ME. 66 00:03:43,658 --> 00:03:45,157 - NO PROBLEM. 67 00:03:45,159 --> 00:03:47,209 THERE'S PLENTY OF ROOM IN THE BACK SEAT. 68 00:03:55,970 --> 00:03:58,421 - [moaning] 69 00:03:58,423 --> 00:03:59,672 - HEY, EYES ON THE ROAD. 70 00:03:59,674 --> 00:04:01,841 - YOU'RE THE BOSS. 71 00:04:01,843 --> 00:04:03,676 VODKA'S IN THE COOLER ON THE FLOOR. 72 00:04:03,678 --> 00:04:05,895 FIVE BUCKS A POP. 73 00:04:05,897 --> 00:04:09,765 - YOU CAN STOP TALKING NOW. 74 00:04:09,767 --> 00:04:13,686 [moaning and sighing] 75 00:04:21,696 --> 00:04:25,331 [truck horn blares, tires screech] 76 00:04:31,672 --> 00:04:33,422 - TOWN CAR DRIVER RAN OFF. 77 00:04:33,424 --> 00:04:34,957 THE TWO PASSENGERS IN THE BACK 78 00:04:34,959 --> 00:04:37,093 KNOCKED AROUND PRETTY GOOD, BUT RESPONSIVE. 79 00:04:37,095 --> 00:04:38,961 JAWS OF LIFE IS GETTING THEM OUT. 80 00:04:38,963 --> 00:04:41,130 - SO IT'S A NON-FATAL TRAFFIC ACCIDENT. 81 00:04:41,132 --> 00:04:42,848 WHY ARE YOU CALLING US? - THE PASSENGERS. 82 00:04:42,850 --> 00:04:44,683 ONE MALE, ONE FEMALE. 83 00:04:44,685 --> 00:04:46,218 HIS PANTS ARE AROUND HIS ANKLES, 84 00:04:46,220 --> 00:04:48,854 AND IT WASN'T THE CRASH THAT UNZIPPED HIS FLY. 85 00:04:48,856 --> 00:04:51,640 AND LOOK AT THE GIRL. 86 00:04:51,642 --> 00:04:56,729 - SHE'S DRESSED FOR A PARTY. - HMM. 87 00:04:56,731 --> 00:04:58,647 - HEY, SWEETHEART, YOU'RE GONNA BE OKAY.